Los Angeles, CA — December 13, 2024 — Today, Penske Media Corporation (PMC) announced that Billboard, IndieWire, Rolling Stone, The Hollywood Reporter, and Variety received a total of 122 awards at the 17th Annual National Arts & Entertainment Journalism Awards, presented by the Los Angeles Press Club on December 1. These prestigious honors highlighted the exceptional work of PMC’s journalists, photographers, and media teams, further solidifying the company's leadership in entertainment media.
PMC outlets were recognized across the board for their outstanding contributions in a variety of categories, including Print Journalist of the Year, Online Journalist of the Year as well as investigative reporting, photography, business journalism, critical reviews and more. The awards underscore the high level of talent and creativity within the PMC family and their continued impact on the world of arts and entertainment journalism.
Penske Media Penske Media Corporation Takes Honors in the Following Key Categories:
PRINT JOURNALIST OF THE YEAR
- Chris Willman, Variety
- 2nd: Tatiana Siegel, Variety
- 3rd: Seth Abramovitch, The Hollywood Reporter
ONLINE JOURNALIST OF THE YEAR — Tied to an Organization
- Mesfin Fekadu, The Hollywood Reporter
- 2nd: Clayton Davis, Variety
ONLINE JOURNALIST OF THE YEAR — Independent
- 3rd: A.D. Amorosi, Variety, Flood, SPIN
PHOTOJOURNALIST OF THE YEAR
- 2nd: Dan Doperalski, Variety
CRITIC — ANY MEDIA PLATFORM (BROADCAST, PRINT, OR ONLINE)
Film Critic — Under 1,000 words
- Chris Willman, Variety
- 2nd: Siddhant Adlakha, JoySauce/IndieWire/Variety
Film Critic — Over 1,000 words
- David Ehrlich, IndieWire
- 2nd: Owen Gleiberman, Variety
TV Critic
- 2nd: Daniel Fienberg, The Hollywood Reporter
Music Critic
- 3rd: Mesfin Fekadu, The Hollywood Reporter
ANY MEDIA PLATFORM (BROADCAST, PRINT, OR ONLINE)
Celebrity Investigative, Any Media
- Seija Rankin, Jason Rovou, Stephanie Fischette, Nekesa Mumbi Moody, Maer Roshan, The Hollywood Reporter, “Will Ferrell on Navigating His Best Friend's Transition in ‘Will & Harper’”
- 2nd: Gary Baum, The Hollywood Reporter, “Get Me Bryan Freedman!”
- 3rd: Tatiana Siegel, Variety, “Crisis at Marvel: Jonathan Majors Back-Up Plans, ‘The Marvels’ Reshoots, Reviving Original Avengers and More Issues Revealed”
Headline, Any Media
- 3rd: Tom Bruneggemann, IndieWire, “They Don’t Climax in IMAX — or, Why Films with Sexy Sizzle Are Rare Today”
BOOK
Non-Fiction Book
- 3rd: Ramin Setoodeh, HarperCollins Publishers, “Apprentice in Wonderland: How Donald Trump and Mark Burnett Took America Through the Looking Glass”
PHOTOGRAPHY/ART (PRINT OR ONLINE)
News Photo
- Michael Buckner, Haley Kluge, Jennifer Dorn, Variety, “SAG Fran Strike Cover”
- 3rd: Roger Kisby, Rolling Stone, “F1 Opener”
Portrait Photo, TV/Film
- Dan Doperalski, Jennifer Dorn, Haley Kluge, Variety, “David Oyelowo Portrait”
- 3rd: Collier Schorr, Rolling Stone, “Kristen Stewart Uncensored: ‘I Want to Do the Gayest Thing You’ve Ever Seen in Your Life’”
Portrait Photo, Music/Arts
- 3rd: Ash Barhamand, Ava Selbach, Peter B. Cury and Julia & Vincent, The Hollywood Reporter, “Renee Rapp”
Feature Photo
- 2nd: Ash Barhamand, Ava Selbach, Peter B. Cury and Dan Winters, The Hollywood Reporter, “Nathan Fielder + Emma Stone”
- 3rd: Jenny Sargent, Naomy Pedroza and Joelle Grace Taylor, Billboard, “Lainey Wilson”
Action Photo
- Chris Willman, Variety, “Brandi Carlile concert photo/The Best Concerts of 2023”
Photo Essay
- Ash Barhamand, Ava Selbach, Naomy Pedroza, Peter B. Cury, Munachi Osegbu, The Hollywood Reporter, “Hollywood’s Top Stylists”
- 2nd: Alexi Lubomirski, Jennifer Dorn and Haley Kluge, Variety, “Actors on Actors (Oscars)”
Illustration
- 2nd: Neil Jamieson, Haley Kluge and Jennifer Dorn, Variety, “Star Trek Illustrations”
Page Layout
- 2nd: Haley Kluge, Ted Keller, Francesco Muzzi and Jennifer Dorn, Variety, “AI Splash”
Cover Art
- Joe Hutchinson, Rolling Stone, “May 2024 Billie Eilish cover”
- 2nd: Haley Kluge, Jennifer Dorn and Jonny Marlow, Variety, “Anya Taylor Joy Cover”
- 3rd: Peter B. Cury and Zuzanna Rogatty, The Hollywood Reporter, “The Oscar Issue”
PRINT/ONLINE
Business, Film, Print/Online
- 2nd: Rebecca Rubin, Variety, “‘We’re Still Here’: How AMC Theatres Is Struggling With $4.5 Billion in Debt and Surviving Thanks to Taylor Swift, Viral Popcorn Buckets and More”
- 3rd: Gene Maddaus, Variety, “Mickey Mouse, Long a Symbol in Copyright Wars, to Enter Public Domain: ‘It’s Finally Happening’”
Business, TV/Streaming, Print/Online
- Tatiana Siegel, Variety, “Inside the Battle for CNN: Jeff Zucker, David Zaslav, Chris Licht and 18 Months of Crazy Backstabbing”
- 2nd: Jennifer Maas, Variety, “Peak TV Has Peaked: From Exhausted Talent to Massive Losses, the Writers Strike Magnifies an Industry in Freefall”
Business, Music related, Print/Online
- 3rd: Eric Renner Brown, Billboard, “Sphere digital feature”
Business, Tech/Design/Arts related, Print/Online
- 2nd: Seth Abramovitch, The Hollywood Reporter, “A Pellicano Target’s Second Act”
Entertainment Industry/Arts Investigative, Print/Online
- Tatiana Siegel, Variety, “Crisis at Marvel: Jonathan Majors Back-Up Plans, ‘The Marvels’ Reshoots, Reviving Original Avengers and More Issues Revealed”
Obituary/In Appreciation, Film Personalities, Print/Online
- Owen Gleiberman, Variety, “Remembering Piper Laurie in ‘Carrie’ and ‘The Hustler’: A Special Combination of Vulnerability and Power”
Obituary/In Appreciation, TV Personalities, Print/Online
- 2nd: Daniel Fienberg, The Hollywood Reporter, “Critic’s Appreciation: Matthew Perry Masterfully Walked the Line Between Mirth and Melancholy”
Obituary/In Appreciation, Music and Other Arts Personalities, Print/Online
- 3rd: Christian Blauvelt, IndieWire, “Tony Bennett Gave an Iconic 'Goodfellas' Moment Its Charge — but He Didn't Like Being Associated with It”
PRINT (NEWSPAPERS OR MAGAZINES)
General News, Print
- 3rd: Brent Lang, Tatiana Siegel and Matt Donnelly, Variety, “Showstopper! Strikes Plunge Hollywood Into Chaos With Pricey Movie Delays, Pay Battles and AI Anxiety”
CELEBRITY NEWS, PRINT
Diversity in the TV/Film Industry, Print
- Brent Lang, Variety, “Sharmeen Obaid-Chinoy on Her Revealing Diane von Furstenberg Documentary and Directing a ‘Star Wars’ Movie”
- 3rd: Nekesa Mumbi Moody, The Hollywood Reporter, “Oprah and ‘The Color Purple’ Stars on the New Musical Remake: ‘It’s Bright. It’s Vibrant. It’s Us’”
Diversity in the Music/Performing Arts/Arts Industry, Print
- 2nd: Katie Bain, Billboard, “Finding Harmony”
- 3rd: Thania Garcia, Variety, “Meet the Women Managing Música Mexicana’s Breakout Stars, From Xavi to Yahritza Y Su Esencia and More”
Personality Profile, Film Industry — Under 2,500 Words, Print
- 2nd: Kate Aurthur, Variety, “Carey Mulligan Never Felt Like a ‘Proper Actor.’ Then Came ‘Maestro’: ‘I’m Going to Absolutely Do It All’”
Personality Profile, TV/Streaming Industry — Under 2,500 Words, Print
- 2nd: Emily Longeretta, Variety, “‘It Was Never My Intention to Be a Heartthrob’: Josh Hartnett on Finding His Focus, Shedding the Darkness of ‘Black Mirror’ and That ‘Bats--- Crazy’ ‘Trap’ Script”
Personality Profile, Music and Other Arts — Under 2,500 Words, Print
- 2nd: Kim Masters, The Hollywood Reporter, “Linda Yaccarino’s Very Unmerry X Mess”
Personality Profile, Film Industry — Over 2,500 Words, Print
- Alex Morris, Rolling Stone, “Kristen Stewart Uncensored: ‘I Want to Do the Gayest Thing You’ve Ever Seen in Your Life’”
Personality Profile, TV/Streaming Industry — Over 2,500 Words, Print
- Seth Abramovitch, The Hollywood Reporter, “Cheryl Hines … as First Lady? The ‘Curb’ Star on Life After Larry and Marriage to RFK Jr.”
- 3rd: Kate Aurthur, Variety, “Long Live Shiv Roy: Sarah Snook Tells All on That ‘Succession’ Ending, Her Pregnancy and Crying Through the Finale”
Personality Profile, Music and Other Arts — Over 2,500 Words, Print
- 2nd: Angie Martoccio, Rolling Stone, “Billie Eilish Would Like to Reintroduce Herself”
- 3rd: Brian Hiatt, Rolling Stone, “Teezo Touchdown: Birth of a Rock Star”
Film Industry Feature — Under 1,000 Words, Print
- Katcy Stephan, Variety, “‘MoviePass, MovieCrash’: Founder Stacy Spikes on Mitch Lowe, Racial Bias and Where the Company Stands Today”
- 2nd: Beatrice Verhoeven and Scott Feinberg, The Hollywood Reporter, “As the Actors Strike Ends, Many Awards Contenders and Campaigners Are Scrambling to Make Up for Lost Time”
TV Industry Feature — Under 1,000 Words, Print
- Lacey Rose, The Hollywood Reporter, “Dan Harmon Is Ready to Talk About All of It (Including the Justin Roiland Drama)”
- 3rd: Katcy Stephan, Variety, “‘Futurama:’ John DiMaggio on His Salary Battle and Return as Bender”
Music/Performing Arts Industry Feature — Under 1,000 Words, Print
- Mesfin Fekadu, The Hollywood Reporter, “Dolly Parton on Turning Down the Super Bowl and Her New Rock Album: ‘I Don’t Want It to Be Half-Ass Country’”
- 2nd: Jon Burlingame, Variety, “‘Law & Order’ Composer Mike Post Creates New Bluegrass and Blues Album”
Film Industry Feature — Over 1,000 Words, Print
- Scott Feinberg, The Hollywood Reporter, “‘Schindler’s List’: An Oral History of a Masterpiece”
- 2nd: Jon Burlingame, Variety, “‘Maestro’: How Bradley Cooper Turned Bernstein’s Classical Music into a Film Score”
- 3rd: Adam B. Vary, Variety, “‘The Blair Witch Project’ Actors Call Out ‘Reprehensible Behavior’ After Missing Out on Profits for Decades: ‘Don’t Do What We Did’ (EXCLUSIVE)”
TV Industry Feature — Over 1,000 Words, Print
- 2nd: Pamela McClintock, The Hollywood Reporter, “Anderson Cooper on His Complicated Vanderbilt Legacy and CNN After Chris Licht”
Visual Arts/Architecture Feature — Over 1,000 Words, Print
- 3rd: Gary Baum, The Hollywood Reporter, “Museums Are Reckoning With Looted Art. Now It’s LACMA’s Turn”
Celebrity Feature, Print
- Rebecca Keegan, Katie Kilkenny, The Hollywood Reporter, “Fran Drescher’s Role of a Lifetime”
Columnist, Print
- 3rd: Andre Gee, Rolling Stone
Commentary Analysis/Trend, Film, Print
- 2nd: Brent Lang, Variety, “How Steven Spielberg Dominated Culture and the 1994 Oscars With ‘Jurassic Park’ and ‘Schindler’s List’”
- 3rd: Lacey Rose and Lesley Goldberg, The Hollywood Reporter, “Why Hollywood Is in the Throes of an IP Frenzy”
Commentary Analysis/Trend, TV, Print
- 2nd: Michael Schneider, Variety, “Repeats, Reality and 'Yellowstone': How Network TV Is Marketing Fall Lineups Without Many Scripted Favorites”
- 3rd: Clayton Davis, Variety, “‘Love on the Spectrum’ Is Showing Me Examples of How My Autistic Son Could Be as an Adult — and It’s Amazing”
Commentary Analysis/Trend, Music, Print
- Chris Willman, Variety, “Jason Aldean Already Had the Most Contemptible Country Song of the Decade. The Video Is Worse”
- 3rd: Althea Legaspi, Rolling Stone, “Breaking Through Rock Journalism’s Boys’ Club”
Entertainment Publication, Print
- 2nd: Billboard, Rebecca Milzoff, “Billboard: The Sports Issue”
TV/VIDEO/FILM
Personality Profile, Film Personalities, TV
- 2nd: Lesley Corral, Francesca Manto, Dominoe Ibarra and Lacey Rose, The Hollywood Reporter, “Glen Powell Shares His Hollywood Firsts: From Singing 'Unwritten' To 'Spy Kids' Set, Twisters & More”
RADIO/PODCASTS
Anchor/Host, Radio/Podcast
- 2nd: Michael Schneider, Clayton Davis, Jazz Tangcay, Jenelle Riley and Emily Longeretta, Variety, “Variety's Award Circuit Podcast Hosts”
One-on-One Interview, Film Personalities, Radio/Podcast
- 2nd: Clayton Davis, Variety, “Selena Gomez on Her Cannes Win for Best Actress, ‘Only Murders’ and Potentially Becoming Most Emmy-Nominated Latina Producer”
One-on-One Interview, TV Personalities, Radio/Podcast
- 2nd: Michael Schneider, Variety, “Day Eating With Seth Meyers: The 'Late Night' Host Counts Down His Top 10 Pizza List”
One-on-One Interview, Other Arts Personalities, Radio/Podcast
- 3rd: Brian Hiatt, Rolling Stone, “Geddy Lee Tells All: 'My Effin' Life' — and Rush's Possible Future”
Best Arts or Entertainment Regular Podcast
- Brian Hiatt, Rolling Stone, “Rolling Stone Music Now”
- 3rd: Scott Feinberg, The Hollywood Reporter, “Awards Chatter”
ONLINE (CONTENT EXCLUSIVE TO THE INTERNET)
Hard News, TV/Streaming Related, Online
- 2nd: Krystie Lee Yandoli, Rolling Stone, “Chaos, Comedy, and ‘Crying Rooms’: Inside Jimmy Fallon’s ‘Tonight Show’”
Hard News, Film Related, Online
- 2nd: Mia Galuppo and Borys Kit, The Hollywood Reporter, “Netflix Enters Its Dan Lin Era”
- 3rd: Ellise Shafer and Alex Ritman, Variety, “Alan Menken, Sarah Sherman, Alex Winter and Larry Charles Join Jewish Creatives Supporting Jonathan Glazer’s Oscars Speech in Open Letter (EXCLUSIVE)”
Hard News, Music/Arts Related, Online
- David Browne, Nancy Dillon, Kory Grow, Rolling Stone, “‘They Wanted to Dance in Peace. And They Got Slaughtered’”
- 2nd: Mesfin Fekadu, The Hollywood Reporter, “How Jason Aldean Cynically Built “Small Town” to Appeal to Trump Country”
Soft News, TV/Streaming Related, Online
- Wilson Chapman, IndieWire, “Bryan Lee O'Malley Wanted 'Scott Pilgrim Takes Off' to Surprise You”
- 2nd: Mesfin Fekadu, The Hollywood Reporter, “Hulu’s ‘Under the Bridge’ Tells the Story of Reena Virk — and The Notorious B.I.G.”
- 3rd: Meredith Woerner, Variety, “The True Story Behind Truman Capote’s Ashes Being Auctioned Off on ‘Feud’”
Soft News, Film Related, Online
- 3rd: Ryan Gajewski, The Hollywood Reporter, “Animation at a Crossroads as Hope Mixes with Anxiety”
Soft News, Music/Arts Related, Online
- Jem Aswad, Variety, “Why David Bowie Killed Ziggy Stardust, 50 Years Ago Today”
Diversity in the TV/Streaming Industry, Online
- Abbey White, The Hollywood Reporter, “How The CW’s ‘Sight Unseen’ Built a Production For and Driven By Blind and Low Vision Creatives”
Diversity in the Film Industry, Online
- Samantha Bergeson, IndieWire, “For Female Creatives, Hollywood Is Still Just as ‘Bleak’ as Some Fear, but It Doesn’t Have to Be”
- 2nd: Clayton Davis, Variety, “Black Women Executives Are Exiting Studio Leadership Posts and Hollywood’s Doing Nothing About It”
- 3rd: Sharareh Drury, Variety, “‘Dune 2’ Criticized for Lack of Middle Eastern and North African Inclusion and Influences: ‘A Missed Opportunity’”
Diversity in the Music/Performing Arts Industry, Online
- 3rd: Abbey White, The Hollywood Reporter, “A Neuro-Inclusive Take on ‘Spring Awakening’: ‘We Don’t Need to Break People Down’”
Personality Profile, Film Personalities, Online
- Kate Erbland, IndieWire, “Kirsten Dunst Is Our Most Reasonable Movie Star”
- 3rd: Clayton Davis, Variety, “Paul Giamatti on ‘Sideways’ Oscar Snub, the Secret to His ‘Holdovers’ Lazy Eye and How He’s Still ‘Figuring Out How to Act on Film’”
Personality Profile, Music Personalities, Online
- 3rd: Ellise Shafer, Variety, “Peter Doherty and Katia deVidas on Making Doc ‘Stranger in My Own Skin’ About the ‘Terror and Danger’ of Drug Addiction — and Falling in Love in the Process”
TV Feature, Online
- 2nd: J. Kim Murphy, Variety, “‘Winning Time’ Ends in Defeat With an Awkward, Surprise Series Finale”
Film Feature, Actor Related, Online
- 2nd: Katcy Stephan, Variety, “Tom Hardy on His Wild ‘Bikeriders’ Accent and Knowing ‘Furiosa’ Is ‘Special’ (Without Even Seeing It Yet)”
- 3rd: Ethan Shanfeld, Variety, “94-Year-Old June Squibb Does Her Own Stunts in ‘Thelma,’ a Sundance Spin on ‘Mission: Impossible’”
Film Feature, Filmmaker Related, Online
- 2nd: J. Kim Murphy, Variety, “‘Koyaanisqatsi’ Director Godfrey Reggio Unravels His New Odyssey ‘Once Within a Time’ Amid Humanity’s Accelerating Self-Destruction”
- 3rd: Todd Gilchrist, Variety, “Director Martin Brest Revisits the Triumphs of 'Beverly Hills Cop' and 'Midnight Run,' and Reflects On His Post-'Gigli' Hollywood Exile”
Film Feature, Production/History Related, Online
- David Rooney, The Hollywood Reporter, “Hollywood’s 20 Most Erotic Movies, Ranked”
- 3rd: Gary Baum and Katie Kilkenny, The Hollywood Reporter, “Unmasking the AMPTP: Hollywood Labor’s Opaque Nemesis”
Theater Feature, Online
- 2nd: Brent Lang, Variety, “How Broadway’s ‘Cabaret at the Kit Kat Club’ Pulls Off Its Audacious, Sensual 75-Minute Prologue”
Celebrity Feature, Online
- Pamela Chelin, Variety, “Martin Scorsese Hosts Robbie Robertson Tribute Concert, With Jackson Browne and Others Paying Musical Homage”
Columnist, Online
- 2nd: Mesfin Fekadu, The Hollywood Reporter, “The Download, a column by Hollywood Reporter Senior Music Editor Mesfin Fekadu”
Commentary Analysis/Trend, Film, Online
- Lovia Gyarkye, The Hollywood Reporter, “A New Wave of Films Experiments With How We See Climate Change”
- 2nd: Sharareh Drury, Variety, “‘Dune 2’ Criticized for Lack of Middle Eastern and North African Inclusion and Influences: ‘A Missed Opportunity’”
- 3rd: Carolyn Giardina, The Hollywood Reporter, “VFX Pros Expose The Hidden Costs of Selling a Movie as ‘Real’”
Commentary Analysis/Trend, TV, Online
- Clayton Davis, Variety, “‘Love on the Spectrum’ Is Showing Me Examples of How My Autistic Son Could Be as an Adult — and It’s Amazing”
- 2nd: Brian Steinberg, Variety, “TV Talkers From Pat McAfee to Rachel Maddow Gain New License to Blast Bosses On-Air”
Commentary Analysis/Trend, Other Arts, Online
- James Hibberd, The Hollywood Reporter, “When a Ketamine Therapy Visit Goes Horribly Wrong”
Entertainment Website, Online
- The Hollywood Reporter Staff, The Hollywood Reporter, “THR.com”
- 3rd: Variety, Variety, “variety.com”
ENTERTAINMENT BLOG BY AN INDIVIDUAL NOT TIED TO AN ORGANIZATION
Entertainment Blog
- 2nd: Aaron Couch and Borys Kit, The Hollywood Reporter, “Heat Vision”
SOCIAL MEDIA
Best Journalistic use of Social Media to Tell or Enhance a Story
- 2nd: Rachel Seo and Julia MacCary, Variety, “Variety Actors on Actors Season 20”
- 3rd: Mesfin Fekadu, The Hollywood Reporter, “The Hollywood Reporter music articles told through Instagram Stories”
About Penske Media Corporation
Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate monthly audience of more than 350 million. Since 2004, PMC has been a pioneer in digital media and live events, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, Dick Clark Productions, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Artforum, Gold Derby and Luminate, the premier data and analytics company. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several of the most iconic and vital cultural events such as The Golden Globes, Country Music Awards (ACMs), Billboard Music Awards (BBMAs), New Year’s Rockin’ Eve, SXSW, American Music Awards (AMAs), LA3C, Life is Beautiful, Latin Music Week, and ATX Television Festival. Penske Media is headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, for more information, please visit www.PMC.com.
Penske Media Corporation (PMC), the leading global media, live events and data analytics company, recently released findings from their pop culture study, Power of Shared Cultural Connections. The study explores the powerful impact of shared cultural moments and immersive events on consumer engagement, revealing that these experiences resonate profoundly with audiences, foster lifelong memories and community bonds, and offer brands a unique opportunity to cultivate loyalty and engagement through these immersive events.
“At PMC, our research shows that brands have a unique opportunity to be a part of cultural moments by engaging in shared experiences which forge deep emotional connections and loyalty that traditional media channels cannot match,” said Dan Owen, EVP, GM, Strategic Solutions Group at PMC. “As a conduit for creating these collective experiences, PMC helps our partners tap into the power of pop culture and immersive events, embedding themselves in the memories that shape fandoms.”
Key takeaways from the “Power of Shared Cultural Connections” study include:
Major pop culture experiences are a pathway to lifelong memories and provide the thrill of unexpected connection. At a moment in time when much of the world is more isolated than ever, audiences want moments that fuel gratitude and bring us closer to ourselves and each other. 77% say major pop culture experiences are a source of lifelong memories, and 72% seek out pop culture events that offer immersion into the worlds of their favorite shows, movies and artists (86% among Gen Z respondents).
Shared cultural experiences are powerful community builders, particularly when they resonate deeply with the audience’s passions and interests. The more personal and human the stories surrounding the moment are, the more impactful it becomes. 63% seek out pop culture experiences that offer deeper connections to personal interests, and 56% of Gen Z respondents say that they seek out pop culture events that offer deeper community connections with like-minded fans.
Events are always in the plans. 92% plan to attend or wish to attend pop cultural events, including music, film, and art festivals, concerts, immersive experiences and exhibits, in the next year.
Award shows are a vital part of pop culture, connecting us with our favorite artists and acting as a unifying force that creates memorable historical moments. 87% of audiences identify as being“obsessed” or “casual” fans of major award shows. Award shows foster community, with 58% saying they talk to their friends and family about them.
Brands have an incredible power as the facilitators of shared cultural connection. Creating exclusive access that brings fans closer to those moments, and the artists they love most, yields extreme loyalty. 63% consider themselves a super fan of a musician (80% of Gen Z) with 43% saying that if their favorite music artist wears/endorses something, it influences their purchase decision. Additionally, 52% would feel more loyal to a brand if it provided access to live-streamed cultural events.
The findings of PMC’s Power of Shared Cultural Connections study demonstrate that shared cultural moments profoundly influence consumer engagement. This research highlights the critical role that brands play in facilitating these vital connections and creating experiences that not only build emotional ties but also foster enduring loyalty.
To explore the full details of PMC’s research, download the study at: www.pmc.com/2025popculturereport
Report Methodology
In August 2024, Penske Media Corporation (PMC) surveyed a highly targeted segment of 1200 engaged, pop-culturally aware individuals to explore their interest and interaction with live experiences, events, and key cultural moments; as well as the significance these hold for fans, artists, and the brands that make them happen. This study incorporates a blend of qualitative, quantitative, and first-party data, with a spotlight on distinct generational groups: Gen Z, Millennials, Gen X, and Boomers.
Sportico, the global media and publishing leader in the business of sports, today announces the appointment of Tony Haskel as its new Chief Revenue Officer. In his role, Haskel will oversee all aspects of Sportico’s business operations across all platforms, including sales, marketing, international ventures, licensing, social media, membership growth, branded content, and live events. He will report to Paul Rainey, Executive Vice President, Operations & Finance, Penske Media Corporation, and be based in New York.
“We are very excited to welcome Tony Haskel to the Sportico team,” said Rainey. “Tony joins Sportico at a pivotal moment in its growth as the brand continues to define what it means to be the global leader in sports business media. His leadership will be key as Sportico expands its reach and deepens its influence, all while continuing to deliver cutting-edge insights and industry-leading content.”
“I’m honored to join Sportico at this crucial stage of its growth,” said Haskel. “In just four years, Sportico has become the go-to destination for professionals looking for trusted insights, data, analytics, breaking stories, industry profiles and community within the ever-growing sports industry. I’m excited to contribute to the brand’s ongoing success and to work alongside such a talented team of journalists and business operators.”
Haskel brings his extensive experience to Sportico, having previously served as New York and New England Sales Director at Mansueto Ventures, where he spearheaded partnership opportunities across a diverse portfolio of platforms, channels and content. His extensive career includes leadership roles such as Head of Partnerships at Bloomberg Live (Bloomberg Media), Vice President and Publisher of Money (Time Inc.), Executive Sales Director of FORTUNE (Time Inc.), National Advertising Director of Bonnier Mountain Group and Advertising Director of Condé Nast Portfolio.
Haskel graduated from the University of Vermont with a Bachelor of Arts degree, with post graduate certifications from New York University and Columbia Business School. He also serves on the advisory board of the University of Vermont’s Grossman School of Business and the Kelly Brush Foundation.
About Sportico
Sportico is a digital content platform providing sports industry news, data, insights, strategies, leadership and live media experiences for professionals in the $600 billion sports industry. Launched by Penske Media in 2020 as the global media and publishing leader in the business of sports, Sportico has offices in New York and Los Angeles with reporters throughout the world committed to providing breaking news in the sports business industry covered by the world’s top journalists.
Sportico, the global media and publishing leader in the business of sports, today announces the appointment of Tony Haskel as its new Chief Revenue Officer. In his role, Haskel will oversee all aspects of Sportico’s business operations across all platforms, including sales, marketing, international ventures, licensing, social media, membership growth, branded content, and live events. He will report to Paul Rainey, Executive Vice President, Operations & Finance, Penske Media Corporation, and be based in New York.
“We are very excited to welcome Tony Haskel to the Sportico team,” said Rainey. “Tony joins Sportico at a pivotal moment in its growth as the brand continues to define what it means to be the global leader in sports business media. His leadership will be key as Sportico expands its reach and deepens its influence, all while continuing to deliver cutting-edge insights and industry-leading content.”
“I’m honored to join Sportico at this crucial stage of its growth,” said Haskel. “In just four years, Sportico has become the go-to destination for professionals looking for trusted insights, data, analytics, breaking stories, industry profiles and community within the ever-growing sports industry. I’m excited to contribute to the brand’s ongoing success and to work alongside such a talented team of journalists and business operators.”
Haskel brings his extensive experience to Sportico, having previously served as New York and New England Sales Director at Mansueto Ventures, where he spearheaded partnership opportunities across a diverse portfolio of platforms, channels and content. His extensive career includes leadership roles such as Head of Partnerships at Bloomberg Live (Bloomberg Media), Vice President and Publisher of Money (Time Inc.), Executive Sales Director of FORTUNE (Time Inc.), National Advertising Director of Bonnier Mountain Group and Advertising Director of Condé Nast Portfolio.
Haskel graduated from the University of Vermont with a Bachelor of Arts degree, with post graduate certifications from New York University and Columbia Business School. He also serves on the advisory board of the University of Vermont’s Grossman School of Business and the Kelly Brush Foundation.
About Sportico
Sportico is a digital content platform providing sports industry news, data, insights, strategies, leadership and live media experiences for professionals in the $600 billion sports industry. Launched by Penske Media in 2020 as the global media and publishing leader in the business of sports, Sportico has offices in New York and Los Angeles with reporters throughout the world committed to providing breaking news in the sports business industry covered by the world’s top journalists.
Today, Fairchild Media Group (FMG) announced the appointment of Melissa Rocco to Senior Vice President of Sales. In her role, Rocco will oversee the sales team and be responsible for driving global brand partnerships, working with clients and agency partners. She will also be responsible for optimizing budgets while driving revenue for Fairchild Media’s portfolio of brands which include Women’s Wear Daily (WWD), WWD Weekend, Beauty Inc., Footwear News (FN), Sourcing Journal, Rivet and Fairchild Live Events, which commands a combined global audience of 18 million. She will report to Amanda Smith, CEO, Fairchild Media Group and be based in New York.
“I’m thrilled to welcome Melissa to the Fairchild team,” said Smith. “She’s an incredibly accomplished sales leader with a deep understanding of the marketplace and will bring a new level of digital innovation to the team. Her spirit, drive and leadership is absolutely key to our path forward and I’m excited for everything that’s in store.”
"It's truly an exciting time for the fashion, beauty, and retail industries," said Rocco. "Digital innovation and technology have never been more integral to the customer experience, and the iconic Fairchild brands are right at the center of that conversation. I'm thrilled to be working with this team and all of the FMG partners to build on what has been accomplished and create new opportunities to tell their stories.”
Prior to joining Fairchild, Rocco was the Senior Vice President of Sales of Fast Company, leading all global sales efforts, initiatives, and brand partnerships. After three years as one of FastCo’s most successful sales directors, Rocco took over Fast Company‘s traditional role of Publisher in October 2020. She guided the sales team through the most challenging stretches in media and business to contribute to parent company Mansueto Ventures’ best-ever financial performance. Rocco and her team oversaw the success of all-new platforms and programs built to respond dynamically to editorial, custom, partner, and audience needs. Prior to Fast Company, Rocco was a successful digital-first seller at iconic media properties, including Time Inc., IDG, Meredith, and more. Rocco holds a bachelor's degree in journalism and print publishing from Ithaca College.
About Fairchild Media Group
Fairchild Media Group (FMG), a division of Penske Media Corporation (PMC), is the leading source of fashion news and analysis for industry leaders and the global fashion community. Established in 1892 by Edmund Fairchild, Fairchild Media Group brands today include Women’s Wear Daily (WWD), Footwear News (FN), Beauty Inc, Sourcing Journal (SJ), Rivet, Fairchild Live, and Fairchild Studio. Fairchild Media Group’s Fairchild Studio produces over 100 pieces of programming in partnership with blue chip brands including industry reports, video series, and podcasts. The WWD Voices podcast provides news, commentary, and industry insights, as well as behind-the-scenes stories from the world of fashion apparel, luxury, retail, and beauty, hosted by WWD editors with special guests. FMG content reaches an 18 million+ international audience of business executives and fashion enthusiasts across print, digital, social, and over 25 annual thought-leader events, including its renowned CEO Summits.
Today, Dick Clark Productions (DCP) announced the appointment of Diana Miller as Executive Vice President, Talent. In her new role, Miller will lead the talent team, overseeing all aspects of talent booking and management across the company’s wide-ranging portfolio of live events and shows, including the Golden Globes, American Music Awards, Billboard Music Awards, Academy of Country Music Awards, and Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest. She will report to Jay Penske, CEO, Dick Clark Productions. Miller will officially join the team on January 15, 2025 and be based in Los Angeles.
“Diana’s exceptional background, deep relationships and passion for entertainment make her an ideal fit for our team,” said Penske. “Her innovative and outside of the box approach will be key as we continue to expand and enhance our programming and global reach.”
"I'm thrilled to join DCP, a company I've long admired for its rich history and slate of incredible shows”, said Miller. “I'm also excited to be part of DCP's bright future and vision with Jay at the helm and look forward to shaping compelling, unique and memorable opportunities for talent for years to come."
A six-time Emmy Award-winning producer and two-time Billboard Women in Music Award winner, Miller brings over 20 years of experience in booking celebrity interviews and musical performances to the role, along with a proven track record building strong relationships across the entertainment industry. Her work spans major networks including CBS, NBC, Apple TV, and TBS, and she has collaborated with A-list talent and notable figures including Michelle Obama, Paul McCartney, Ariana Grande and Jay-Z.
Miller’s extensive career includes eight years as the Supervising Producer of “The Late Late Show with James Corden,” where she was instrumental in launching acclaimed series, Carpool Karaoke and spent seven years as Producer of “Carpool Karaoke: The Series” on Apple TV. Earlier in her career, she spent seven years as Senior Talent Executive of “Last Call with Carson Daly” and NBC’s New Year’s Eve special. She currently serves as Senior Supervising Producer for “The Talk.”
About Dick Clark Productions
Dick Clark Productions (DCP) is the world's largest producer and proprietor of televised live event entertainment programming including the "Academy of Country Music Awards," "American Music Awards," "Billboard Music Awards," "Dick Clark's New Year's Rockin' Eve with Ryan Seacrest," “Golden Globes,” “So You Think You Can Dance,” from 19 Entertainment and DCP, and “Streamy Awards.” Dick Clark Productions owns one of the world's most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic specials, performances, and legendary programming. Dick Clark Productions is owned by Penske Media Corporation, in a subsidiary joint venture between Penske Media and Eldridge. For more information, please visit DickClark.com.
Today, Fairchild Media Group (FMG) announced the elevation of Jim Fallon to the role of Chief Content Officer, WWD and Fairchild Media Group, effective immediately. Fallon will continue to use his industry knowledge and market expertise across editorial and content creation— from material creation to the final consumer— as FMG continues to strengthen and grow WWD, Beauty Inc, Sourcing Journal and Footwear News. Fallon will report to Amanda Smith, CEO, Fairchild Media Group.
"I am thrilled to recognize Jim with this well-deserved promotion to Chief Content Officer,” said Smith. “Over the last 45 years, Jim has demonstrated a fierce commitment to the journalistic excellence that our brands are known for and has been a critical part of their evolution. His unparalleled experience coupled with his passion for our work are evident in all he does. We look forward to seeing how his vision and leadership continue to propel our prestigious brands forward."
As Chief Content Officer, Fallon will oversee all aspects of editorial content across all brands and platforms, working closely with Smith to drive FMG's legendary titles to the next level of growth. He will maintain the journalistic excellence for which Fairchild is known, help strengthen brand positioning, foster editorial collaboration across FMG, expand audiences while serving the core industry readership, and help develop new editorial products in various forms to further broaden FMG's reach.
Prior to this role, Fallon has served as the editorial director of Fairchild Fashion Media, overseeing editorial for WWD, Footwear News, Beauty Inc and Fairchild Live Media. He has held leadership positions for over 45 years with Fairchild Media. Before that, he was editor of WWD.
Previously, Fallon was London bureau chief for Fairchild Publications for 20 years until 2001, when he relocated to New York. In the U.K., he covered London and areas of continental Europe for all the Fairchild titles, including WWD, the consumer magazine W, the men’s wear publication DNR and Footwear News. During his tenure, he reported on everything from apparel and textiles to telecommunications and supermarkets; the arts to the British royal family, and the enlargement of the European Union to counterfeiting and data security. He served as news editor in the Washington, D.C., bureau of Fairchild Publications for two years before being transferred to London. He is a graduate of the University of Pittsburgh with a degree in journalism and has a master’s degree in journalism from Stanford University.
About Fairchild Media Group
Fairchild Media Group (FMG), a division of Penske Media Corporation (PMC), is the leading source of fashion news and analysis for industry leaders and the global fashion community. Established in 1892 by Edmund Fairchild, Fairchild Media Group brands today include Women’s Wear Daily (WWD), Footwear News (FN), Beauty Inc, Sourcing Journal (SJ), Rivet, Fairchild Live, and Fairchild Studio. Fairchild Media Group’s Fairchild Studio produces over 100 pieces of programming in partnership with blue chip brands including industry reports, video series, and podcasts. The WWD Voices podcast provides news, commentary, and industry insights, as well as behind-the-scenes stories from the world of fashion apparel, luxury, retail, and beauty, hosted by WWD editors with special guests. FMG content reaches an 18 million+ international audience of business executives and fashion enthusiasts across print, digital, social, and over 25 annual thought-leader events, including its renowned CEO Summits.
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Today, CBS and the Golden Globes® announced that acclaimed Emmy®-nominated comedian and actress Nikki Glaser is set to host the 82ND ANNUAL GOLDEN GLOBES®, the first major award show of the season, airing Sunday, January 5, 2025 (8:00-11:00 PM, live ET/5:00-8:00 PM, live PT) on the CBS Television Network, and streaming on Paramount+ in the U.S. (live and on-demand for Paramount+ with SHOWTIME subscribers, or on-demand for Paramount+ Essential subscribers the day after the special airs).*
“I am absolutely thrilled to be hosting the Golden Globes. It’s one of my favorite nights of television and now I get a front row seat (actually, I think I have to host from the stage),” said Glaser. “The Golden Globes is not only a huge night for TV and film, but also for comedy. It’s one of the few times that show business not only allows, but encourages itself to be lovingly mocked (at least I hope so). (God I hope so). It’s an exciting, yet challenging gig because it’s live, unpredictable, and in front of Hollywood’s biggest stars (who also might be getting wasted while seated next to their recent exes).”
Glaser continued, “Some of my favorite jokes of all time have come from past Golden Globes opening monologues when Tina, Amy, or Ricky have said exactly what we all didn’t know we desperately needed to hear. I just hope to continue in that time honored tradition (that might also get me canceled). This is truly a dream job. Plus, I no longer have to feel guilty for every TV show and movie I’ve binged over the past year. It was all worth it. (Below Deck: Sailing Yacht Season Four will be nominated, right?).”
"Nikki Glaser brings a fresh and unmatched candor to her comedy and to the Golden Globes," said Jay Penske, Chairman and CEO, of Dick Clark Productions and Penske Media. "Her unapologetic style made her an obvious and compelling choice as host for this year’s event. We're hopeful this could be the first of many Golden Globes that Nikki will surprise and delight our CBS audience, as well as our audiences around the globe."
“The Golden Globes has a rich history as a night for entertaining, provocative humor,” said George Cheeks, Office of the CEO, Paramount Global, President and Chief Executive Officer, CBS. “Nikki Glaser is a comedic force whose funny, bold and irreverent comedy will continue that legacy and further establish this special as a can’t miss event on CBS.”
"Nikki Glaser is a comedic powerhouse whose daring and unfiltered humor is the perfect match for the Golden Globes,” said Helen Hoehne, President, Golden Globes. “She is sure to bring a unique energy and spontaneity to the show that will keep the audience entertained all night."
Known for her razor-sharp wit and fearless humor, Nikki Glaser has established herself as one of the funniest voices in comedy today. In August of this year, the Los Angeles Times boldly described the knock-out comic, “Nikki Glaser is suddenly the hottest name in comedy." Previously Glaser headlined her first critically-acclaimed HBO comedy special “Good Clean Filth” in 2022, and earned an EMMY nomination for this year’s “Nikki Glaser: Someday You'll Die,” which set the record for both the best premiere night for an HBO comedy special in more than two years and for the #1 largest streaming audience for a Comedy Special in HBO Max/Max history. In 2021, Glaser launched “The Nikki Glaser Podcast” for iHeartMedia and Will Ferrell’s Big Money Players Podcast Network (BMP). She currently hosts and executive produces “Lovers and Liars,” the spinoff of the hit HBO Max and CW reality dating series “FBoy Island,” which Glaser hosted and executive produced for three seasons. Glaser recently wrapped her global THE GOOD GIRL stand-up tour and is currently on her ALIVE AND UNWELL tour across the country through May 2025.
The Golden Globe Awards, often referred to as “Hollywood’s Party of the Year®,” is the largest awards show in the world to celebrate the best of both film and television. Multi-Emmy Award®-winning producing duo Glenn Weiss and Ricky Kirshner of White Cherry Entertainment (WCE) will return as executive producing showrunners for the 82nd Golden Globes. Dick Clark Productions will plan, host and produce the annual Golden Globes, which has been viewed in more than 185 countries and territories worldwide.
CBS’ broadcast of the 81ST ANNUAL GOLDEN GLOBES® on Sunday, January 7, 2024, averaged 10 million viewers (Nielsen Live+7-Day national ratings), up nearly +50% from last year, its largest audience since 2020, making it the 3rd largest televised award show in the world approaching the Grammys and Oscars. The telecast was also the third-largest live-streamed CBS special event on Paramount+ ever in terms of AMA and reach.
Entries for Motion Picture and Television submissions must be completed online HERE, and the deadline is Monday, November 4, 2024. The awards timetable, rules and categories can be found HERE. Nominations are set to be announced on Monday, December 9, 2024.
About The Golden Globes®
As a premier entertainment awards show since 1944, the annual Golden Globes has honored achievements in both television and film. Over the last three decades, the Golden Globes has enabled donations of more than $55 million to entertainment-related charities including scholarship programs, film restoration projects and humanitarian efforts. This funding has also supported diverse programs in partnership with advocacy groups aimed at promoting greater access in Hollywood for underserved communities. Dick Clark Productions is the owner and producer of the Golden Globe Awards. For more information on the Golden Globes, please visit www.GoldenGlobes.com and follow us on X, Instagram, Facebook and in Spanish on X and Facebook.
About Dick Clark Productions
Dick Clark Productions (DCP) is the world's largest producer and proprietor of televised live event entertainment programming including the "Academy of Country Music Awards," "American Music Awards," "Billboard Music Awards," "Dick Clark's New Year's Rockin' Eve with Ryan Seacrest," “Golden Globes,” “So You Think You Can Dance,” from 19 Entertainment and DCP, and “Streamy Awards.” Dick Clark Productions owns one of the world's most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic specials, performances, and legendary programming. Dick Clark Productions is owned by Penske Media Corporation, in a subsidiary joint venture between Penske Media and Eldridge. For more information, please visit DickClark.com
About CBS
CBS, a subsidiary of Paramount Global, creates and distributes industry-leading content across a variety of platforms to audiences around the world. The Company has businesses with origins that date back to the dawn of the broadcasting age as well as new ventures that operate on the leading edge of media. It includes some of the industry’s most successful and popular brands and businesses: CBS Television Network, CBS News and Stations, CBS Sports, CBS Studios, CBS Media Ventures and CBS digital properties
About Penske Media Corporation
Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate monthly audience of more than 350 million. Since 2004, PMC has been a pioneer in digital media and live events, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, Dick Clark Productions, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Artforum, Gold Derby and Luminate, the premier data and analytics company. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several of the most iconic and vital cultural events such as the Golden Globes, Country Music Awards (ACMs), Billboard Music Awards (BBMAs), New Year’s Rockin Eve, SXSW, American Music Awards (AMAs), LA3C, Life is Beautiful, Latin Music Week, and ATX Television Festival. Penske Media is headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, for more information, please visit www.PMC.com
*Paramount+ with SHOWTIME subscribers will have access to stream live via the live feed of their local CBS affiliate on the service, as well as on demand. Paramount+ Essential subscribers will not have the option to stream live but will have access to on-demand the day after the special airs.
Today, Rolling Stone, the award-winning global authority on music, politics, and more, is proud to announce the launch of Rolling Stone Africa in partnership with MWANKOM, dedicated to championing quality Afro content. This collaboration marks a significant milestone as Rolling Stone expands its footprint in Africa with a goal of capturing its vibrant cultures and diverse voices.
“Expanding Rolling Stone's presence in Africa has been our long-term goal. We’re thrilled to give a platform to the rich music scene, culture, and stories that define the continent,” says Gus Wenner, CEO of Rolling Stone. “We look forward to working with MWANKOM and fostering global connections through the universal language of music."
Rolling Stone is renowned for its deep insights and fearless editorial stance in coverage of music, politics, entertainment, and popular culture. MWANKOM is poised to align with and support Rolling Stone’s mission by offering inclusive coverage of the same integrity across Africa’s culture, business, and technology landscape.
“Rooted in a rich multicultural heritage, our journey has been defined by a strong commitment to collaborating with trailblazing entrepreneurs from Africa and its global diaspora across various sectors,” says D. Romuald Bellegarde-Smeralda, CEO & Founder of MWANKOM. “This passion propels us to forge meaningful partnerships and transform remarkable visions into reality. The power of Afro-culture has now become mainstream. With a population in Africa well over 1 billion and a global diaspora of over 500 million people, including a large percentage below 30 years old, we understand the task. As a team of young and accomplished professionals all originating from the continent, we look forward to helping connect success stories from Africa with the rest of the world via the Rolling Stone Africabrand.”
MWANKOM’s diverse content portfolio reflects the multifaceted Afro experience and endeavors to elevate and celebrate Afro stories in a way that resonates with audiences worldwide. MWANKOM’s ultimate objective is positively impacting Africa by supporting educational projects and young entrepreneurs leveraging the global Afro diaspora.
The appointment process for the Editor-in-Chief and other senior positions is currently underway. The official launch date is forthcoming.
About ROLLING STONE:
Five decades since its founding, Rolling Stone today has evolved into a multi-platform content brand with unrivalled access and authority. Published in 10 languages, Rolling Stone has a global audience of over 75 million across 14 international editions. Staying true to its mission to tell exceptional stories that illuminate the culture of our times, Rolling Stone is an authority for music reviews, in-depth interviews, hard-hitting political commentary, and award-winning journalism across print, digital, mobile, video, social and events. Operated and published by Penske Media Corporation, Rolling Stone provides “all the news that fits.”
About MWANKOM:
MWANKOM is dedicated to becoming a leading provider of quality content championing Afro content and culture across the diaspora. MWANKOM aims to emerge as a premium provider of high-quality content celebrating Afro culture and experiences worldwide. By 2030, MWANKOM envisions reaching over 100 million devices globally, with wide distribution planned across Sub-Saharan Africa, Brazil, the Caribbean, the United States, Canada, Europe, and the UK. With a commitment to excellence, MWANKOM aims to redefine storytelling by amplifying the voices and experiences of the Afro community.
With Additional Performances by Jamie xx, Jungle, James Blake, Thundercat, Toro y Moi, Badbadnotgood, Neil Frances, LP Giobbi, Empress Of, John Talabot, and Fifi Taking Place September 27-28 in Downtown Las Vegas
Today, Life is Beautiful, the renowned festival celebrating music, art, and culture, introduces A Big Beautiful Block Party, a thrilling new format and celebration of the culture, ideals and evolution of Downtown Las Vegas. The two-day party, taking place September 27-28, is a unique return to the festival’s roots, offering a more close-knit experience set against the vibrant backdrop of the city’s downtown heart. This year’s newly created event includes performances by Justice, Peggy Gou, LCD Soundsystem, Jamie xx, Jungle, James Blake, Thundercat, Toro y Moi, Badbadnotgood, Neil Frances, LP Giobbi, Empress Of, John Talabot, and Fifi.
Life is Beautiful will transform Downtown Las Vegas into a massive dance party, featuring non-stop music from 5 p.m. to 2 a.m. each day, and will deliver a truly unforgettable experience. Embracing a unique approach, the festival eliminates overlapping sets, allowing attendees to immerse themselves fully in the music without missing a beat. From electrifying headliners to emerging talent, Life is Beautiful promises to deliver performances that captivate and inspire.
Located just a five-minute walk from The Arts District, The East Fremont Entertainment District, and the iconic Fremont Street Experience, Life is Beautiful invites its community to explore and enjoy the rich tapestry of Las Vegas while experiencing world-class music and artistry. Additionally, Life is Beautiful is proud to partner with Headcount, working together to register voters in anticipation of this critical election year.
Tickets for the festival go on sale on Thursday, June 27, at 10 a.m. PST at LifeisBeautiful.com. General Admission passes start at $199, and VIP passes start at $399.
About Life is Beautiful
Celebrating 11 years, Life is Beautiful Festival is Las Vegas' premier music and arts event. Life is Beautiful was born as part of the major revitalization of Downtown Las Vegas in 2013 and has helped transform the surrounding DTLV community into a bustling destination while contributing over $450M of economic impact and cultural capital to the area. Acquired by Penske Media Corporation and Rolling Stone in December 2023, Life is Beautiful is expanding its offering introducing new event concepts and formats while evolving and expanding the reach and impact of its marquee festival. Life is Beautiful continues to be driven by its core mission to create a holistic experience which aids in positive community development and individual empowerment through shared experiences driven by art and culture. What started as an event has become something more: a symbol of connection, joy and creativity.
Follow Life is Beautiful
Instagram: @Lifeisbeautiful
Twitter: @lifeisbeautiful
Facebook: @lifeisbeautifulfest
TikTok: @lifeisbeautifulfestival
London, June 2025
Today, South by Southwest® (SXSW®), the world’s leading festival celebrating the convergence of creativity, culture and technology, is launching in London in June 2025.
Through its multidisciplinary conferences and cultural festivals, SXSW has become a global platform to celebrate new ideas, propelling the careers of innovators and creatives across sectors, from start-up founders to independent artists and filmmakers.
SXSW London expands the footprint of the world’s leading and most sought-after cultural platform created over almost four decades in Austin, Texas. Every year, hundreds of thousands of creatives converge at SXSW to discuss and debate some of the most challenging issues of our time, with innovation in technology and science presented alongside the world’s biggest music and entertainment stories. From AI to climate change, politics to society, and the first outings for game changing start-ups such as Twitter and Airbnb, SXSW has been at the forefront of ideas and providing platforms for the world’s most critical and impactful voices.
Since 1987, SXSW has welcomed the world’s leading speakers and participants across a multitude of disciplines, including Christiane Amanpour, Deepak Chopra, Mark Cuban, Melinda Gates, Dave Grohl, Sadiq Khan, Barack Obama, Michelle Obama, Steven Spielberg, Dr. Lisa Su, Meghan, the Duchess of Sussex, Tilda Swinton, Taika Waititi, Elizabeth Warren, Amy Webb, Michelle Yeoh, and Mark Zuckerberg.
SXSW also creates unrivalled showcasing opportunities for new musicians and filmmakers, with a roll call of firsts that has helped propel global cultural icons like Amy Winehouse, Billie Eilish, Dua Lipa and Ed Sheeran, and other influential artists such as Skepta, Stormzy and Wet Leg.
SXSW London will bring its own distinctive personality, driven by London's internationally renowned cultural life and creativity, its status as a global meeting place, and its proximity to other major creative and tech centres in Europe. Over the course of a week in June, SXSW London will take over dozens of venues, galleries, clubs and other spaces in Shoreditch, east London, renowned as a vibrant centre for creativity and technological innovation, as well as for its diversity, energetic youth culture, global cuisine and nightlife.
SXSW London will build upon London’s place within the community of over 20 million people working in the creative and technology sectors across Europe. In the UK alone, the cultural and creative industries contribute £125 billion, with London contributing more than half of the UK’s entire creative industries economic output.
In addition to inspiring and challenging keynotes, music showcases, and innovations in tech, gaming and screen, SXSW London will introduce boundary pushing visual arts, design and fashion programming, with exhibitions and interactive and immersive experiences in public spaces across its east London campus.
As SXSW’s European edition, SXSW London will have a particular emphasis on creative talent from across Europe. SXSW London will continue to encourage the convergence of creativity and culture, unexpected discoveries, and connections between visitors, creating opportunities for attendees, performers, and the broader London community to collaborate and innovate. SXSW London will also continue to develop Austin's focus on climate action and sustainability, with the ambition to drive positive change for future generations.
More details about the SXSW London 2025 programme will be announced in the coming months, with badges due to go on sale in October 2024. Register your interest for the most unmissable event in the 2025 European creative calendar at sxswlondon.com.
Randel Bryan, Managing Director of SXSW London, said:
"As a life-long fan of SXSW I truly believe that it’s more than an event - it’s a movement, a platform where the world’s greatest minds, musicians and motivators come to share their passion and their vision of the future.
"SXSW London will build on Austin's incredible legacy, presenting an event that underpins why SXSW is the go-to destination for professionals and creatives seeking meaningful connections, unexpected experiences and ideas that can help shape the world.
"SXSW London will also provide a platform for the next generation of creative talent and we will be working hard to ensure that opportunities for learning, employment and community uplift are at the heart of everything we do."
Jann Baskett, Co-President and Chief Brand Officer of SXSW, said:
"We couldn’t be more excited to bring the SXSW experience to London. Following the success of SXSW Sydney, this is an incredible new opportunity to highlight the elements that make SXSW unique in one of the most vibrant cities in Europe. We look forward to forming deeper connections with our overseas community and bringing the conversations that start in Austin all the way to London."
The Mayor of London Sadiq Khan said:
"I am delighted to welcome SXSW to London for the first time ever - confirming our place at the heart of Europe’s tech and creative sectors and as a global capital of culture.
"When I was part of SXSW in Austin in 2018, I saw first-hand the electric atmosphere of innovation SXSW creates and I can’t wait to be part of it again. This is a historic opportunity for London to once again bring the world’s most exciting talent together as part of our mission to build a better and more prosperous London for everyone."
Culture Secretary, Lucy Frazer said:
“Festivals have been a vital part of British culture for decades and a key part of the reason why the UK is known the world over for creative excellence.
“From film and TV to fashion and music, London is a global hub for cultural and creative talent, so it’s fantastic that SXSW is coming here to bring together innovators from across these sectors and demonstrate why the UK’s creative industries are the envy of the world.”
Read quotes from Sir Peter Bazalgette, Co-Chair, UK Creative Industries Council, Dr Jo Twist OBE, Chief Executive, BPI, Darren Henley, Chief Executive, Arts Council England, Naomi Pohl, General Secretary Musicians’ Union, Priya Lakhani OBE, Founder and CEO, CENTURY TECH, Skinder Hundal MBE, Director, Arts, British Council, Karen Palmer, the award winning XR creator and futurist, Tom Kiehl, Interim Chief Executive, UK Music, Sally Davies, Managing Director of Abbey Road Studios, Lawrence Montgomery, Managing Director, Rough Trade Retail (UK), Jessica Driscoll, Director of Immersive Technology, Digital Catapult, Adam Cole, who presented his work Kiss/Crash at SXSW 2024 in Austin, Caroline Rush CBE, CEO British Fashion Council and Chair Creative Industries Trade and Investment Board, Professor James Bennett, Director CoSTAR National R&D Lab for Creative Technologies, Crispin Parry, CEO, British Underground, Ed Jenkins, CEO Volumetric Video Ltd and Dr Hayaatun Sillem CBE, CEO, Royal Academy of Engineering and Queen Elizabeth Prize for Engineering Foundation here.
About SXSW
SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of tech, film and television, music, education, and culture. An essential destination for global professionals, the annual March event features sessions, music, and comedy showcases, film and television screenings, exhibitions, professional development, and a variety of opportunities to meet and connect with people. SXSW proves that the most unexpected discoveries happen when diverse topics and individuals come together. SXSW 2025 will take place March 7-15 in Austin.
SXSW’s expansion into the Asia Pacific region, with SXSW Sydney starting in 2023 and Europe with SXSW London in 2025, provides new possibilities at this iconic experience. These events, each with their own distinct flavour, make South By an indispensable three-stop tour for the global creative community.
Panarae
Panarae is a private investment company with a focus on the financing and development of global enterprises. The company has a diverse investment and partnership portfolio – ranging from financial and professional services to media and entertainment. SXSW London is produced under license from SXSW LLC by Panarise, a live entertainment company established and owned by Panarae.
TAIT
TAIT partners with artists, brands, and institutions to bring culture-defining, never-before-seen experiences to life. With a legacy of innovation spanning over 45 years, TAIT has grown from pioneering in rock ‘n’ roll concert staging to setting the global standard for extraordinary live events and experiences through cutting-edge technology, precision engineering, and creative design, as well as producing high-stakes, high-touchpoint moments around the globe. TAIT’s 20 global offices have developed iconic productions and experiences in over 30 countries, all seven continents, and even outer space for renowned performers, theme parks, exhibits, and venues across the globe, including partnerships with Snap Inc., Taylor Swift, Cirque Du Soleil, Warner Bros. Discovery, Royal Opera House, Nike, NASA, Google, Disney, Beyoncé, Bloomberg, and The Olympics.
April, 26, 2024 – LOS ANGELES – Today, CBS and Dick Clark Productions (DCP) announced the world’s largest fan-voted award show, the AMERICAN MUSIC AWARDS (AMAs), will air on the CBS Television Network for the first time, Sunday, October 6, 2024 (8:00 PM, ET/5:00 PM, PT) and stream on Paramount+.
The AMAs celebrate the year’s top achievements in music determined by the fans, for the fans. Over the past 50 years, the AMAs has showcased the very best in music and delivered memorable pop-culture moments and powerful lineups, including first-time collaborations and exclusive world premiere performances from music’s biggest names across pop, rap, R&B, country, Latin, K-Pop and more.
The 2024 AMERICAN MUSIC AWARDS are produced by Dick Clark Productions. Nominees are based on key fan interactions – as reflected on the Billboard charts – including streaming, album sales, song sales and radio airplay.
*Paramount+ with SHOWTIME subscribers will have access to stream the show live via the live feed of their local CBS affiliate on the service, as well as on demand. Paramount+ Essential subscribers will not have the option to stream live but will have access to on-demand the day after the special airs.
Media Contacts:
Dick Clark Productions
Gina Sorial, gsorial@dickclark.com
Lydia Baskharoon, lbaskharoon@dickclark.com
CBS
Kate Fisher, KHFisher@cbs.com
February 10, 2023, Today, Penske Media Corporation (PMC) announced the elevation of Luke Bahrenburg to President, Robb Report and Head of Luxury Sales, PMC, effective immediately. Bahrenburg who joined PMC in 2021, was previously EVP and Chief Revenue Officer, Robb Report and Head of Luxury Sales, PMC. In this role, Bahrenburg will continue to oversee all sales, marketing, live media and business operations at Robb Report as well as oversee luxury portfolio sales across PMC’s Art Media titles which include, recently acquired Artforum as well as ARTnews and Art in America. Bahrenburg will also lead the sales strategy for PMC’s luxury real estate platform Dirt.
He will continue to work closely with Robb Report’s Editor-In-Chief, Paul Croughton, Artforum’s Co-Publishers, Danielle McConnell and Kate Koza and ArtNEWS’ Publisher, Erica Lubow Necarsulmer to develop and implement growth strategies across the business. Bahrenburg will continue to report to Thomas Finn, EVP and General Manager, Operations, PMC, and is based in PMC’s New York office. His elevation is part of a larger corporate strategy to bring all of PMC’s consumer luxury sales under one leadership vertical.
“Luke is a true leader whose experience and skill set distinguish him,” said Jay Penske, CEO and Founder of Penske Media. “Over the last few years, Luke has demonstrated his deep understanding of the luxury portfolio business and vision to evolve it for the future. As PMC enters this exciting phase of explosive growth, Luke is poised to do incredible things with the business for the future.”
“There is no one more suited to expand the Robb Report business than Luke,” said Finn. It has been a pleasure working with Luke over the last few years where he has exhibited his business instincts and leadership abilities. I look forward to watching him flourish in this role.”
“I am thrilled to have the opportunity to lead our luxury business strategy for some of the most iconic, authoritative and storied brands in the world,” said Bahrenburg. Over the last few years, it’s been a privilege to deepen my understanding of these brands—who truly define culture today. I have a profound appreciation for their legacy and our opportunity in the marketplace moving forward.”
Before joining PMC in 2021, Bahrenburg spent 10 years at Dow Jones where he served as SVP of B2C Sales & Marketing at WSJ/Barron’s Groups and Publisher of WSJ Magazine. Throughout his career, Luke has continuously proven his ability to transform and lead global sales teams and to drive innovative new strategies and partnerships for clients across the luxury, consumer, and real estate sectors. In his tenure at Dow Jones, Luke launched several new brands, including Mansion & Mansion Global, and led the digital transformation of WSJ. Magazine.
About Penske Media Corporation
Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate audience. Since 2004, PMC has been a pioneer in digital media and a platform innovator, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, Dick Clark Productions, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Dirt, Artforum, Gold Derby, Spy.com and Luminate, the premier data and analytics company. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several vital cultural events such as SXSW, LA3C, Life is Beautiful, Latin Music Week and ATX Television Festival. Headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, PMC believes companies should not only be profitable but also forces for good.
About Robb Report
Robb Report is the global voice of real luxury, with its fingers on the pulse of the latest superlative products and experiences that today’s modern consumers seek. Robb Report attracts a discerning audience with a shared appreciation and desire for quality, artisanship, heritage, fine design, and exclusivity – core elements that define true luxury. Widely regarded as the single most influential journal of living life to the fullest, with 17 international editions across the globe, Robb Report features content from the world’s foremost experts covering every luxury category and passion.
About Artforum
Artforum is the magazine of record for the contemporary art industry and holds the unique roles of institution, nexus, and foremost tastemaker of the art world. It delivers the highest level of critical discourse about contemporary visual culture to a diverse international audience and is often the first to elevate artists whose work comes to define eras. Launched in California in 1962, Artforum moved to New York in 1967, where it is still based. The magazine’s initial aim was to apply intellectual rigor to the consideration of new artistic movements, and over the years, this mission has expanded to include the entire breadth of contemporary visual culture, including film, performance, architecture.
About ARTnews
Founded in 1902, ARTnews is the oldest and most widely circulated art magazine in the world. Its readership of 180,000 in 124 countries includes collectors, dealers, historians, artists, museum directors, curators, connoisseurs, and enthusiasts. Published in print four times a year, it reports on the art, people, issues, trends, and events shaping the international art world.
About Art in America
Since 1913, Art in America has published groundbreaking critical insights about contemporary art and culture. Each issue features exhibition reviews, interviews with leading artists, and in-depth essays by critics, curators, and scholars at the forefront of their fields. Recent thematic issues have introduced new talent and examined topics ranging from digital technology to contemporary Indigenous art. Art in America promotes informed analysis of the most important art movements around the world. Between its flagship bi-monthly print edition and growing digital presence—bolstered by more than a million followers on social media and email newsletters—Art in America today reaches both influential art world insiders as well as a broad audience invested in understanding pivotal cultural trends.
About Dirt
Dirt is a voyeuristic, tongue-in-cheek peek into the oft-clandestine real estate transactions of high-profile and high-net worth people across a broad spectrum of industries and professions. Dirt.com’s exhaustive real estate coverage spans a wide range of locations and architectural styles. From midcentury moderns to monstrous mega mansions, there’s something for every real estate lover around the globe.
Penske Media Corporation
Brooke Jaffe, press@pmc.com
Austin, Texas —February 8, 2023: Today, Penske Media Corporation (PMC) and several of its iconic brands announced a slate of one-of-a-kind activations taking place at this year’s South by Southwest® (SXSW®) Conference and Festivals in Austin, TX March 10- 19th. Brands hosting unforgettable activations, experiences and concerts include Variety, Robb Report, Sportico, SHE Media, WWD, Beauty Inc and FN, The Hollywood Reporter, Deadline, Rolling Stone, Billboard and Vibe.
Variety will kick off the conference on Friday, March 10th with its signature Power of Comedy Event located at The Creek and the Cave. The event, in partnership with the SXSW Comedy Festival, will honor some of the biggest names in comedy and consist of stand-up acts and honoree speeches in celebration of the year in Comedy.
Luxury brand Robb Report launches its first-ever immersive pop-up destination: House of Robb March 10-12 at the historic landmark The Walter Tips Building, 712 Congress Avenue. This luxury oasis within the SXSW® campus combines intimate live talks, brand experiences, culinary & mixology adventures and VIP gatherings to bring the pages of Robb Report to life. With ultra-curated programming featuring some of the world’s most premium luxury products and experiences, House of Robb delivers a sophisticated, elevated touch to your SXSW experience.
SXSW® and Sportico present the SXSW® Sports Track, a three-day program March 11-13, exploring the most relevant and current topics in sports, including the confluence of sports with entertainment, music and technology. Convening at the Four Seasons Austin, the SXSW® Sports track programs and activations will bring together the prominent athletes, leaders and innovators of the global sports industry. To learn more click SXSW Sports Track Presented By Sportico.
Additionally, Sportico presents the Sportico Podcast Stage at SXSW. Join them as they welcome some of the biggest programs and celebrities in sports. Featuring groundbreaking podcasts such as “All the Smoke”, “The Pivot”, “Sporticast”, and many more. Watch the show while rubbing elbows with top-name athletes, personalities, and legends of the sports industry.
SHE Media presents the Co-Lab taking place March 11- 12 at The Native. Explore the future of health at the SHE Media Co-Lab at SXSW®. From optimizing brain health to improving maternal healthcare & more, hear from leading experts and change makers as they discuss the latest innovations & scientific findings to help prioritize your health. Click here to learn more: SHE Media @SXSW
WWD, Beauty Inc and FN present The Wear House, March 11-12 from 11 am – 6 pm located at 800 Congress. From the meteoric rise of AR, VR, AI and the metaverse, to the astonishing power and creativity behind brand collaborations and innovations, and into the seemingly limitless next frontier of hyper-personalized wellness, the fashion, footwear and beauty industry is in a time of unparalleled transformation in creating a deeper connection its core audience. WWD, Footwear News and Beauty Inc. experts are joined by the thought leaders, celebrities, entrepreneurs and the game changing minds charting the road ahead, to unpack these questions and more, at the Fairchild Wear House – the fashion and beauty innovation destination of SXSW 2023. Through candid conversations and high touch custom experiences that embrace the ingenuity of the world’s most forward-thinking brands, The Wear House offers an insider’s perspective on what’s inside, what’s in store and what’s inspiring the industry’s path forward. Third-party sponsors include MAGIC and Tarte Inc. Click here to learn more.
For the first time at SXSW®, The Hollywood Reporter (THR) brings its acclaimed festival studio to Austin from March 11-13 at The Line. THR’s all-star editorial team of journalists, photographers, and video crew will produce ultra-premium content with the talent and creatives behind the most talked-about films of the festival at this exclusive, invitation-only studio and hospitality lounge.
Deadline brings its signature portrait & interview studio to the SXSW® Film & TV Festival from March 10-13 at the Thompson Hotel. Deadline invites talent from premiering films and TV shows to the Deadline Studio and hospitality suite for exclusive portraits and video interviews; which will appear on Deadline.com and Deadline social media channels throughout the festival. Deadline is the leading site in entertainment industry news; focusing on breaking news in film and television. Follow Deadline.com for all the latest updates from SXSW® and beyond.
Rolling Stone kicks off its Future of Music program during the 2023 SXSW® Music Festival. The inaugural multi-night showcase will take place March 14-17 at ACL Live at The Moody Theater in Austin and will become an annual fixture of SXSW. Inspired by the spirit of SXSW, Rolling Stone provides a stage to celebrate the sounds of today and tomorrow through an emblematic line up spanning different cultures and genres.
The showcase will serve as the launch event for Rolling Stone’s larger Future of Music tentpole, dedicated to celebrating talent and industry trends through robust content and events all year long.
The Future of Music showcases will culminate next September with the Life Is Beautiful festival in Las Vegas. Rolling Stone became a majority investor in Life is Beautiful in February 2022. As part of the official SXSW programming, the showcase is open to festival registrants and wristband holders.
Billboard presents THE STAGE @ SXSW®, Thursday March 16- March 18, bringing A-list talent to the SXSW® Music Festival by hosting exclusive concerts at Moody Amphitheater at Waterloo Park. The concerts are open to SXSW badge holders and general ticket buyers, taking place in the latter half of the music week.
VIBE will be bringing back its signature Next Showcase SXSW® with very special guests. Additionally, VIBE will be celebrating Hip-Hop’s 50th anniversary and the brand’s very own 30th anniversary on March 15th. Details to follow.
About Penske Media Corporation
Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate audience. Since 2004, PMC has been a pioneer in digital media and a platform innovator, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, Dick Clark Productions, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Dirt, Artforum, Gold Derby, Spy.com and Luminate, the premier data and analytics company. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several vital cultural events such as SXSW, LA3C, Life is Beautiful, Latin Music Week and ATX Television Festival. Headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, PMC believes companies should not only be profitable but also forces for good www.pmc.com.
About SXSW
SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of tech, film and television, music, education, and culture. An essential destination for global professionals, the annual March event features sessions, music, and comedy showcases, film screenings, exhibitions, professional development, and a variety of networking opportunities. SXSW proves that the most unexpected discoveries happen when diverse topics and people come together. SXSW 2023 will take place March 10 – 19, 2023 in Austin. For more information, please visit sxsw.com. To register for the event, please visit sxsw.com/attend.
Penske Media Corporation
Brooke Jaffe, press@pmc.com
January 25, 2023, Los Angeles, CA—Today, Penske Media Eldridge (PME) announced its acquisition of Dick Clark Productions (dcp), the live events and alternative media producer, as part of a larger strategic alliance with Eldridge augmenting its existing partnership with Penske Media’s (PMC’s) entertainment media brands and SXSW. PME is a PMC subsidiary and joint venture between Penske Media Corporation and Eldridge.
dcp is recognized globally for its constellation of live award shows and other music entertainment programs, including the Golden Globe Awards, American Music Awards, Academy of Country Music Awards, Billboard Music Awards, Dick Clark’s New Year’s Rockin’ Eve, So You Think You Can Dance, in partnership with 19 Entertainment, and the Streamy Awards. This deal marks the continued expansion and investment in Penske Media Eldridge’s robust live event portfolio which includes SXSW, Life is Beautiful, ATX TV festival and LA3C.
“I am thrilled to expand our partnership with Eldridge and Todd,” said CEO and Founder of Penske Media, Jay Penske. “I have long admired dcp’s portfolio of iconic and prominent live entertainment brands and look forward to growing and evolving dcp’s footprint and legacy for future audiences across all platforms.”
“At Eldridge, we seek to grow businesses that stand the test of time,” said Todd Boehly, Chairman and CEO of Eldridge. “Our decision to build upon our partnership with Penske Media, with whom we already have a deep alliance around media and publishing, is in service to that goal – so dcp may continue to flourish for many decades to come.”
Founded in 1957, dcp owns and produces some of the most enduring and prestigious awards shows, TV specials and IP archive libraries in the entertainment industry worldwide. Penske Media Eldridge will assume full control of dcp’s operations in the coming weeks. As part of the deal, Adam Stotsky will be stepping down as President after a period of transition.
About dcp
Dick Clark Productions (DCP) is the world’s largest producer and proprietor of televised live event entertainment programming with the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Golden Globe Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest”, the “Streamy Awards”, and television programming including “So You Think You Can Dance”. DCP also owns one of the world’s most extensive and unique entertainment IP archive libraries with more than 60 years of award-winning shows, historic programs, specials, performances and legendary programming.
About Penske Media Corporation
Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate audience. Since 2004, PMC has been a pioneer in digital media and a platform innovator, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Dirt, Artforum, Gold Derby, Spy.com and Luminate, the premier data and analytics company. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several vital cultural events such as SXSW, LA3C, Life is Beautiful, Latin Music Week and ATX Television Festival. Headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, PMC believes companies should not only be profitable but also forces for good www.pmc.com.
About Eldridge
Eldridge invests in businesses across the Insurance, Asset Management, Technology, Mobility, Sports & Gaming, Media, Real Estate, and Consumer landscapes. The firm seeks to build and grow businesses led by proven management teams that have demonstrated leadership and experience to scale an enterprise. Eldridge is headquartered in Greenwich, Connecticut, with additional offices in Beverly Hills, New York, and London. To learn more about Eldridge, please visit www.eldridge.com
Penske Media Corporation
Brooke Jaffe, press@pmc.com
Tokyo, Japan, January 20, 2023: Penske Media Corporation (PMC) has partnered with digital media company, Hersey Shiga Global, in a multi-year license to launch The Hollywood Reporter Japan. The Japanese language entertainment publication goes live today.
Content on The Hollywood Reporter Japan will include significant entertainment industry news translated from thr.com as well as original reporting on the Japanese entertainment business. Founded by Bill Hersey, Hersey Shiga Global has been reporting on Tokyo’s social and entertainment scene since 1970.
“We are thrilled to welcome The Hollywood Reporter Japan into the family,” said Nekesa Mumbi Moody, Editorial Director, The Hollywood Reporter. “THR Japan will forge its own unique identity as the leading voice of entertainment in the region while also embodying the journalistic excellence that THR represents. We look forward to an enduring partnership.”
“The Hollywood Reporter is committed to expanding the reach of our premier entertainment content globally,” said Elisabeth Deutschman Rabishaw and Victoria Gold, Executive Vice Presidents and Co-Publishers of The Hollywood Reporter. “This is an exciting step to take with our new partners at Hersey Shiga Global.”
“It’s an honor to partner with The Hollywood Reporter, bringing the leading entertainment publication to a broader audience in Japan,” said Tsukasa Shiga, Chairman of Hersey Shiga Global K.K. “We anticipate many fruitful years of collaborating with Penske Media and The Hollywood Reporter.”
“The global film and entertainment industry is going through ever-changing fast-paced growth with a shift towards Asia for future development. Being part of one of the most renowned publications in the entertainment industry, we will be at the forefront of Japan’s future growth in the film and entertainment news industry,” said David Schneider, General Manager of The Hollywood Reporter Japan.
About The Hollywood Reporter
The Hollywood Reporter (THR) is a flagship entertainment media brand, offering in-depth reporting, analysis, unparalleled access, world-class photography and video, and feature exclusives in its award-winning weekly magazine and dynamic website. The Hollywood Reporter also boasts prestigious live events, industry-leading philanthropic, empowerment and diversity initiatives and hugely successful video series including “Close Up with The Hollywood Reporter,” which was nominated for a 2019 Daytime Emmy Award. In 2020, The Hollywood Reporter won the National Magazine Award for General Excellence, Special Interest, awarded by the American Society of Magazine Editors.
About Hersey Shiga Global K.K.
Hersey Shiga Global K.K. is a digital media company providing media content to leading publications in Japan and overseas since 1970.
Penske Media Corporation
Brooke Jaffe, press@pmc.com
December 7, 2022, New York, NY: Today, Penske Media Corporation (PMC) announced the acquisition of Artforum International Magazine, a leading voice in the contemporary art world. Artforum will join PMC’s constellation of brands as it celebrates its 60th anniversary year. Since its founding in 1962, Artforum has been at the vanguard of contemporary art criticism, and throughout its history has remained the voice of record for the art world.
Publisher Danielle McConnell and Associate Publisher Kate Koza will continue to lead Artforum operations, with Editor David Velasco helming editorial initiatives. Longtime publisher and Artforum shareholder, Anthony Korner, will remain engaged with the publication in an ambassadorial role. Artforum will remain editorially independent of other Penske Media brands, including existing titles ARTnews and Art in America. Terms of the transaction were not disclosed.
“Artforum’s quality and authority in the art world is unparalleled,” said Chairman and CEO of Penske Media, Jay Penske. “Over the last 60 years, they have built a culture- and genre-defining brand known around the world, with one of the few insightful global perspectives on art. I have great admiration for the hard work Tony, Danielle, Kate, and David have done to make Artforum such a success. I look forward to a bright future with this very talented team.”
“Our highest priority is to maintain the continued legacy of our print publication while ensuring a vigorous digital expansion,” said McConnell. We are thrilled to work alongside Jay Penske, who has understood these objectives from the outset. PMC’s media infrastructure will provide dynamic, amplified opportunities for Artforum’s international community of artists, galleries, museums, and other valued partners.”
“I’m proud to have been part of Artforum’s impressive evolution as the leading voice and record of contemporary art during my time as publisher,” said Korner. “As Artforum looks to its next chapter, we have found a strong steward in Jay Penske and PMC. PMC is committed to Artforum’s mission and invested in ensuring the magazine continues to uphold the highest editorial standards in the industry.”
“I look forward to continuing our work with the brilliant writers, artists, and editors who have made this magazine a touchstone for generations,” said Velasco. “I’m confident that PMC is the right partner for Artforum as we deepen our commitment to our community and build new ways to communicate our mission across a variety of media.”
“The unparalleled talents of our staff and writers have solidified Artforum’s reputation as the standard-bearer of contemporary art criticism over the years,” said Koza. “Since 2020, we have expanded Artforum’s digital footprint in ways that complement and enliven the mission of the print magazine, and we are excited to foster further growth across our platforms. We have found a strong partner in PMC, whose resources will support our team’s creativity and vision and help us carry Artforum’s legacy into the future.”
About PMC
Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate audience. Since 2004, PMC has been a pioneer in digital media and a platform innovator, reaching viewers on all screens across its ever-growing constellation of iconic brands, which include Variety, Rolling Stone, The Hollywood Reporter, Billboard, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Dirt, Gold Derby, and Spy.com, among many others. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several vital cultural events such as SXSW, LA3C, and Life is Beautiful. Headquartered in New York and Los Angeles, with additional offices in 14 countries worldwide, PMC believes companies should not only be profitable but also forces for good.
About Artforum
Artforum is the magazine of record for the contemporary art industry and holds the unique roles of institution, nexus, and foremost tastemaker of the art world. It delivers the highest level of critical discourse about contemporary visual culture to a diverse international audience and is often the first to identify artists whose work comes to define eras. Launched in California in 1962, Artforum moved to New York in 1967, where it is still based.
Penske Media Corporation
Brooke Jaffe, press@pmc.com
November 28, 2022, Austin, Texas – Today, Penske Media Corporation (PMC) announced the acquisition of Austin based ATX TV. Founded 12 years ago as an annual Television festival by Emily Gipson and Caitlin McFarland, ATX TV has evolved into a year-round business creating programming and experiences for a cultivated community of passionate television enthusiasts. ATX TV celebrates television and its highly engaged audience by programming impactful experiences and content 365 days a year. Uniquely positioned to attract television makers and consumers alike, ATX TV is a place for the discovery and exploration of television’s past, present and future.
Recognized for its yearly festival held in Austin, Texas, ATX TV Festival brings Industry and Consumers together for a 4-day anchor event in June. Attendees experience series specific and mixed topic panels with cast and creatives, intimate one-on-one conversations, premiere screenings and more. Topics range from industry deep-dives to fan-focused discussions, along with conversations on TV’s responsibility and impact on culture.
As part of the acquisition, ATX TV’s core team will remain unchanged. Co-Founders and Co-Presidents Emily Gipson and Caitlin McFarland will continue at the helm of the brand running the business, operations, partnerships, programming, and driving the core mission forward. Laura Kincaid continues in her role as Director of Operations as will Jennifer Morgan as Director of Programming. Terms of the deal were not disclosed.
“We have long admired ATX’s commitment to creating unique content that celebrates every aspect of television,” said CEO and Founder of Penske Media, Jay Penske. “Emily and Caitlin have built an incredible community and world class programming over the years, and we look forward to helping them expand their footprint for an even bigger audience in the future.”
“Our vision for ATX TV is expansive,” said McFarland. “We have always had our eyes on creating year- round programming and engagement, but the pandemic marked an inflection point for us all. We realized that we needed to expand to digital content and grow beyond a yearly festival to service our business and our audience. Our partners needed more opportunities to reach audiences and our audience needed one another — but we, ATX TV, also needed more resources to achieve our very big goals. We are so proud of all we have done with our team, but we are ready for our next chapter of growth and are thrilled to have Penske Media as partners to help us achieve it together.”
“It’s hard to believe the first festival was ten years ago,” said Gipson. “At that time, we had no idea what it would become, but our vision has always remained the same: to create an inclusive destination for industry and consumer audiences to come together as one community to celebrate TV. Over the past decade, we have focused on creating curated content and producing high quality experiences that have allowed audiences to discover, discuss, debate, collaborate, interact, and enjoy all things television. Now with the support of Jay and Penske Media, we know the possibilities are endless of how we can grow our vision together.”
ATX Television Festival Season 12 will take place June 1-4, 2023. Badges are on sale now. For more information on the festival visit: https://atxfestival.com/
About Penske Media
Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate audience. Since 2004, PMC has been a pioneer in digital media and a platform innovator, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Dirt, Gold Derby and Spy.com, among many others. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several vital cultural events such as SXSW, LA3C, and Life is Beautiful. Headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, PMC believes companies should not only be profitable but also forces for good.
About ATX TV
ATX TV is the parent company of ATX Festival, an annual event produced by ATX TV, taking place every June in Austin, TX. As the leading television festival, it brings together fans and industry to celebrate the television medium by looking at its history, where it is now, and where it is headed. The festival consists of screenings followed by Q&As, panels, and events (parties, live music, meet-ups, super-secret happy hours, etc) and is known for reunions of both classic shows and cult hits. Screenings showcase never-aired pilots, canceled too soon series, and current favorites, as well as world premieres of new series. Panels span from industry deep dives to fan-focused conversations, along with discussions on representation (in front of and behind the camera) and responsibility in storytelling. The ATX TV audience is comprised equally of consumers and industry professionals, and ATX Television Festival is the only place they come together as one community to discuss and celebrate all aspects of #TVTogether. The Syndication Project (TSP) is a non-profit (501c3) that works in conjunction with ATX TV. With a mission of advocacy through storytelling, its focus has been partnering with various organizations and communities for a track at ATX TV Festival and year-round events. While ATX TV does currently fund and run TSP, it operates outside of the ATX TV umbrella. For more information on ATX TV visit: ATX.CO
Penske Media Corporation
Brooke Jaffe, press@pmc.com
