Los Angeles, CA — December 13, 2024 — Today, Penske Media Corporation (PMC) announced that Billboard, IndieWire, Rolling Stone, The Hollywood Reporter, and Variety received a total of 122 awards at the 17th Annual National Arts & Entertainment Journalism Awards, presented by the Los Angeles Press Club on December 1. These prestigious honors highlighted the exceptional work of PMC’s journalists, photographers, and media teams, further solidifying the company's leadership in entertainment media.
PMC outlets were recognized across the board for their outstanding contributions in a variety of categories, including Print Journalist of the Year, Online Journalist of the Year as well as investigative reporting, photography, business journalism, critical reviews and more. The awards underscore the high level of talent and creativity within the PMC family and their continued impact on the world of arts and entertainment journalism.
Penske Media Penske Media Corporation Takes Honors in the Following Key Categories:
PRINT JOURNALIST OF THE YEAR
- Chris Willman, Variety
- 2nd: Tatiana Siegel, Variety
- 3rd: Seth Abramovitch, The Hollywood Reporter
ONLINE JOURNALIST OF THE YEAR — Tied to an Organization
- Mesfin Fekadu, The Hollywood Reporter
- 2nd: Clayton Davis, Variety
ONLINE JOURNALIST OF THE YEAR — Independent
- 3rd: A.D. Amorosi, Variety, Flood, SPIN
PHOTOJOURNALIST OF THE YEAR
- 2nd: Dan Doperalski, Variety
CRITIC — ANY MEDIA PLATFORM (BROADCAST, PRINT, OR ONLINE)
Film Critic — Under 1,000 words
- Chris Willman, Variety
- 2nd: Siddhant Adlakha, JoySauce/IndieWire/Variety
Film Critic — Over 1,000 words
- David Ehrlich, IndieWire
- 2nd: Owen Gleiberman, Variety
TV Critic
- 2nd: Daniel Fienberg, The Hollywood Reporter
Music Critic
- 3rd: Mesfin Fekadu, The Hollywood Reporter
ANY MEDIA PLATFORM (BROADCAST, PRINT, OR ONLINE)
Celebrity Investigative, Any Media
- Seija Rankin, Jason Rovou, Stephanie Fischette, Nekesa Mumbi Moody, Maer Roshan, The Hollywood Reporter, “Will Ferrell on Navigating His Best Friend's Transition in ‘Will & Harper’”
- 2nd: Gary Baum, The Hollywood Reporter, “Get Me Bryan Freedman!”
- 3rd: Tatiana Siegel, Variety, “Crisis at Marvel: Jonathan Majors Back-Up Plans, ‘The Marvels’ Reshoots, Reviving Original Avengers and More Issues Revealed”
Headline, Any Media
- 3rd: Tom Bruneggemann, IndieWire, “They Don’t Climax in IMAX — or, Why Films with Sexy Sizzle Are Rare Today”
BOOK
Non-Fiction Book
- 3rd: Ramin Setoodeh, HarperCollins Publishers, “Apprentice in Wonderland: How Donald Trump and Mark Burnett Took America Through the Looking Glass”
PHOTOGRAPHY/ART (PRINT OR ONLINE)
News Photo
- Michael Buckner, Haley Kluge, Jennifer Dorn, Variety, “SAG Fran Strike Cover”
- 3rd: Roger Kisby, Rolling Stone, “F1 Opener”
Portrait Photo, TV/Film
- Dan Doperalski, Jennifer Dorn, Haley Kluge, Variety, “David Oyelowo Portrait”
- 3rd: Collier Schorr, Rolling Stone, “Kristen Stewart Uncensored: ‘I Want to Do the Gayest Thing You’ve Ever Seen in Your Life’”
Portrait Photo, Music/Arts
- 3rd: Ash Barhamand, Ava Selbach, Peter B. Cury and Julia & Vincent, The Hollywood Reporter, “Renee Rapp”
Feature Photo
- 2nd: Ash Barhamand, Ava Selbach, Peter B. Cury and Dan Winters, The Hollywood Reporter, “Nathan Fielder + Emma Stone”
- 3rd: Jenny Sargent, Naomy Pedroza and Joelle Grace Taylor, Billboard, “Lainey Wilson”
Action Photo
- Chris Willman, Variety, “Brandi Carlile concert photo/The Best Concerts of 2023”
Photo Essay
- Ash Barhamand, Ava Selbach, Naomy Pedroza, Peter B. Cury, Munachi Osegbu, The Hollywood Reporter, “Hollywood’s Top Stylists”
- 2nd: Alexi Lubomirski, Jennifer Dorn and Haley Kluge, Variety, “Actors on Actors (Oscars)”
Illustration
- 2nd: Neil Jamieson, Haley Kluge and Jennifer Dorn, Variety, “Star Trek Illustrations”
Page Layout
- 2nd: Haley Kluge, Ted Keller, Francesco Muzzi and Jennifer Dorn, Variety, “AI Splash”
Cover Art
- Joe Hutchinson, Rolling Stone, “May 2024 Billie Eilish cover”
- 2nd: Haley Kluge, Jennifer Dorn and Jonny Marlow, Variety, “Anya Taylor Joy Cover”
- 3rd: Peter B. Cury and Zuzanna Rogatty, The Hollywood Reporter, “The Oscar Issue”
PRINT/ONLINE
Business, Film, Print/Online
- 2nd: Rebecca Rubin, Variety, “‘We’re Still Here’: How AMC Theatres Is Struggling With $4.5 Billion in Debt and Surviving Thanks to Taylor Swift, Viral Popcorn Buckets and More”
- 3rd: Gene Maddaus, Variety, “Mickey Mouse, Long a Symbol in Copyright Wars, to Enter Public Domain: ‘It’s Finally Happening’”
Business, TV/Streaming, Print/Online
- Tatiana Siegel, Variety, “Inside the Battle for CNN: Jeff Zucker, David Zaslav, Chris Licht and 18 Months of Crazy Backstabbing”
- 2nd: Jennifer Maas, Variety, “Peak TV Has Peaked: From Exhausted Talent to Massive Losses, the Writers Strike Magnifies an Industry in Freefall”
Business, Music related, Print/Online
- 3rd: Eric Renner Brown, Billboard, “Sphere digital feature”
Business, Tech/Design/Arts related, Print/Online
- 2nd: Seth Abramovitch, The Hollywood Reporter, “A Pellicano Target’s Second Act”
Entertainment Industry/Arts Investigative, Print/Online
- Tatiana Siegel, Variety, “Crisis at Marvel: Jonathan Majors Back-Up Plans, ‘The Marvels’ Reshoots, Reviving Original Avengers and More Issues Revealed”
Obituary/In Appreciation, Film Personalities, Print/Online
- Owen Gleiberman, Variety, “Remembering Piper Laurie in ‘Carrie’ and ‘The Hustler’: A Special Combination of Vulnerability and Power”
Obituary/In Appreciation, TV Personalities, Print/Online
- 2nd: Daniel Fienberg, The Hollywood Reporter, “Critic’s Appreciation: Matthew Perry Masterfully Walked the Line Between Mirth and Melancholy”
Obituary/In Appreciation, Music and Other Arts Personalities, Print/Online
- 3rd: Christian Blauvelt, IndieWire, “Tony Bennett Gave an Iconic 'Goodfellas' Moment Its Charge — but He Didn't Like Being Associated with It”
PRINT (NEWSPAPERS OR MAGAZINES)
General News, Print
- 3rd: Brent Lang, Tatiana Siegel and Matt Donnelly, Variety, “Showstopper! Strikes Plunge Hollywood Into Chaos With Pricey Movie Delays, Pay Battles and AI Anxiety”
CELEBRITY NEWS, PRINT
Diversity in the TV/Film Industry, Print
- Brent Lang, Variety, “Sharmeen Obaid-Chinoy on Her Revealing Diane von Furstenberg Documentary and Directing a ‘Star Wars’ Movie”
- 3rd: Nekesa Mumbi Moody, The Hollywood Reporter, “Oprah and ‘The Color Purple’ Stars on the New Musical Remake: ‘It’s Bright. It’s Vibrant. It’s Us’”
Diversity in the Music/Performing Arts/Arts Industry, Print
- 2nd: Katie Bain, Billboard, “Finding Harmony”
- 3rd: Thania Garcia, Variety, “Meet the Women Managing Música Mexicana’s Breakout Stars, From Xavi to Yahritza Y Su Esencia and More”
Personality Profile, Film Industry — Under 2,500 Words, Print
- 2nd: Kate Aurthur, Variety, “Carey Mulligan Never Felt Like a ‘Proper Actor.’ Then Came ‘Maestro’: ‘I’m Going to Absolutely Do It All’”
Personality Profile, TV/Streaming Industry — Under 2,500 Words, Print
- 2nd: Emily Longeretta, Variety, “‘It Was Never My Intention to Be a Heartthrob’: Josh Hartnett on Finding His Focus, Shedding the Darkness of ‘Black Mirror’ and That ‘Bats--- Crazy’ ‘Trap’ Script”
Personality Profile, Music and Other Arts — Under 2,500 Words, Print
- 2nd: Kim Masters, The Hollywood Reporter, “Linda Yaccarino’s Very Unmerry X Mess”
Personality Profile, Film Industry — Over 2,500 Words, Print
- Alex Morris, Rolling Stone, “Kristen Stewart Uncensored: ‘I Want to Do the Gayest Thing You’ve Ever Seen in Your Life’”
Personality Profile, TV/Streaming Industry — Over 2,500 Words, Print
- Seth Abramovitch, The Hollywood Reporter, “Cheryl Hines … as First Lady? The ‘Curb’ Star on Life After Larry and Marriage to RFK Jr.”
- 3rd: Kate Aurthur, Variety, “Long Live Shiv Roy: Sarah Snook Tells All on That ‘Succession’ Ending, Her Pregnancy and Crying Through the Finale”
Personality Profile, Music and Other Arts — Over 2,500 Words, Print
- 2nd: Angie Martoccio, Rolling Stone, “Billie Eilish Would Like to Reintroduce Herself”
- 3rd: Brian Hiatt, Rolling Stone, “Teezo Touchdown: Birth of a Rock Star”
Film Industry Feature — Under 1,000 Words, Print
- Katcy Stephan, Variety, “‘MoviePass, MovieCrash’: Founder Stacy Spikes on Mitch Lowe, Racial Bias and Where the Company Stands Today”
- 2nd: Beatrice Verhoeven and Scott Feinberg, The Hollywood Reporter, “As the Actors Strike Ends, Many Awards Contenders and Campaigners Are Scrambling to Make Up for Lost Time”
TV Industry Feature — Under 1,000 Words, Print
- Lacey Rose, The Hollywood Reporter, “Dan Harmon Is Ready to Talk About All of It (Including the Justin Roiland Drama)”
- 3rd: Katcy Stephan, Variety, “‘Futurama:’ John DiMaggio on His Salary Battle and Return as Bender”
Music/Performing Arts Industry Feature — Under 1,000 Words, Print
- Mesfin Fekadu, The Hollywood Reporter, “Dolly Parton on Turning Down the Super Bowl and Her New Rock Album: ‘I Don’t Want It to Be Half-Ass Country’”
- 2nd: Jon Burlingame, Variety, “‘Law & Order’ Composer Mike Post Creates New Bluegrass and Blues Album”
Film Industry Feature — Over 1,000 Words, Print
- Scott Feinberg, The Hollywood Reporter, “‘Schindler’s List’: An Oral History of a Masterpiece”
- 2nd: Jon Burlingame, Variety, “‘Maestro’: How Bradley Cooper Turned Bernstein’s Classical Music into a Film Score”
- 3rd: Adam B. Vary, Variety, “‘The Blair Witch Project’ Actors Call Out ‘Reprehensible Behavior’ After Missing Out on Profits for Decades: ‘Don’t Do What We Did’ (EXCLUSIVE)”
TV Industry Feature — Over 1,000 Words, Print
- 2nd: Pamela McClintock, The Hollywood Reporter, “Anderson Cooper on His Complicated Vanderbilt Legacy and CNN After Chris Licht”
Visual Arts/Architecture Feature — Over 1,000 Words, Print
- 3rd: Gary Baum, The Hollywood Reporter, “Museums Are Reckoning With Looted Art. Now It’s LACMA’s Turn”
Celebrity Feature, Print
- Rebecca Keegan, Katie Kilkenny, The Hollywood Reporter, “Fran Drescher’s Role of a Lifetime”
Columnist, Print
- 3rd: Andre Gee, Rolling Stone
Commentary Analysis/Trend, Film, Print
- 2nd: Brent Lang, Variety, “How Steven Spielberg Dominated Culture and the 1994 Oscars With ‘Jurassic Park’ and ‘Schindler’s List’”
- 3rd: Lacey Rose and Lesley Goldberg, The Hollywood Reporter, “Why Hollywood Is in the Throes of an IP Frenzy”
Commentary Analysis/Trend, TV, Print
- 2nd: Michael Schneider, Variety, “Repeats, Reality and 'Yellowstone': How Network TV Is Marketing Fall Lineups Without Many Scripted Favorites”
- 3rd: Clayton Davis, Variety, “‘Love on the Spectrum’ Is Showing Me Examples of How My Autistic Son Could Be as an Adult — and It’s Amazing”
Commentary Analysis/Trend, Music, Print
- Chris Willman, Variety, “Jason Aldean Already Had the Most Contemptible Country Song of the Decade. The Video Is Worse”
- 3rd: Althea Legaspi, Rolling Stone, “Breaking Through Rock Journalism’s Boys’ Club”
Entertainment Publication, Print
- 2nd: Billboard, Rebecca Milzoff, “Billboard: The Sports Issue”
TV/VIDEO/FILM
Personality Profile, Film Personalities, TV
- 2nd: Lesley Corral, Francesca Manto, Dominoe Ibarra and Lacey Rose, The Hollywood Reporter, “Glen Powell Shares His Hollywood Firsts: From Singing 'Unwritten' To 'Spy Kids' Set, Twisters & More”
RADIO/PODCASTS
Anchor/Host, Radio/Podcast
- 2nd: Michael Schneider, Clayton Davis, Jazz Tangcay, Jenelle Riley and Emily Longeretta, Variety, “Variety's Award Circuit Podcast Hosts”
One-on-One Interview, Film Personalities, Radio/Podcast
- 2nd: Clayton Davis, Variety, “Selena Gomez on Her Cannes Win for Best Actress, ‘Only Murders’ and Potentially Becoming Most Emmy-Nominated Latina Producer”
One-on-One Interview, TV Personalities, Radio/Podcast
- 2nd: Michael Schneider, Variety, “Day Eating With Seth Meyers: The 'Late Night' Host Counts Down His Top 10 Pizza List”
One-on-One Interview, Other Arts Personalities, Radio/Podcast
- 3rd: Brian Hiatt, Rolling Stone, “Geddy Lee Tells All: 'My Effin' Life' — and Rush's Possible Future”
Best Arts or Entertainment Regular Podcast
- Brian Hiatt, Rolling Stone, “Rolling Stone Music Now”
- 3rd: Scott Feinberg, The Hollywood Reporter, “Awards Chatter”
ONLINE (CONTENT EXCLUSIVE TO THE INTERNET)
Hard News, TV/Streaming Related, Online
- 2nd: Krystie Lee Yandoli, Rolling Stone, “Chaos, Comedy, and ‘Crying Rooms’: Inside Jimmy Fallon’s ‘Tonight Show’”
Hard News, Film Related, Online
- 2nd: Mia Galuppo and Borys Kit, The Hollywood Reporter, “Netflix Enters Its Dan Lin Era”
- 3rd: Ellise Shafer and Alex Ritman, Variety, “Alan Menken, Sarah Sherman, Alex Winter and Larry Charles Join Jewish Creatives Supporting Jonathan Glazer’s Oscars Speech in Open Letter (EXCLUSIVE)”
Hard News, Music/Arts Related, Online
- David Browne, Nancy Dillon, Kory Grow, Rolling Stone, “‘They Wanted to Dance in Peace. And They Got Slaughtered’”
- 2nd: Mesfin Fekadu, The Hollywood Reporter, “How Jason Aldean Cynically Built “Small Town” to Appeal to Trump Country”
Soft News, TV/Streaming Related, Online
- Wilson Chapman, IndieWire, “Bryan Lee O'Malley Wanted 'Scott Pilgrim Takes Off' to Surprise You”
- 2nd: Mesfin Fekadu, The Hollywood Reporter, “Hulu’s ‘Under the Bridge’ Tells the Story of Reena Virk — and The Notorious B.I.G.”
- 3rd: Meredith Woerner, Variety, “The True Story Behind Truman Capote’s Ashes Being Auctioned Off on ‘Feud’”
Soft News, Film Related, Online
- 3rd: Ryan Gajewski, The Hollywood Reporter, “Animation at a Crossroads as Hope Mixes with Anxiety”
Soft News, Music/Arts Related, Online
- Jem Aswad, Variety, “Why David Bowie Killed Ziggy Stardust, 50 Years Ago Today”
Diversity in the TV/Streaming Industry, Online
- Abbey White, The Hollywood Reporter, “How The CW’s ‘Sight Unseen’ Built a Production For and Driven By Blind and Low Vision Creatives”
Diversity in the Film Industry, Online
- Samantha Bergeson, IndieWire, “For Female Creatives, Hollywood Is Still Just as ‘Bleak’ as Some Fear, but It Doesn’t Have to Be”
- 2nd: Clayton Davis, Variety, “Black Women Executives Are Exiting Studio Leadership Posts and Hollywood’s Doing Nothing About It”
- 3rd: Sharareh Drury, Variety, “‘Dune 2’ Criticized for Lack of Middle Eastern and North African Inclusion and Influences: ‘A Missed Opportunity’”
Diversity in the Music/Performing Arts Industry, Online
- 3rd: Abbey White, The Hollywood Reporter, “A Neuro-Inclusive Take on ‘Spring Awakening’: ‘We Don’t Need to Break People Down’”
Personality Profile, Film Personalities, Online
- Kate Erbland, IndieWire, “Kirsten Dunst Is Our Most Reasonable Movie Star”
- 3rd: Clayton Davis, Variety, “Paul Giamatti on ‘Sideways’ Oscar Snub, the Secret to His ‘Holdovers’ Lazy Eye and How He’s Still ‘Figuring Out How to Act on Film’”
Personality Profile, Music Personalities, Online
- 3rd: Ellise Shafer, Variety, “Peter Doherty and Katia deVidas on Making Doc ‘Stranger in My Own Skin’ About the ‘Terror and Danger’ of Drug Addiction — and Falling in Love in the Process”
TV Feature, Online
- 2nd: J. Kim Murphy, Variety, “‘Winning Time’ Ends in Defeat With an Awkward, Surprise Series Finale”
Film Feature, Actor Related, Online
- 2nd: Katcy Stephan, Variety, “Tom Hardy on His Wild ‘Bikeriders’ Accent and Knowing ‘Furiosa’ Is ‘Special’ (Without Even Seeing It Yet)”
- 3rd: Ethan Shanfeld, Variety, “94-Year-Old June Squibb Does Her Own Stunts in ‘Thelma,’ a Sundance Spin on ‘Mission: Impossible’”
Film Feature, Filmmaker Related, Online
- 2nd: J. Kim Murphy, Variety, “‘Koyaanisqatsi’ Director Godfrey Reggio Unravels His New Odyssey ‘Once Within a Time’ Amid Humanity’s Accelerating Self-Destruction”
- 3rd: Todd Gilchrist, Variety, “Director Martin Brest Revisits the Triumphs of 'Beverly Hills Cop' and 'Midnight Run,' and Reflects On His Post-'Gigli' Hollywood Exile”
Film Feature, Production/History Related, Online
- David Rooney, The Hollywood Reporter, “Hollywood’s 20 Most Erotic Movies, Ranked”
- 3rd: Gary Baum and Katie Kilkenny, The Hollywood Reporter, “Unmasking the AMPTP: Hollywood Labor’s Opaque Nemesis”
Theater Feature, Online
- 2nd: Brent Lang, Variety, “How Broadway’s ‘Cabaret at the Kit Kat Club’ Pulls Off Its Audacious, Sensual 75-Minute Prologue”
Celebrity Feature, Online
- Pamela Chelin, Variety, “Martin Scorsese Hosts Robbie Robertson Tribute Concert, With Jackson Browne and Others Paying Musical Homage”
Columnist, Online
- 2nd: Mesfin Fekadu, The Hollywood Reporter, “The Download, a column by Hollywood Reporter Senior Music Editor Mesfin Fekadu”
Commentary Analysis/Trend, Film, Online
- Lovia Gyarkye, The Hollywood Reporter, “A New Wave of Films Experiments With How We See Climate Change”
- 2nd: Sharareh Drury, Variety, “‘Dune 2’ Criticized for Lack of Middle Eastern and North African Inclusion and Influences: ‘A Missed Opportunity’”
- 3rd: Carolyn Giardina, The Hollywood Reporter, “VFX Pros Expose The Hidden Costs of Selling a Movie as ‘Real’”
Commentary Analysis/Trend, TV, Online
- Clayton Davis, Variety, “‘Love on the Spectrum’ Is Showing Me Examples of How My Autistic Son Could Be as an Adult — and It’s Amazing”
- 2nd: Brian Steinberg, Variety, “TV Talkers From Pat McAfee to Rachel Maddow Gain New License to Blast Bosses On-Air”
Commentary Analysis/Trend, Other Arts, Online
- James Hibberd, The Hollywood Reporter, “When a Ketamine Therapy Visit Goes Horribly Wrong”
Entertainment Website, Online
- The Hollywood Reporter Staff, The Hollywood Reporter, “THR.com”
- 3rd: Variety, Variety, “variety.com”
ENTERTAINMENT BLOG BY AN INDIVIDUAL NOT TIED TO AN ORGANIZATION
Entertainment Blog
- 2nd: Aaron Couch and Borys Kit, The Hollywood Reporter, “Heat Vision”
SOCIAL MEDIA
Best Journalistic use of Social Media to Tell or Enhance a Story
- 2nd: Rachel Seo and Julia MacCary, Variety, “Variety Actors on Actors Season 20”
- 3rd: Mesfin Fekadu, The Hollywood Reporter, “The Hollywood Reporter music articles told through Instagram Stories”
About Penske Media Corporation
Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate monthly audience of more than 350 million. Since 2004, PMC has been a pioneer in digital media and live events, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, Dick Clark Productions, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Artforum, Gold Derby and Luminate, the premier data and analytics company. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several of the most iconic and vital cultural events such as The Golden Globes, Country Music Awards (ACMs), Billboard Music Awards (BBMAs), New Year’s Rockin’ Eve, SXSW, American Music Awards (AMAs), LA3C, Life is Beautiful, Latin Music Week, and ATX Television Festival. Penske Media is headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, for more information, please visit www.PMC.com.
Penske Media Corporation (PMC), the leading global media, live events and data analytics company, recently released findings from their pop culture study, Power of Shared Cultural Connections. The study explores the powerful impact of shared cultural moments and immersive events on consumer engagement, revealing that these experiences resonate profoundly with audiences, foster lifelong memories and community bonds, and offer brands a unique opportunity to cultivate loyalty and engagement through these immersive events.
“At PMC, our research shows that brands have a unique opportunity to be a part of cultural moments by engaging in shared experiences which forge deep emotional connections and loyalty that traditional media channels cannot match,” said Dan Owen, EVP, GM, Strategic Solutions Group at PMC. “As a conduit for creating these collective experiences, PMC helps our partners tap into the power of pop culture and immersive events, embedding themselves in the memories that shape fandoms.”
Key takeaways from the “Power of Shared Cultural Connections” study include:
Major pop culture experiences are a pathway to lifelong memories and provide the thrill of unexpected connection. At a moment in time when much of the world is more isolated than ever, audiences want moments that fuel gratitude and bring us closer to ourselves and each other. 77% say major pop culture experiences are a source of lifelong memories, and 72% seek out pop culture events that offer immersion into the worlds of their favorite shows, movies and artists (86% among Gen Z respondents).
Shared cultural experiences are powerful community builders, particularly when they resonate deeply with the audience’s passions and interests. The more personal and human the stories surrounding the moment are, the more impactful it becomes. 63% seek out pop culture experiences that offer deeper connections to personal interests, and 56% of Gen Z respondents say that they seek out pop culture events that offer deeper community connections with like-minded fans.
Events are always in the plans. 92% plan to attend or wish to attend pop cultural events, including music, film, and art festivals, concerts, immersive experiences and exhibits, in the next year.
Award shows are a vital part of pop culture, connecting us with our favorite artists and acting as a unifying force that creates memorable historical moments. 87% of audiences identify as being“obsessed” or “casual” fans of major award shows. Award shows foster community, with 58% saying they talk to their friends and family about them.
Brands have an incredible power as the facilitators of shared cultural connection. Creating exclusive access that brings fans closer to those moments, and the artists they love most, yields extreme loyalty. 63% consider themselves a super fan of a musician (80% of Gen Z) with 43% saying that if their favorite music artist wears/endorses something, it influences their purchase decision. Additionally, 52% would feel more loyal to a brand if it provided access to live-streamed cultural events.
The findings of PMC’s Power of Shared Cultural Connections study demonstrate that shared cultural moments profoundly influence consumer engagement. This research highlights the critical role that brands play in facilitating these vital connections and creating experiences that not only build emotional ties but also foster enduring loyalty.
To explore the full details of PMC’s research, download the study at: www.pmc.com/2025popculturereport
Report Methodology
In August 2024, Penske Media Corporation (PMC) surveyed a highly targeted segment of 1200 engaged, pop-culturally aware individuals to explore their interest and interaction with live experiences, events, and key cultural moments; as well as the significance these hold for fans, artists, and the brands that make them happen. This study incorporates a blend of qualitative, quantitative, and first-party data, with a spotlight on distinct generational groups: Gen Z, Millennials, Gen X, and Boomers.
Sportico, the global media and publishing leader in the business of sports, today announces the appointment of Tony Haskel as its new Chief Revenue Officer. In his role, Haskel will oversee all aspects of Sportico’s business operations across all platforms, including sales, marketing, international ventures, licensing, social media, membership growth, branded content, and live events. He will report to Paul Rainey, Executive Vice President, Operations & Finance, Penske Media Corporation, and be based in New York.
“We are very excited to welcome Tony Haskel to the Sportico team,” said Rainey. “Tony joins Sportico at a pivotal moment in its growth as the brand continues to define what it means to be the global leader in sports business media. His leadership will be key as Sportico expands its reach and deepens its influence, all while continuing to deliver cutting-edge insights and industry-leading content.”
“I’m honored to join Sportico at this crucial stage of its growth,” said Haskel. “In just four years, Sportico has become the go-to destination for professionals looking for trusted insights, data, analytics, breaking stories, industry profiles and community within the ever-growing sports industry. I’m excited to contribute to the brand’s ongoing success and to work alongside such a talented team of journalists and business operators.”
Haskel brings his extensive experience to Sportico, having previously served as New York and New England Sales Director at Mansueto Ventures, where he spearheaded partnership opportunities across a diverse portfolio of platforms, channels and content. His extensive career includes leadership roles such as Head of Partnerships at Bloomberg Live (Bloomberg Media), Vice President and Publisher of Money (Time Inc.), Executive Sales Director of FORTUNE (Time Inc.), National Advertising Director of Bonnier Mountain Group and Advertising Director of Condé Nast Portfolio.
Haskel graduated from the University of Vermont with a Bachelor of Arts degree, with post graduate certifications from New York University and Columbia Business School. He also serves on the advisory board of the University of Vermont’s Grossman School of Business and the Kelly Brush Foundation.
About Sportico
Sportico is a digital content platform providing sports industry news, data, insights, strategies, leadership and live media experiences for professionals in the $600 billion sports industry. Launched by Penske Media in 2020 as the global media and publishing leader in the business of sports, Sportico has offices in New York and Los Angeles with reporters throughout the world committed to providing breaking news in the sports business industry covered by the world’s top journalists.
Sportico, the global media and publishing leader in the business of sports, today announces the appointment of Tony Haskel as its new Chief Revenue Officer. In his role, Haskel will oversee all aspects of Sportico’s business operations across all platforms, including sales, marketing, international ventures, licensing, social media, membership growth, branded content, and live events. He will report to Paul Rainey, Executive Vice President, Operations & Finance, Penske Media Corporation, and be based in New York.
“We are very excited to welcome Tony Haskel to the Sportico team,” said Rainey. “Tony joins Sportico at a pivotal moment in its growth as the brand continues to define what it means to be the global leader in sports business media. His leadership will be key as Sportico expands its reach and deepens its influence, all while continuing to deliver cutting-edge insights and industry-leading content.”
“I’m honored to join Sportico at this crucial stage of its growth,” said Haskel. “In just four years, Sportico has become the go-to destination for professionals looking for trusted insights, data, analytics, breaking stories, industry profiles and community within the ever-growing sports industry. I’m excited to contribute to the brand’s ongoing success and to work alongside such a talented team of journalists and business operators.”
Haskel brings his extensive experience to Sportico, having previously served as New York and New England Sales Director at Mansueto Ventures, where he spearheaded partnership opportunities across a diverse portfolio of platforms, channels and content. His extensive career includes leadership roles such as Head of Partnerships at Bloomberg Live (Bloomberg Media), Vice President and Publisher of Money (Time Inc.), Executive Sales Director of FORTUNE (Time Inc.), National Advertising Director of Bonnier Mountain Group and Advertising Director of Condé Nast Portfolio.
Haskel graduated from the University of Vermont with a Bachelor of Arts degree, with post graduate certifications from New York University and Columbia Business School. He also serves on the advisory board of the University of Vermont’s Grossman School of Business and the Kelly Brush Foundation.
About Sportico
Sportico is a digital content platform providing sports industry news, data, insights, strategies, leadership and live media experiences for professionals in the $600 billion sports industry. Launched by Penske Media in 2020 as the global media and publishing leader in the business of sports, Sportico has offices in New York and Los Angeles with reporters throughout the world committed to providing breaking news in the sports business industry covered by the world’s top journalists.
Today, Fairchild Media Group (FMG) announced the appointment of Melissa Rocco to Senior Vice President of Sales. In her role, Rocco will oversee the sales team and be responsible for driving global brand partnerships, working with clients and agency partners. She will also be responsible for optimizing budgets while driving revenue for Fairchild Media’s portfolio of brands which include Women’s Wear Daily (WWD), WWD Weekend, Beauty Inc., Footwear News (FN), Sourcing Journal, Rivet and Fairchild Live Events, which commands a combined global audience of 18 million. She will report to Amanda Smith, CEO, Fairchild Media Group and be based in New York.
“I’m thrilled to welcome Melissa to the Fairchild team,” said Smith. “She’s an incredibly accomplished sales leader with a deep understanding of the marketplace and will bring a new level of digital innovation to the team. Her spirit, drive and leadership is absolutely key to our path forward and I’m excited for everything that’s in store.”
"It's truly an exciting time for the fashion, beauty, and retail industries," said Rocco. "Digital innovation and technology have never been more integral to the customer experience, and the iconic Fairchild brands are right at the center of that conversation. I'm thrilled to be working with this team and all of the FMG partners to build on what has been accomplished and create new opportunities to tell their stories.”
Prior to joining Fairchild, Rocco was the Senior Vice President of Sales of Fast Company, leading all global sales efforts, initiatives, and brand partnerships. After three years as one of FastCo’s most successful sales directors, Rocco took over Fast Company‘s traditional role of Publisher in October 2020. She guided the sales team through the most challenging stretches in media and business to contribute to parent company Mansueto Ventures’ best-ever financial performance. Rocco and her team oversaw the success of all-new platforms and programs built to respond dynamically to editorial, custom, partner, and audience needs. Prior to Fast Company, Rocco was a successful digital-first seller at iconic media properties, including Time Inc., IDG, Meredith, and more. Rocco holds a bachelor's degree in journalism and print publishing from Ithaca College.
About Fairchild Media Group
Fairchild Media Group (FMG), a division of Penske Media Corporation (PMC), is the leading source of fashion news and analysis for industry leaders and the global fashion community. Established in 1892 by Edmund Fairchild, Fairchild Media Group brands today include Women’s Wear Daily (WWD), Footwear News (FN), Beauty Inc, Sourcing Journal (SJ), Rivet, Fairchild Live, and Fairchild Studio. Fairchild Media Group’s Fairchild Studio produces over 100 pieces of programming in partnership with blue chip brands including industry reports, video series, and podcasts. The WWD Voices podcast provides news, commentary, and industry insights, as well as behind-the-scenes stories from the world of fashion apparel, luxury, retail, and beauty, hosted by WWD editors with special guests. FMG content reaches an 18 million+ international audience of business executives and fashion enthusiasts across print, digital, social, and over 25 annual thought-leader events, including its renowned CEO Summits.
Today, Dick Clark Productions (DCP) announced the appointment of Diana Miller as Executive Vice President, Talent. In her new role, Miller will lead the talent team, overseeing all aspects of talent booking and management across the company’s wide-ranging portfolio of live events and shows, including the Golden Globes, American Music Awards, Billboard Music Awards, Academy of Country Music Awards, and Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest. She will report to Jay Penske, CEO, Dick Clark Productions. Miller will officially join the team on January 15, 2025 and be based in Los Angeles.
“Diana’s exceptional background, deep relationships and passion for entertainment make her an ideal fit for our team,” said Penske. “Her innovative and outside of the box approach will be key as we continue to expand and enhance our programming and global reach.”
"I'm thrilled to join DCP, a company I've long admired for its rich history and slate of incredible shows”, said Miller. “I'm also excited to be part of DCP's bright future and vision with Jay at the helm and look forward to shaping compelling, unique and memorable opportunities for talent for years to come."
A six-time Emmy Award-winning producer and two-time Billboard Women in Music Award winner, Miller brings over 20 years of experience in booking celebrity interviews and musical performances to the role, along with a proven track record building strong relationships across the entertainment industry. Her work spans major networks including CBS, NBC, Apple TV, and TBS, and she has collaborated with A-list talent and notable figures including Michelle Obama, Paul McCartney, Ariana Grande and Jay-Z.
Miller’s extensive career includes eight years as the Supervising Producer of “The Late Late Show with James Corden,” where she was instrumental in launching acclaimed series, Carpool Karaoke and spent seven years as Producer of “Carpool Karaoke: The Series” on Apple TV. Earlier in her career, she spent seven years as Senior Talent Executive of “Last Call with Carson Daly” and NBC’s New Year’s Eve special. She currently serves as Senior Supervising Producer for “The Talk.”
About Dick Clark Productions
Dick Clark Productions (DCP) is the world's largest producer and proprietor of televised live event entertainment programming including the "Academy of Country Music Awards," "American Music Awards," "Billboard Music Awards," "Dick Clark's New Year's Rockin' Eve with Ryan Seacrest," “Golden Globes,” “So You Think You Can Dance,” from 19 Entertainment and DCP, and “Streamy Awards.” Dick Clark Productions owns one of the world's most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic specials, performances, and legendary programming. Dick Clark Productions is owned by Penske Media Corporation, in a subsidiary joint venture between Penske Media and Eldridge. For more information, please visit DickClark.com.
Today, Fairchild Media Group (FMG) announced the elevation of Jim Fallon to the role of Chief Content Officer, WWD and Fairchild Media Group, effective immediately. Fallon will continue to use his industry knowledge and market expertise across editorial and content creation— from material creation to the final consumer— as FMG continues to strengthen and grow WWD, Beauty Inc, Sourcing Journal and Footwear News. Fallon will report to Amanda Smith, CEO, Fairchild Media Group.
"I am thrilled to recognize Jim with this well-deserved promotion to Chief Content Officer,” said Smith. “Over the last 45 years, Jim has demonstrated a fierce commitment to the journalistic excellence that our brands are known for and has been a critical part of their evolution. His unparalleled experience coupled with his passion for our work are evident in all he does. We look forward to seeing how his vision and leadership continue to propel our prestigious brands forward."
As Chief Content Officer, Fallon will oversee all aspects of editorial content across all brands and platforms, working closely with Smith to drive FMG's legendary titles to the next level of growth. He will maintain the journalistic excellence for which Fairchild is known, help strengthen brand positioning, foster editorial collaboration across FMG, expand audiences while serving the core industry readership, and help develop new editorial products in various forms to further broaden FMG's reach.
Prior to this role, Fallon has served as the editorial director of Fairchild Fashion Media, overseeing editorial for WWD, Footwear News, Beauty Inc and Fairchild Live Media. He has held leadership positions for over 45 years with Fairchild Media. Before that, he was editor of WWD.
Previously, Fallon was London bureau chief for Fairchild Publications for 20 years until 2001, when he relocated to New York. In the U.K., he covered London and areas of continental Europe for all the Fairchild titles, including WWD, the consumer magazine W, the men’s wear publication DNR and Footwear News. During his tenure, he reported on everything from apparel and textiles to telecommunications and supermarkets; the arts to the British royal family, and the enlargement of the European Union to counterfeiting and data security. He served as news editor in the Washington, D.C., bureau of Fairchild Publications for two years before being transferred to London. He is a graduate of the University of Pittsburgh with a degree in journalism and has a master’s degree in journalism from Stanford University.
About Fairchild Media Group
Fairchild Media Group (FMG), a division of Penske Media Corporation (PMC), is the leading source of fashion news and analysis for industry leaders and the global fashion community. Established in 1892 by Edmund Fairchild, Fairchild Media Group brands today include Women’s Wear Daily (WWD), Footwear News (FN), Beauty Inc, Sourcing Journal (SJ), Rivet, Fairchild Live, and Fairchild Studio. Fairchild Media Group’s Fairchild Studio produces over 100 pieces of programming in partnership with blue chip brands including industry reports, video series, and podcasts. The WWD Voices podcast provides news, commentary, and industry insights, as well as behind-the-scenes stories from the world of fashion apparel, luxury, retail, and beauty, hosted by WWD editors with special guests. FMG content reaches an 18 million+ international audience of business executives and fashion enthusiasts across print, digital, social, and over 25 annual thought-leader events, including its renowned CEO Summits.
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Today, CBS and the Golden Globes® announced that acclaimed Emmy®-nominated comedian and actress Nikki Glaser is set to host the 82ND ANNUAL GOLDEN GLOBES®, the first major award show of the season, airing Sunday, January 5, 2025 (8:00-11:00 PM, live ET/5:00-8:00 PM, live PT) on the CBS Television Network, and streaming on Paramount+ in the U.S. (live and on-demand for Paramount+ with SHOWTIME subscribers, or on-demand for Paramount+ Essential subscribers the day after the special airs).*
“I am absolutely thrilled to be hosting the Golden Globes. It’s one of my favorite nights of television and now I get a front row seat (actually, I think I have to host from the stage),” said Glaser. “The Golden Globes is not only a huge night for TV and film, but also for comedy. It’s one of the few times that show business not only allows, but encourages itself to be lovingly mocked (at least I hope so). (God I hope so). It’s an exciting, yet challenging gig because it’s live, unpredictable, and in front of Hollywood’s biggest stars (who also might be getting wasted while seated next to their recent exes).”
Glaser continued, “Some of my favorite jokes of all time have come from past Golden Globes opening monologues when Tina, Amy, or Ricky have said exactly what we all didn’t know we desperately needed to hear. I just hope to continue in that time honored tradition (that might also get me canceled). This is truly a dream job. Plus, I no longer have to feel guilty for every TV show and movie I’ve binged over the past year. It was all worth it. (Below Deck: Sailing Yacht Season Four will be nominated, right?).”
"Nikki Glaser brings a fresh and unmatched candor to her comedy and to the Golden Globes," said Jay Penske, Chairman and CEO, of Dick Clark Productions and Penske Media. "Her unapologetic style made her an obvious and compelling choice as host for this year’s event. We're hopeful this could be the first of many Golden Globes that Nikki will surprise and delight our CBS audience, as well as our audiences around the globe."
“The Golden Globes has a rich history as a night for entertaining, provocative humor,” said George Cheeks, Office of the CEO, Paramount Global, President and Chief Executive Officer, CBS. “Nikki Glaser is a comedic force whose funny, bold and irreverent comedy will continue that legacy and further establish this special as a can’t miss event on CBS.”
"Nikki Glaser is a comedic powerhouse whose daring and unfiltered humor is the perfect match for the Golden Globes,” said Helen Hoehne, President, Golden Globes. “She is sure to bring a unique energy and spontaneity to the show that will keep the audience entertained all night."
Known for her razor-sharp wit and fearless humor, Nikki Glaser has established herself as one of the funniest voices in comedy today. In August of this year, the Los Angeles Times boldly described the knock-out comic, “Nikki Glaser is suddenly the hottest name in comedy." Previously Glaser headlined her first critically-acclaimed HBO comedy special “Good Clean Filth” in 2022, and earned an EMMY nomination for this year’s “Nikki Glaser: Someday You'll Die,” which set the record for both the best premiere night for an HBO comedy special in more than two years and for the #1 largest streaming audience for a Comedy Special in HBO Max/Max history. In 2021, Glaser launched “The Nikki Glaser Podcast” for iHeartMedia and Will Ferrell’s Big Money Players Podcast Network (BMP). She currently hosts and executive produces “Lovers and Liars,” the spinoff of the hit HBO Max and CW reality dating series “FBoy Island,” which Glaser hosted and executive produced for three seasons. Glaser recently wrapped her global THE GOOD GIRL stand-up tour and is currently on her ALIVE AND UNWELL tour across the country through May 2025.
The Golden Globe Awards, often referred to as “Hollywood’s Party of the Year®,” is the largest awards show in the world to celebrate the best of both film and television. Multi-Emmy Award®-winning producing duo Glenn Weiss and Ricky Kirshner of White Cherry Entertainment (WCE) will return as executive producing showrunners for the 82nd Golden Globes. Dick Clark Productions will plan, host and produce the annual Golden Globes, which has been viewed in more than 185 countries and territories worldwide.
CBS’ broadcast of the 81ST ANNUAL GOLDEN GLOBES® on Sunday, January 7, 2024, averaged 10 million viewers (Nielsen Live+7-Day national ratings), up nearly +50% from last year, its largest audience since 2020, making it the 3rd largest televised award show in the world approaching the Grammys and Oscars. The telecast was also the third-largest live-streamed CBS special event on Paramount+ ever in terms of AMA and reach.
Entries for Motion Picture and Television submissions must be completed online HERE, and the deadline is Monday, November 4, 2024. The awards timetable, rules and categories can be found HERE. Nominations are set to be announced on Monday, December 9, 2024.
About The Golden Globes®
As a premier entertainment awards show since 1944, the annual Golden Globes has honored achievements in both television and film. Over the last three decades, the Golden Globes has enabled donations of more than $55 million to entertainment-related charities including scholarship programs, film restoration projects and humanitarian efforts. This funding has also supported diverse programs in partnership with advocacy groups aimed at promoting greater access in Hollywood for underserved communities. Dick Clark Productions is the owner and producer of the Golden Globe Awards. For more information on the Golden Globes, please visit www.GoldenGlobes.com and follow us on X, Instagram, Facebook and in Spanish on X and Facebook.
About Dick Clark Productions
Dick Clark Productions (DCP) is the world's largest producer and proprietor of televised live event entertainment programming including the "Academy of Country Music Awards," "American Music Awards," "Billboard Music Awards," "Dick Clark's New Year's Rockin' Eve with Ryan Seacrest," “Golden Globes,” “So You Think You Can Dance,” from 19 Entertainment and DCP, and “Streamy Awards.” Dick Clark Productions owns one of the world's most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic specials, performances, and legendary programming. Dick Clark Productions is owned by Penske Media Corporation, in a subsidiary joint venture between Penske Media and Eldridge. For more information, please visit DickClark.com
About CBS
CBS, a subsidiary of Paramount Global, creates and distributes industry-leading content across a variety of platforms to audiences around the world. The Company has businesses with origins that date back to the dawn of the broadcasting age as well as new ventures that operate on the leading edge of media. It includes some of the industry’s most successful and popular brands and businesses: CBS Television Network, CBS News and Stations, CBS Sports, CBS Studios, CBS Media Ventures and CBS digital properties
About Penske Media Corporation
Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate monthly audience of more than 350 million. Since 2004, PMC has been a pioneer in digital media and live events, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, Dick Clark Productions, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Artforum, Gold Derby and Luminate, the premier data and analytics company. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several of the most iconic and vital cultural events such as the Golden Globes, Country Music Awards (ACMs), Billboard Music Awards (BBMAs), New Year’s Rockin Eve, SXSW, American Music Awards (AMAs), LA3C, Life is Beautiful, Latin Music Week, and ATX Television Festival. Penske Media is headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, for more information, please visit www.PMC.com
*Paramount+ with SHOWTIME subscribers will have access to stream live via the live feed of their local CBS affiliate on the service, as well as on demand. Paramount+ Essential subscribers will not have the option to stream live but will have access to on-demand the day after the special airs.
Today, Rolling Stone, the award-winning global authority on music, politics, and more, is proud to announce the launch of Rolling Stone Africa in partnership with MWANKOM, dedicated to championing quality Afro content. This collaboration marks a significant milestone as Rolling Stone expands its footprint in Africa with a goal of capturing its vibrant cultures and diverse voices.
“Expanding Rolling Stone's presence in Africa has been our long-term goal. We’re thrilled to give a platform to the rich music scene, culture, and stories that define the continent,” says Gus Wenner, CEO of Rolling Stone. “We look forward to working with MWANKOM and fostering global connections through the universal language of music."
Rolling Stone is renowned for its deep insights and fearless editorial stance in coverage of music, politics, entertainment, and popular culture. MWANKOM is poised to align with and support Rolling Stone’s mission by offering inclusive coverage of the same integrity across Africa’s culture, business, and technology landscape.
“Rooted in a rich multicultural heritage, our journey has been defined by a strong commitment to collaborating with trailblazing entrepreneurs from Africa and its global diaspora across various sectors,” says D. Romuald Bellegarde-Smeralda, CEO & Founder of MWANKOM. “This passion propels us to forge meaningful partnerships and transform remarkable visions into reality. The power of Afro-culture has now become mainstream. With a population in Africa well over 1 billion and a global diaspora of over 500 million people, including a large percentage below 30 years old, we understand the task. As a team of young and accomplished professionals all originating from the continent, we look forward to helping connect success stories from Africa with the rest of the world via the Rolling Stone Africabrand.”
MWANKOM’s diverse content portfolio reflects the multifaceted Afro experience and endeavors to elevate and celebrate Afro stories in a way that resonates with audiences worldwide. MWANKOM’s ultimate objective is positively impacting Africa by supporting educational projects and young entrepreneurs leveraging the global Afro diaspora.
The appointment process for the Editor-in-Chief and other senior positions is currently underway. The official launch date is forthcoming.
About ROLLING STONE:
Five decades since its founding, Rolling Stone today has evolved into a multi-platform content brand with unrivalled access and authority. Published in 10 languages, Rolling Stone has a global audience of over 75 million across 14 international editions. Staying true to its mission to tell exceptional stories that illuminate the culture of our times, Rolling Stone is an authority for music reviews, in-depth interviews, hard-hitting political commentary, and award-winning journalism across print, digital, mobile, video, social and events. Operated and published by Penske Media Corporation, Rolling Stone provides “all the news that fits.”
About MWANKOM:
MWANKOM is dedicated to becoming a leading provider of quality content championing Afro content and culture across the diaspora. MWANKOM aims to emerge as a premium provider of high-quality content celebrating Afro culture and experiences worldwide. By 2030, MWANKOM envisions reaching over 100 million devices globally, with wide distribution planned across Sub-Saharan Africa, Brazil, the Caribbean, the United States, Canada, Europe, and the UK. With a commitment to excellence, MWANKOM aims to redefine storytelling by amplifying the voices and experiences of the Afro community.
With Additional Performances by Jamie xx, Jungle, James Blake, Thundercat, Toro y Moi, Badbadnotgood, Neil Frances, LP Giobbi, Empress Of, John Talabot, and Fifi Taking Place September 27-28 in Downtown Las Vegas
Today, Life is Beautiful, the renowned festival celebrating music, art, and culture, introduces A Big Beautiful Block Party, a thrilling new format and celebration of the culture, ideals and evolution of Downtown Las Vegas. The two-day party, taking place September 27-28, is a unique return to the festival’s roots, offering a more close-knit experience set against the vibrant backdrop of the city’s downtown heart. This year’s newly created event includes performances by Justice, Peggy Gou, LCD Soundsystem, Jamie xx, Jungle, James Blake, Thundercat, Toro y Moi, Badbadnotgood, Neil Frances, LP Giobbi, Empress Of, John Talabot, and Fifi.
Life is Beautiful will transform Downtown Las Vegas into a massive dance party, featuring non-stop music from 5 p.m. to 2 a.m. each day, and will deliver a truly unforgettable experience. Embracing a unique approach, the festival eliminates overlapping sets, allowing attendees to immerse themselves fully in the music without missing a beat. From electrifying headliners to emerging talent, Life is Beautiful promises to deliver performances that captivate and inspire.
Located just a five-minute walk from The Arts District, The East Fremont Entertainment District, and the iconic Fremont Street Experience, Life is Beautiful invites its community to explore and enjoy the rich tapestry of Las Vegas while experiencing world-class music and artistry. Additionally, Life is Beautiful is proud to partner with Headcount, working together to register voters in anticipation of this critical election year.
Tickets for the festival go on sale on Thursday, June 27, at 10 a.m. PST at LifeisBeautiful.com. General Admission passes start at $199, and VIP passes start at $399.
About Life is Beautiful
Celebrating 11 years, Life is Beautiful Festival is Las Vegas' premier music and arts event. Life is Beautiful was born as part of the major revitalization of Downtown Las Vegas in 2013 and has helped transform the surrounding DTLV community into a bustling destination while contributing over $450M of economic impact and cultural capital to the area. Acquired by Penske Media Corporation and Rolling Stone in December 2023, Life is Beautiful is expanding its offering introducing new event concepts and formats while evolving and expanding the reach and impact of its marquee festival. Life is Beautiful continues to be driven by its core mission to create a holistic experience which aids in positive community development and individual empowerment through shared experiences driven by art and culture. What started as an event has become something more: a symbol of connection, joy and creativity.
Follow Life is Beautiful
Instagram: @Lifeisbeautiful
Twitter: @lifeisbeautiful
Facebook: @lifeisbeautifulfest
TikTok: @lifeisbeautifulfestival
London, June 2025
Today, South by Southwest® (SXSW®), the world’s leading festival celebrating the convergence of creativity, culture and technology, is launching in London in June 2025.
Through its multidisciplinary conferences and cultural festivals, SXSW has become a global platform to celebrate new ideas, propelling the careers of innovators and creatives across sectors, from start-up founders to independent artists and filmmakers.
SXSW London expands the footprint of the world’s leading and most sought-after cultural platform created over almost four decades in Austin, Texas. Every year, hundreds of thousands of creatives converge at SXSW to discuss and debate some of the most challenging issues of our time, with innovation in technology and science presented alongside the world’s biggest music and entertainment stories. From AI to climate change, politics to society, and the first outings for game changing start-ups such as Twitter and Airbnb, SXSW has been at the forefront of ideas and providing platforms for the world’s most critical and impactful voices.
Since 1987, SXSW has welcomed the world’s leading speakers and participants across a multitude of disciplines, including Christiane Amanpour, Deepak Chopra, Mark Cuban, Melinda Gates, Dave Grohl, Sadiq Khan, Barack Obama, Michelle Obama, Steven Spielberg, Dr. Lisa Su, Meghan, the Duchess of Sussex, Tilda Swinton, Taika Waititi, Elizabeth Warren, Amy Webb, Michelle Yeoh, and Mark Zuckerberg.
SXSW also creates unrivalled showcasing opportunities for new musicians and filmmakers, with a roll call of firsts that has helped propel global cultural icons like Amy Winehouse, Billie Eilish, Dua Lipa and Ed Sheeran, and other influential artists such as Skepta, Stormzy and Wet Leg.
SXSW London will bring its own distinctive personality, driven by London's internationally renowned cultural life and creativity, its status as a global meeting place, and its proximity to other major creative and tech centres in Europe. Over the course of a week in June, SXSW London will take over dozens of venues, galleries, clubs and other spaces in Shoreditch, east London, renowned as a vibrant centre for creativity and technological innovation, as well as for its diversity, energetic youth culture, global cuisine and nightlife.
SXSW London will build upon London’s place within the community of over 20 million people working in the creative and technology sectors across Europe. In the UK alone, the cultural and creative industries contribute £125 billion, with London contributing more than half of the UK’s entire creative industries economic output.
In addition to inspiring and challenging keynotes, music showcases, and innovations in tech, gaming and screen, SXSW London will introduce boundary pushing visual arts, design and fashion programming, with exhibitions and interactive and immersive experiences in public spaces across its east London campus.
As SXSW’s European edition, SXSW London will have a particular emphasis on creative talent from across Europe. SXSW London will continue to encourage the convergence of creativity and culture, unexpected discoveries, and connections between visitors, creating opportunities for attendees, performers, and the broader London community to collaborate and innovate. SXSW London will also continue to develop Austin's focus on climate action and sustainability, with the ambition to drive positive change for future generations.
More details about the SXSW London 2025 programme will be announced in the coming months, with badges due to go on sale in October 2024. Register your interest for the most unmissable event in the 2025 European creative calendar at sxswlondon.com.
Randel Bryan, Managing Director of SXSW London, said:
"As a life-long fan of SXSW I truly believe that it’s more than an event - it’s a movement, a platform where the world’s greatest minds, musicians and motivators come to share their passion and their vision of the future.
"SXSW London will build on Austin's incredible legacy, presenting an event that underpins why SXSW is the go-to destination for professionals and creatives seeking meaningful connections, unexpected experiences and ideas that can help shape the world.
"SXSW London will also provide a platform for the next generation of creative talent and we will be working hard to ensure that opportunities for learning, employment and community uplift are at the heart of everything we do."
Jann Baskett, Co-President and Chief Brand Officer of SXSW, said:
"We couldn’t be more excited to bring the SXSW experience to London. Following the success of SXSW Sydney, this is an incredible new opportunity to highlight the elements that make SXSW unique in one of the most vibrant cities in Europe. We look forward to forming deeper connections with our overseas community and bringing the conversations that start in Austin all the way to London."
The Mayor of London Sadiq Khan said:
"I am delighted to welcome SXSW to London for the first time ever - confirming our place at the heart of Europe’s tech and creative sectors and as a global capital of culture.
"When I was part of SXSW in Austin in 2018, I saw first-hand the electric atmosphere of innovation SXSW creates and I can’t wait to be part of it again. This is a historic opportunity for London to once again bring the world’s most exciting talent together as part of our mission to build a better and more prosperous London for everyone."
Culture Secretary, Lucy Frazer said:
“Festivals have been a vital part of British culture for decades and a key part of the reason why the UK is known the world over for creative excellence.
“From film and TV to fashion and music, London is a global hub for cultural and creative talent, so it’s fantastic that SXSW is coming here to bring together innovators from across these sectors and demonstrate why the UK’s creative industries are the envy of the world.”
Read quotes from Sir Peter Bazalgette, Co-Chair, UK Creative Industries Council, Dr Jo Twist OBE, Chief Executive, BPI, Darren Henley, Chief Executive, Arts Council England, Naomi Pohl, General Secretary Musicians’ Union, Priya Lakhani OBE, Founder and CEO, CENTURY TECH, Skinder Hundal MBE, Director, Arts, British Council, Karen Palmer, the award winning XR creator and futurist, Tom Kiehl, Interim Chief Executive, UK Music, Sally Davies, Managing Director of Abbey Road Studios, Lawrence Montgomery, Managing Director, Rough Trade Retail (UK), Jessica Driscoll, Director of Immersive Technology, Digital Catapult, Adam Cole, who presented his work Kiss/Crash at SXSW 2024 in Austin, Caroline Rush CBE, CEO British Fashion Council and Chair Creative Industries Trade and Investment Board, Professor James Bennett, Director CoSTAR National R&D Lab for Creative Technologies, Crispin Parry, CEO, British Underground, Ed Jenkins, CEO Volumetric Video Ltd and Dr Hayaatun Sillem CBE, CEO, Royal Academy of Engineering and Queen Elizabeth Prize for Engineering Foundation here.
About SXSW
SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of tech, film and television, music, education, and culture. An essential destination for global professionals, the annual March event features sessions, music, and comedy showcases, film and television screenings, exhibitions, professional development, and a variety of opportunities to meet and connect with people. SXSW proves that the most unexpected discoveries happen when diverse topics and individuals come together. SXSW 2025 will take place March 7-15 in Austin.
SXSW’s expansion into the Asia Pacific region, with SXSW Sydney starting in 2023 and Europe with SXSW London in 2025, provides new possibilities at this iconic experience. These events, each with their own distinct flavour, make South By an indispensable three-stop tour for the global creative community.
Panarae
Panarae is a private investment company with a focus on the financing and development of global enterprises. The company has a diverse investment and partnership portfolio – ranging from financial and professional services to media and entertainment. SXSW London is produced under license from SXSW LLC by Panarise, a live entertainment company established and owned by Panarae.
TAIT
TAIT partners with artists, brands, and institutions to bring culture-defining, never-before-seen experiences to life. With a legacy of innovation spanning over 45 years, TAIT has grown from pioneering in rock ‘n’ roll concert staging to setting the global standard for extraordinary live events and experiences through cutting-edge technology, precision engineering, and creative design, as well as producing high-stakes, high-touchpoint moments around the globe. TAIT’s 20 global offices have developed iconic productions and experiences in over 30 countries, all seven continents, and even outer space for renowned performers, theme parks, exhibits, and venues across the globe, including partnerships with Snap Inc., Taylor Swift, Cirque Du Soleil, Warner Bros. Discovery, Royal Opera House, Nike, NASA, Google, Disney, Beyoncé, Bloomberg, and The Olympics.
April, 26, 2024 – LOS ANGELES – Today, CBS and Dick Clark Productions (DCP) announced the world’s largest fan-voted award show, the AMERICAN MUSIC AWARDS (AMAs), will air on the CBS Television Network for the first time, Sunday, October 6, 2024 (8:00 PM, ET/5:00 PM, PT) and stream on Paramount+.
The AMAs celebrate the year’s top achievements in music determined by the fans, for the fans. Over the past 50 years, the AMAs has showcased the very best in music and delivered memorable pop-culture moments and powerful lineups, including first-time collaborations and exclusive world premiere performances from music’s biggest names across pop, rap, R&B, country, Latin, K-Pop and more.
The 2024 AMERICAN MUSIC AWARDS are produced by Dick Clark Productions. Nominees are based on key fan interactions – as reflected on the Billboard charts – including streaming, album sales, song sales and radio airplay.
*Paramount+ with SHOWTIME subscribers will have access to stream the show live via the live feed of their local CBS affiliate on the service, as well as on demand. Paramount+ Essential subscribers will not have the option to stream live but will have access to on-demand the day after the special airs.
Media Contacts:
Dick Clark Productions
Gina Sorial, gsorial@dickclark.com
Lydia Baskharoon, lbaskharoon@dickclark.com
CBS
Kate Fisher, KHFisher@cbs.com
Billboard Expands Footprint in Asia with The Launch of Billboard Korea
January 13, 2024, New York, NY: Today, Billboard announced its expansion in the Asian marketplace with the launch of Billboard Korea in partnership with Global Entertainment Media Group (GEMG). This marks a significant milestone in the global music industry with a dedicated focus on the vibrant K-music scene. The highly anticipated first issue, "Billboard K Vol.1," is scheduled to be released in June.
"Now that the status of K-artists and K-pop has risen worldwide, Billboard Korea will play a crucial role in promoting K-culture,” said Yuna Kim, Chairperson of Global Entertainment Media Group and publisher of Billboard Korea.
“We are thrilled to announce our expansion into Korea,” said Mike Van, President of Billboard. “Billboard has long celebrated the rich contribution of Korean music across our platforms. This expansion is a significant milestone for our brand and underscores our dedication to amplifying the voices and talent that shape the vibrant Korean music scene.”
Billboard Korea will be a cultural ambassador, allowing quicker information delivery to bridge the East and West. Billboard Korea will offer a comprehensive platform that not only amplifies Korean artists’ visibility but also fosters cultural exchanges and appreciation on a global scale.
Billboard Korea is scheduled to launch its official website and digital platform in the spring of 2024 before publishing its first issue.
About Billboard:
Billboard is the ultimate barometer of success in music. Through its iconic charts, breaking news, thought leadership, multi-platform storytelling and world class events, Billboard tracks the world’s top musicians and the business that powers them. Since its origin in 1894, music leaders and fans across the world look to Billboard as the most trusted source for music information, spanning 15 countries and published in 10 languages. The prestigious Billboard Music Awards are the only premium awards ceremony that recognize musicians for their undeniable achievements on the Billboard charts, using pure data to determine the winners, rather than relying on opaque committees or undisclosed voters to select the honorees giving fans maximum impact at each year's ceremony, as Billboard's chart data measures fans' engagement with their favorite music. Billboard’s other premium experiences range from the Billboard Power 100 to Billboard Women in Music, Billboard Latin Music Week, and Billboard Live, which connects the most impactful artists and industry leaders with fans from all cultures and corners of the globe.
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Lachlan Cartwright Named THR’s Special Correspondent
January 11, 2024, Los Angeles, CA: Today, the The Hollywood Reporter (THR), announced that Lachlan Cartwright has been named Special Correspondent. In his new role Cartwright will cover media, entertainment and politics examining the power holders across industries. Cartwright will work bicoastally reporting into THR’s Co-Editors-in-Chief, Maer Roshan and Nekesa Mumbi Moody. He begins his role on January 29, 2024.
"After almost six scoop-filled years at The Daily Beast, I'm pumped to join The Hollywood Reporter and report from the power centers of New York, Hollywood and D.C. and create a new agenda setting newsletter,” said Cartwright. “For someone who loves breaking yarns, the opportunity to collaborate with Maer and Nekesa, along with the THR team, in this black swan year where the intersection of media, politics and entertainment will dominate the nation's agenda is too much of a compelling prospect to pass up. I can’t wait to get cracking.”
"We are thrilled to bring Lachlan onto the team. He is an undeniable talent with sharp instincts for breaking news, building audiences and analyzing the complexities of those in power across media, Hollywood and politics,” said Roshan. “I look forward to watching him enrich, augment and add dimension to our brand across platforms.”
“I’m delighted to welcome Lachlan to The Hollywood Reporter,” said Moody. “With his dogged reporting and penchant for delivering scoops, he’ll boost a top-notch team that is already distinguished for its great journalism. We are excited for all that he will bring to THR.”
Since 2021, Cartwright served as Editor at Large for The Daily Beast and prior to that senior reporter for the publication. He created and helmed the must-read media weekly newsletter Confider, which regularly broke major stories about media and Hollywood and attracted a devoted subscriber base of top journalists and executives across the country. He was formerly an executive editor at American Media Inc. He was also a column editor and reporter at the New York Daily News and worked prior as a reporter at the New York Post and The Sun in London.
About The Hollywood Reporter
The Hollywood Reporter (THR) is a flagship entertainment media brand, offering in-depth reporting, analysis and thought-provoking reviews; unparalleled access, world-class photography and video; and feature exclusives in its award-winning weekly magazine and dynamic website. The Hollywood Reporter also boasts prestigious live events, industry-leading philanthropic, empowerment and diversity initiatives and hugely successful video series including the Emmy-nominated “Close Up with The Hollywood Reporter.” It was named best entertainment publication at the 15th annual National Arts & Entertainment Journalism Awards in December 2022.
Erika Janes Named Editor-in-Chief of SHE Media’s Award-Winning Brand, SheKnows
NewYork, NY, January 10, 2024: Today, SHE Media’s award-winning brand, SheKnows announced Erika Janes will take the helm as Editor-in-Chief, effective January 16, 2024. Recently recognized with several notable honors, including a Fierce Pharma Award, Viddy Platinum Award, Telly Silver, and Anthem 2nd Annual Silver Award,SheKnows is the premier lifestyle site for time-starved moms.
In her new role, Janes will oversee the continued growth and ongoing impact of SheKnows. The scope includes audience engagement, building brand awareness and executing SheKnows’s distribution, video, newsletter and community content strategies. She will report to Cristina Velocci, ChiefContent Officer of SHE Media.
“I’m absolutely thrilled to take on the role of Editor-in-Chief of SheKnows, my home for the past four-and-a-half years,” said Janes. “I’m honored to have the opportunity to continue to build and grow this incredible brand and further its mission to inform, inspire, and entertain today’s parent community.”
“Erika is not only an extraordinary editorial leader; she is also a committed advocate for gender equity and purposeful parenting,” said Samantha Skey, CEO of SHEMedia. “Over the past four plus years leading SheKnows editorial asDeputy Editor and then Executive Editor, the brand has received multiple awards for excellence in branded content and editorial innovation. In addition to her editorial brilliance, Erika is a trusted and respected member of theSHE Media executive team.”
Most recently serving as the Executive Editor of SheKnows, Janes brings more than a decade of experience as a writer, editor, and content strategist covering all things parenting. Prior to joining SheKnows, Janes was Managing Editor of Scholastic Parents Online and the Executive Editor of Parents.com. Her writing has appeared on SheKnows, The Bump,What To Expect, Real Simple, Parents, and Women’s Running, among other online publications.
Janes earned her degree in journalism from the University of Kansas, where she was a member of the Women’s Swimming and Diving team. She's also the mom of two boys who give her plenty of inspiration for her work.
About SheKnows
SheKnows is the premier lifestyle site for time-starved moms. SheKnows works to inform, inspire, support, and give voice to the moms of the world, all the while recognizing that they are more than parents. SheKnows is an inclusive community, serving moms holistically with a curated take on the most relevant health, entertainment, living, and parenting content.
About SHE Media
As a top 10 lifestyle media company reaching 74+ million monthly visitors, SHE Media focuses on the power of content and community to move our culture forward. SHE Media believes that media companies can and should be a force for good in the world. The company’s rich editorial ranges from health, food, and family to career and entertainment.
SHE Media’s flagship brands, SheKnows, Flow Space, StyleCaster,Soaps and TVLine, produce award-winning lifestyle content and events that reflect the passion and purpose of the company. In addition to the flagship brands, the SHE Media Collective supports thousands of independent publishers and content creators with technology, education, and monetization opportunities to grow their businesses.
SHE Media has a longstanding commitment to the advancement of equity and inclusion through media. In 2021, SHE Media launched Meaningful Marketplaces enabling advertisers to buy media at scale from a community of women and minority-owned publishers, ensuring that independent media receives the economic support to thrive. SHE Media is also dedicated to advancing women’s health. In 2023, SHE Media launched Flow Space, an all-new digital and live media platform providing content, community, and commerce inservice of women’s whole life health.
Part of Penske Media Corporation (PMC), SHE Media is based in New York, with offices in Los Angeles. Follow SHE Media on LinkedIn, Instagram, Facebook and Twitter.
Los Angeles, CA, January 9, 2024: Today, Penske Media Corporation (PMC) announced the elevation of Brian Levine to Senior Vice President, Revenue Operations, effective immediately. In his role, Levine will continue to oversee the digital revenue strategy and development for all PMC brands across several key areas including direct and programmatic sales, e-commerce, subscriptions and audience data. Brian is based in Los Angeles and will continue to report to Craig Perreault, PMC’s Chief Digital Officer.
“I'm humbled and excited to continue my journey at PMC, particularly at this important inflection point in digital media,” said Levine. As the Programmatic ecosystem constantly evolves and the importance of a robust data offering becomes increasingly evident, I look forward to creating new opportunities for PMC with our unparalleled advertising solutions. PMC's stellar portfolio of brands is well positioned for dramatic digital shifts, and I'm honored to be part of it.”
“Brian’s expertise in technology, user data and display advertising have been fundamental to our growth throughout the years, said George Grobar, President, PMC. “His deep understanding of the landscape and ability to nimbly maneuver through complexity have made him a leader on the team.”
“Brian has been an invaluable member of the team over the last 10 years at PMC and has helped grow and diversify our digital business. We are lucky to leverage his expertise and skillset and look forward to watching him continue to evolve and elevate our offering, said Perreault.”
Since joining PMC in 2014, Brian has overseen all programmatic and user data initiatives across the business, producing consistent revenue growth within the programmatic category by driving the adoption of new technology partners, new ad products and performance optimization. He also collaborates heavily with product and ad operations teams on several initiatives to help keep PMC a leader in the digital publishing space. He most recently served as PMC’s Vice President, Revenue Operations. Prior to PMC, Brian held various digital roles at media companies such as OpenX, News Corp and Viacom. He is a graduate of Arizona State University with BS in Communications.
About Penske Media Corporation
Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate audience. Since 2004, PMC has been a pioneer in digital media and a platform innovator, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, Dick Clark Productions, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Dirt, Artforum, Gold Derby, Spy.com and Luminate, the premier data and analytics company. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several vital cultural events such as SXSW, LA3C, Life is Beautiful, Latin Music Week and ATX Television Festival. Headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, PMC believes companies should not only be profitable but also forces for good www.pmc.com.
Raina Kelley Named Editor-in-Chief, VIBE
Los Angeles, CA, December 13, 2023: Today, VIBE announced Raina Kelley will take the helm as Editor-in-Chief. Kelley will oversee the editorial direction and vision of VIBE, working closely with its new sister brand Variety. This marks a new chapter for VIBE as part of Variety’s brand portfolio which includes Variety, Variety VIP and now VIBE. Kelley will report into Ramin Setoodeh and Cynthia Littleton, Co-Editors-In Chief, Variety, who will expand their scopes as Editorial Directors of VIBE. Kelley will be based in the New York office. She officially begins her role January 2, 2024.
“Vibe was founded to put hip hop and other forms of Black expression on the record as world-dominating art forms,” said Kelley. “It is my absolute pleasure and honor to step in as editor in chief of this venerable brand and to expand its coverage into other areas beyond music — everywhere hip hop is already ascendant.”
“We’re thrilled to welcome Raina to the Variety family,” said Setoodeh and Littleton. “Raina brings with her an incredibly rare set of skills and experiences across politics, sports and media. She will be instrumental in maintaining VIBE’s unique voice of authority and infusing her perspective into all of our initiatives. We look forward to VIBE’s exciting evolution ahead.”
Kelley was most recently the Vice President and Editor-in-Chief of Andscape, a Black media platform dedicated to creating, highlighting, and uplifting the diverse stories of Black identity. She was responsible for the editorial direction, policies, strategy and oversight for projects undertaken by Andscape, a reimagination, expansion and diversification of The Undefeated. Kelley assumed this role in May 2021, after serving as The Undefeated’s managing editor for five years.
Before joining The Undefeated, Kelley served as deputy editor at ESPN The Magazine. She was a leading driver of ESPN’s long-form journalism across different platforms (print, digital and audio-visual) and worked closely with some of the company’s preeminent storytellers.
Kelley joined ESPN in May 2011 as a senior editor at ESPN The Magazine, responsible for the publication’s coverage of the National Football League, tennis, action sports, the Olympics and ESPN Enterprise Unit. She was a senior editorial leadership team member responsible for successfully merging ESPN’s print and digital content units under one umbrella.
Before ESPN, Kelley was a writer for Newsweek. She penned a column on American culture, usually on race, gender, and politics for the magazine, Newsweek.com, and Newsweek/Daily Beast. Kelley joined Newsweek in 2003 as an associate editor and left as a staff writer in 2011. While at Newsweek, she appeared on numerous television programs to discuss her cultural criticism, including the Charlie Rose Show, Good Morning America, The Today Show and CNN’s American Morning.
The 2008 Presidential campaign and eventual election of America’s first African American President offered Kelley a unique opportunity to delve into thought-provoking commentary and experiential writing about race in America. At Newsweek, she won several NY NABJ awards for her work on race and culture and was a 2010 Newswomen’s Club of NY Front Page Award winner for her contribution to a Newsweek.com package entitled “The Beauty Advantage.”
Kelley is a graduate of Yale University, with a degree in theater arts and started her professional career as a staff member at the Aboutface Theater Company (AFTC).
About VIBE:
VIBE is a premier destination for music, entertainment and cultural content for a global multicultural audience. For more than 25 years, VIBE has been influential in chronicling celebrities, sounds, fashion and events from hip hop and R&B to the converging modern landscape. Today, VIBE highlights the manifestations of social justice while sparking dialogue that informs as well as issues change.
About Variety:
Variety is the #1 entertainment news brand*. Now celebrating 118 years of award-winning breaking news reporting, insightful award-season coverage, must-read feature spotlights, and intelligent analysis of the industry’s most prominent players, Variety remains the most trusted source for the business of global entertainment. Read by a highly engaged audience of industry insiders, executive level professionals and decision makers, Variety’s multi-platform content coverage expands across digital, mobile, social, print, as well as podcasts, branded content, data, events and summits. Variety is the vital read in every entertainment capital. *Comscore Media Metrix Top 100 Ent News, October 2022. For more information, please visit www.variety.com.
WWD Names Eugenia Miranda Richman Editor-In-Chief
December 18, 2023, New York, NY— Today, WWD announced Eugenia Miranda Richman as the new Editor-in-Chief, effective January 16, 2024. In this role, Richman, a seasoned journalist and digital media expert will oversee the WWD editorial team in the development of its award-winning breaking news and business content, and guide the evolution and expansion of its print, web, social, video and ecommerce initiatives as the brand continues its mission to connect the global fashion community through insightful news and business analysis. Eugenia will report to Jim Fallon, Editorial Director, Fairchild Media Group.
"I am honored and humbled to take on such a responsibility — the digital evolution of a legendary New York institution," said Richman. WWD's legacy and authority in the fashion industry is unrivaled, and I look forward to working with Jim to amplify it to a wider audience. With our complementary backgrounds, Jim and I will be able to diversify the brand and business to its fullest potential. It's a very exciting moment for WWD."
“Over the course of her seven and a half years at PMC and most recently SheKnows, Eugenia has successfully grown a robust ecommerce business, created an award-winning video strategy and elevated the look and feel of the brand,” said Jay Penske, Chairman, Founder and CEO, Penske Media. “Eugenia leads with dedication and passion for her work, and I look forward to watching what she does in this role.”
“We cannot be more excited to welcome Eugenia as Editor-in-Chief of WWD and are eager for her to bring her deep expertise and extensive background in digital media to help continue the digital transformation of WWD, which is already seeing historic highs in traffic,” said Fallon. “Working with Eugenia, the goal is to reinforce WWD’s global authority, grow such new initiatives as WWD Weekend and reach even more readers and followers across all of our platforms.”
“We are thrilled to have Eugenia joining the Fairchild team”, said Amanda Smith, Fairchild Media Group President. “As WWD expands and innovates its product offerings across platforms and categories, her leadership and vast experience in building brand communities and connecting with audiences in new and innovative ways will be a huge asset to the future of the brand, and to all our partners. I am excited for the endless possibilities this represents.”
Eugenia Miranda Richman is an award-winning editorial leader with a track record developing audience, brands, and businesses. She previously served as the Editor-in-Chief of SheKnows, where she not only doubled its readership but elevated its look, feel, and coverage. Under her leadership, SheKnows launched new editorial products including glossy digital issues and topical virtual events and won awards. During her tenure, she grew users by 100% and page views 180%. Prior to joining She Media, Richman served as the Digital Director for Footwear News, where she grew the brand's digital reach by 1000% and built its commerce business.
Richman has also held editor positions at Vogue.com, xoJane.com, Café Media, and Diverse: Issues In Higher Education. She has also written for InStyle, Billboard, Marie Claire, Cosmo for Latinas, Glam Belleza Latina, NBCNewYork.com, Woman’s Day, Mundo Hispánico, and Atlanta Latino, where she won an award from the National Association of Hispanic Publications for Best Political Story.
About WWD
For 100+ years WWD, a property of Fairchild Media Group, has been the media of record—and THE industry voice of authority—for executives in the global women’s and men’s fashion, retail and beauty communities, as well as related sectors from entertainment to real estate and tech. Often referred to as “the fashion bible,” WWD provides up-to-the-moment business news, in-depth analysis and key trends to a dedicated readership of retailers, designers, manufacturers, marketers, financiers, Wall Street analysts, international moguls, media executives, ad agencies, celebrities, influencers and trend-makers. As an increasingly complex marketplace demands information and competitive intelligence, WWD delivers with frequency, integrity, independence, spirited coverage, and a long tradition that demands staffers get the story right – and that they get it first.
About Penske Media
Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate audience. Since 2004, PMC has been a pioneer in digital media and a platform innovator, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, Dick Clark Productions, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Dirt, Artforum, Gold Derby, Spy.com and Luminate, the premier data and analytics company. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several vital cultural events such as SXSW, LA3C, Life is Beautiful, Latin Music Week and ATX Television Festival. Headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, PMC believes companies should not only be profitable but also forces for good www.pmc.com.
