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Press Releases
December 13, 2024

Los Angeles, CA — December 13, 2024 — Today, Penske Media Corporation (PMC) announced that Billboard, IndieWire, Rolling Stone, The Hollywood Reporter, and Variety received a total of 122 awards at the 17th Annual National Arts & Entertainment Journalism Awards, presented by the Los Angeles Press Club on December 1. These prestigious honors highlighted the exceptional work of PMC’s journalists, photographers, and media teams, further solidifying the company's leadership in entertainment media.

PMC outlets were recognized across the board for their outstanding contributions in a variety of categories, including Print Journalist of the Year, Online Journalist of the Year as well as investigative reporting, photography, business journalism, critical reviews and more. The awards underscore the high level of talent and creativity within the PMC family and their continued impact on the world of arts and entertainment journalism.

Penske Media Penske Media Corporation Takes Honors in the Following Key Categories:

PRINT JOURNALIST OF THE YEAR

  • Chris Willman, Variety
  • 2nd: Tatiana Siegel, Variety
  • 3rd: Seth Abramovitch, The Hollywood Reporter

ONLINE JOURNALIST OF THE YEAR — Tied to an Organization  

  • Mesfin Fekadu, The Hollywood Reporter
  • 2nd: Clayton Davis, Variety

ONLINE JOURNALIST OF THE YEAR — Independent

  • 3rd: A.D. Amorosi, Variety, Flood, SPIN

PHOTOJOURNALIST OF THE YEAR

  • 2nd: Dan Doperalski, Variety

CRITIC — ANY MEDIA PLATFORM (BROADCAST, PRINT, OR ONLINE)

Film Critic — Under 1,000 words

  • Chris Willman, Variety
  • 2nd: Siddhant Adlakha, JoySauce/IndieWire/Variety

Film Critic — Over 1,000 words

  • David Ehrlich, IndieWire
  • 2nd: Owen Gleiberman, Variety

TV Critic

  • 2nd: Daniel Fienberg, The Hollywood Reporter

Music Critic

  • 3rd: Mesfin Fekadu, The Hollywood Reporter

ANY MEDIA PLATFORM (BROADCAST, PRINT, OR ONLINE)

Celebrity Investigative, Any Media

  • Seija Rankin, Jason Rovou, Stephanie Fischette, Nekesa Mumbi Moody, Maer Roshan, The Hollywood Reporter, “Will Ferrell on Navigating His Best Friend's Transition in ‘Will & Harper’”
  • 2nd: Gary Baum, The Hollywood Reporter, “Get Me Bryan Freedman!”
  • 3rd: Tatiana Siegel, Variety, “Crisis at Marvel: Jonathan Majors Back-Up Plans, ‘The Marvels’ Reshoots, Reviving Original Avengers and More Issues Revealed”

Headline, Any Media

  • 3rd: Tom Bruneggemann, IndieWire, “They Don’t Climax in IMAX — or, Why Films with Sexy Sizzle Are Rare Today”

BOOK

Non-Fiction Book

  • 3rd: Ramin Setoodeh, HarperCollins Publishers, “Apprentice in Wonderland: How Donald Trump and Mark Burnett Took America Through the Looking Glass”

PHOTOGRAPHY/ART (PRINT OR ONLINE)

News Photo

  • Michael Buckner, Haley Kluge, Jennifer Dorn, Variety, “SAG Fran Strike Cover”
  • 3rd: Roger Kisby, Rolling Stone, “F1 Opener”

Portrait Photo, TV/Film

  • Dan Doperalski, Jennifer Dorn, Haley Kluge, Variety, “David Oyelowo Portrait”
  • 3rd: Collier Schorr, Rolling Stone, “Kristen Stewart Uncensored: ‘I Want to Do the Gayest Thing You’ve Ever Seen in Your Life’”

Portrait Photo, Music/Arts

  • 3rd: Ash Barhamand, Ava Selbach, Peter B. Cury and Julia & Vincent, The Hollywood Reporter, “Renee Rapp”

Feature Photo

  • 2nd: Ash Barhamand, Ava Selbach, Peter B. Cury and Dan Winters, The Hollywood Reporter, “Nathan Fielder + Emma Stone”
  • 3rd: Jenny Sargent, Naomy Pedroza and Joelle Grace Taylor, Billboard, “Lainey Wilson”

Action Photo

  • Chris Willman, Variety, “Brandi Carlile concert photo/The Best Concerts of 2023”

Photo Essay

  • Ash Barhamand, Ava Selbach, Naomy Pedroza, Peter B. Cury, Munachi Osegbu, The Hollywood Reporter, “Hollywood’s Top Stylists”
  • 2nd: Alexi Lubomirski, Jennifer Dorn and Haley Kluge, Variety, “Actors on Actors (Oscars)”

Illustration

  • 2nd: Neil Jamieson, Haley Kluge and Jennifer Dorn, Variety, “Star Trek Illustrations”

Page Layout

  • 2nd: Haley Kluge, Ted Keller, Francesco Muzzi and Jennifer Dorn, Variety, “AI Splash”

Cover Art

  • Joe Hutchinson, Rolling Stone, “May 2024 Billie Eilish cover”
  • 2nd: Haley Kluge, Jennifer Dorn and Jonny Marlow, Variety, “Anya Taylor Joy Cover”
  • 3rd: Peter B. Cury and Zuzanna Rogatty, The Hollywood Reporter, “The Oscar Issue”

PRINT/ONLINE

Business, Film, Print/Online

  • 2nd: Rebecca Rubin, Variety, “‘We’re Still Here’: How AMC Theatres Is Struggling With $4.5 Billion in Debt and Surviving Thanks to Taylor Swift, Viral Popcorn Buckets and More”
  • 3rd: Gene Maddaus, Variety, “Mickey Mouse, Long a Symbol in Copyright Wars, to Enter Public Domain: ‘It’s Finally Happening’”

Business, TV/Streaming, Print/Online

  • Tatiana Siegel, Variety, “Inside the Battle for CNN: Jeff Zucker, David Zaslav, Chris Licht and 18 Months of Crazy Backstabbing”
  • 2nd: Jennifer Maas, Variety, “Peak TV Has Peaked: From Exhausted Talent to Massive Losses, the Writers Strike Magnifies an Industry in Freefall”

Business, Music related, Print/Online

  • 3rd: Eric Renner Brown, Billboard, “Sphere digital feature”

Business, Tech/Design/Arts related, Print/Online

  • 2nd: Seth Abramovitch, The Hollywood Reporter, “A Pellicano Target’s Second Act”

Entertainment Industry/Arts Investigative, Print/Online

  • Tatiana Siegel, Variety, “Crisis at Marvel: Jonathan Majors Back-Up Plans, ‘The Marvels’ Reshoots, Reviving Original Avengers and More Issues Revealed”

Obituary/In Appreciation, Film Personalities, Print/Online

  • Owen Gleiberman, Variety, “Remembering Piper Laurie in ‘Carrie’ and ‘The Hustler’: A Special Combination of Vulnerability and Power”

Obituary/In Appreciation, TV Personalities, Print/Online

  • 2nd: Daniel Fienberg, The Hollywood Reporter, “Critic’s Appreciation: Matthew Perry Masterfully Walked the Line Between Mirth and Melancholy”

Obituary/In Appreciation, Music and Other Arts Personalities, Print/Online

  • 3rd: Christian Blauvelt, IndieWire, “Tony Bennett Gave an Iconic 'Goodfellas' Moment Its Charge — but He Didn't Like Being Associated with It”

PRINT (NEWSPAPERS OR MAGAZINES)

General News, Print

  • 3rd: Brent Lang, Tatiana Siegel and Matt Donnelly, Variety, “Showstopper! Strikes Plunge Hollywood Into Chaos With Pricey Movie Delays, Pay Battles and AI Anxiety”

CELEBRITY NEWS, PRINT 

Diversity in the TV/Film Industry, Print

  • Brent Lang, Variety, “Sharmeen Obaid-Chinoy on Her Revealing Diane von Furstenberg Documentary and Directing a ‘Star Wars’ Movie”
  • 3rd: Nekesa Mumbi Moody, The Hollywood Reporter, “Oprah and ‘The Color Purple’ Stars on the New Musical Remake: ‘It’s Bright. It’s Vibrant. It’s Us’”

Diversity in the Music/Performing Arts/Arts Industry, Print

  • 2nd: Katie Bain, Billboard, “Finding Harmony”
  • 3rd: Thania Garcia, Variety, “Meet the Women Managing Música Mexicana’s Breakout Stars, From Xavi to Yahritza Y Su Esencia and More”

Personality Profile, Film Industry — Under 2,500 Words, Print

  • 2nd: Kate Aurthur, Variety, “Carey Mulligan Never Felt Like a ‘Proper Actor.’ Then Came ‘Maestro’: ‘I’m Going to Absolutely Do It All’”

Personality Profile, TV/Streaming Industry — Under 2,500 Words, Print

  • 2nd: Emily Longeretta, Variety, “‘It Was Never My Intention to Be a Heartthrob’: Josh Hartnett on Finding His Focus, Shedding the Darkness of ‘Black Mirror’ and That ‘Bats--- Crazy’ ‘Trap’ Script”

Personality Profile, Music and Other Arts — Under 2,500 Words, Print

  • 2nd: Kim Masters, The Hollywood Reporter, “Linda Yaccarino’s Very Unmerry X Mess”

Personality Profile, Film Industry — Over 2,500 Words, Print

  • Alex Morris, Rolling Stone, “Kristen Stewart Uncensored: ‘I Want to Do the Gayest Thing You’ve Ever Seen in Your Life’”

Personality Profile, TV/Streaming Industry — Over 2,500 Words, Print

  • Seth Abramovitch, The Hollywood Reporter, “Cheryl Hines … as First Lady? The ‘Curb’ Star on Life After Larry and Marriage to RFK Jr.”
  • 3rd: Kate Aurthur, Variety, “Long Live Shiv Roy: Sarah Snook Tells All on That ‘Succession’ Ending, Her Pregnancy and Crying Through the Finale”

Personality Profile, Music and Other Arts — Over 2,500 Words, Print

  • 2nd: Angie Martoccio, Rolling Stone, “Billie Eilish Would Like to Reintroduce Herself”
  • 3rd: Brian Hiatt, Rolling Stone, “Teezo Touchdown: Birth of a Rock Star”

Film Industry Feature — Under 1,000 Words, Print

  • Katcy Stephan, Variety, “‘MoviePass, MovieCrash’: Founder Stacy Spikes on Mitch Lowe, Racial Bias and Where the Company Stands Today”
  • 2nd: Beatrice Verhoeven and Scott Feinberg, The Hollywood Reporter, “As the Actors Strike Ends, Many Awards Contenders and Campaigners Are Scrambling to Make Up for Lost Time”

TV Industry Feature — Under 1,000 Words, Print

  • Lacey Rose, The Hollywood Reporter, “Dan Harmon Is Ready to Talk About All of It (Including the Justin Roiland Drama)”
  • 3rd: Katcy Stephan, Variety, “‘Futurama:’ John DiMaggio on His Salary Battle and Return as Bender”

Music/Performing Arts Industry Feature — Under 1,000 Words, Print

  • Mesfin Fekadu, The Hollywood Reporter, “Dolly Parton on Turning Down the Super Bowl and Her New Rock Album: ‘I Don’t Want It to Be Half-Ass Country’”
  • 2nd: Jon Burlingame, Variety, “‘Law & Order’ Composer Mike Post Creates New Bluegrass and Blues Album”

Film Industry Feature — Over 1,000 Words, Print

  • Scott Feinberg, The Hollywood Reporter, “‘Schindler’s List’: An Oral History of a Masterpiece”
  • 2nd: Jon Burlingame, Variety, “‘Maestro’: How Bradley Cooper Turned Bernstein’s Classical Music into a Film Score”
  • 3rd: Adam B. Vary, Variety, “‘The Blair Witch Project’ Actors Call Out ‘Reprehensible Behavior’ After Missing Out on Profits for Decades: ‘Don’t Do What We Did’ (EXCLUSIVE)”

TV Industry Feature — Over 1,000 Words, Print

  • 2nd: Pamela McClintock, The Hollywood Reporter, “Anderson Cooper on His Complicated Vanderbilt Legacy and CNN After Chris Licht”

Visual Arts/Architecture Feature — Over 1,000 Words, Print

  • 3rd: Gary Baum, The Hollywood Reporter, “Museums Are Reckoning With Looted Art. Now It’s LACMA’s Turn”

Celebrity Feature, Print

  • Rebecca Keegan, Katie Kilkenny, The Hollywood Reporter, “Fran Drescher’s Role of a Lifetime”

Columnist, Print

  • 3rd: Andre Gee, Rolling Stone

Commentary Analysis/Trend, Film, Print

  • 2nd: Brent Lang, Variety, “How Steven Spielberg Dominated Culture and the 1994 Oscars With ‘Jurassic Park’ and ‘Schindler’s List’”
  • 3rd: Lacey Rose and Lesley Goldberg, The Hollywood Reporter, “Why Hollywood Is in the Throes of an IP Frenzy”

Commentary Analysis/Trend, TV, Print

  • 2nd: Michael Schneider, Variety, “Repeats, Reality and 'Yellowstone': How Network TV Is Marketing Fall Lineups Without Many Scripted Favorites”
  • 3rd: Clayton Davis, Variety, “‘Love on the Spectrum’ Is Showing Me Examples of How My Autistic Son Could Be as an Adult — and It’s Amazing”

Commentary Analysis/Trend, Music, Print

  • Chris Willman, Variety, “Jason Aldean Already Had the Most Contemptible Country Song of the Decade. The Video Is Worse”
  • 3rd: Althea Legaspi, Rolling Stone, “Breaking Through Rock Journalism’s Boys’ Club”

Entertainment Publication, Print

  • 2nd: Billboard, Rebecca Milzoff, “Billboard: The Sports Issue”

TV/VIDEO/FILM

Personality Profile, Film Personalities, TV

  • 2nd: Lesley Corral, Francesca Manto, Dominoe Ibarra and Lacey Rose, The Hollywood Reporter, “Glen Powell Shares His Hollywood Firsts: From Singing 'Unwritten' To 'Spy Kids' Set, Twisters & More”

RADIO/PODCASTS

Anchor/Host, Radio/Podcast

  • 2nd: Michael Schneider, Clayton Davis, Jazz Tangcay, Jenelle Riley and Emily Longeretta, Variety, “Variety's Award Circuit Podcast Hosts”

One-on-One Interview, Film Personalities, Radio/Podcast

  • 2nd: Clayton Davis, Variety, “Selena Gomez on Her Cannes Win for Best Actress, ‘Only Murders’ and Potentially Becoming Most Emmy-Nominated Latina Producer”

One-on-One Interview, TV Personalities, Radio/Podcast

  • 2nd: Michael Schneider, Variety, “Day Eating With Seth Meyers: The 'Late Night' Host Counts Down His Top 10 Pizza List”

One-on-One Interview, Other Arts Personalities, Radio/Podcast

  • 3rd: Brian Hiatt, Rolling Stone, “Geddy Lee Tells All: 'My Effin' Life' — and Rush's Possible Future”

Best Arts or Entertainment Regular Podcast

  • Brian Hiatt, Rolling Stone, “Rolling Stone Music Now”
  • 3rd: Scott Feinberg, The Hollywood Reporter, “Awards Chatter”

ONLINE (CONTENT EXCLUSIVE TO THE INTERNET)

Hard News, TV/Streaming Related, Online

  • 2nd: Krystie Lee Yandoli, Rolling Stone, “Chaos, Comedy, and ‘Crying Rooms’: Inside Jimmy Fallon’s ‘Tonight Show’”

Hard News, Film Related, Online

  • 2nd: Mia Galuppo and Borys Kit, The Hollywood Reporter, “Netflix Enters Its Dan Lin Era”
  • 3rd: Ellise Shafer and Alex Ritman, Variety, “Alan Menken, Sarah Sherman, Alex Winter and Larry Charles Join Jewish Creatives Supporting Jonathan Glazer’s Oscars Speech in Open Letter (EXCLUSIVE)”

Hard News, Music/Arts Related, Online

  • David Browne, Nancy Dillon, Kory Grow, Rolling Stone, “‘They Wanted to Dance in Peace. And They Got Slaughtered’”
  • 2nd: Mesfin Fekadu, The Hollywood Reporter, “How Jason Aldean Cynically Built “Small Town” to Appeal to Trump Country”

Soft News, TV/Streaming Related, Online

  • Wilson Chapman, IndieWire, “Bryan Lee O'Malley Wanted 'Scott Pilgrim Takes Off' to Surprise You”
  • 2nd: Mesfin Fekadu, The Hollywood Reporter, “Hulu’s ‘Under the Bridge’ Tells the Story of Reena Virk — and The Notorious B.I.G.”
  • 3rd: Meredith Woerner, Variety, “The True Story Behind Truman Capote’s Ashes Being Auctioned Off on ‘Feud’”

Soft News, Film Related, Online

  • 3rd: Ryan Gajewski, The Hollywood Reporter, “Animation at a Crossroads as Hope Mixes with Anxiety”

Soft News, Music/Arts Related, Online

  • Jem Aswad, Variety, “Why David Bowie Killed Ziggy Stardust, 50 Years Ago Today”

Diversity in the TV/Streaming Industry, Online

  • Abbey White, The Hollywood Reporter, “How The CW’s ‘Sight Unseen’ Built a Production For and Driven By Blind and Low Vision Creatives”

Diversity in the Film Industry, Online

  • Samantha Bergeson, IndieWire, “For Female Creatives, Hollywood Is Still Just as ‘Bleak’ as Some Fear, but It Doesn’t Have to Be”
  • 2nd: Clayton Davis, Variety, “Black Women Executives Are Exiting Studio Leadership Posts and Hollywood’s Doing Nothing About It”
  • 3rd: Sharareh Drury, Variety, “‘Dune 2’ Criticized for Lack of Middle Eastern and North African Inclusion and Influences: ‘A Missed Opportunity’”

Diversity in the Music/Performing Arts Industry, Online

  • 3rd: Abbey White, The Hollywood Reporter, “A Neuro-Inclusive Take on ‘Spring Awakening’: ‘We Don’t Need to Break People Down’”

Personality Profile, Film Personalities, Online

  • Kate Erbland, IndieWire, “Kirsten Dunst Is Our Most Reasonable Movie Star”
  • 3rd: Clayton Davis, Variety, “Paul Giamatti on ‘Sideways’ Oscar Snub, the Secret to His ‘Holdovers’ Lazy Eye and How He’s Still ‘Figuring Out How to Act on Film’”

Personality Profile, Music Personalities, Online

  • 3rd: Ellise Shafer, Variety, “Peter Doherty and Katia deVidas on Making Doc ‘Stranger in My Own Skin’ About the ‘Terror and Danger’ of Drug Addiction — and Falling in Love in the Process”

TV Feature, Online

  • 2nd: J. Kim Murphy, Variety, “‘Winning Time’ Ends in Defeat With an Awkward, Surprise Series Finale”

Film Feature, Actor Related, Online

  • 2nd: Katcy Stephan, Variety, “Tom Hardy on His Wild ‘Bikeriders’ Accent and Knowing ‘Furiosa’ Is ‘Special’ (Without Even Seeing It Yet)”
  • 3rd: Ethan Shanfeld, Variety, “94-Year-Old June Squibb Does Her Own Stunts in ‘Thelma,’ a Sundance Spin on ‘Mission: Impossible’”

Film Feature, Filmmaker Related, Online

  • 2nd: J. Kim Murphy, Variety, “‘Koyaanisqatsi’ Director Godfrey Reggio Unravels His New Odyssey ‘Once Within a Time’ Amid Humanity’s Accelerating Self-Destruction”
  • 3rd: Todd Gilchrist, Variety, “Director Martin Brest Revisits the Triumphs of 'Beverly Hills Cop' and 'Midnight Run,' and Reflects On His Post-'Gigli' Hollywood Exile”

Film Feature, Production/History Related, Online

  • David Rooney, The Hollywood Reporter, “Hollywood’s 20 Most Erotic Movies, Ranked”
  • 3rd: Gary Baum and Katie Kilkenny, The Hollywood Reporter, “Unmasking the AMPTP: Hollywood Labor’s Opaque Nemesis”

Theater Feature, Online

  • 2nd: Brent Lang, Variety, “How Broadway’s ‘Cabaret at the Kit Kat Club’ Pulls Off Its Audacious, Sensual 75-Minute Prologue”

Celebrity Feature, Online

  • Pamela Chelin, Variety, “Martin Scorsese Hosts Robbie Robertson Tribute Concert, With Jackson Browne and Others Paying Musical Homage”

Columnist, Online

  • 2nd: Mesfin Fekadu, The Hollywood Reporter, “The Download, a column by Hollywood Reporter Senior Music Editor Mesfin Fekadu”

Commentary Analysis/Trend, Film, Online

  • Lovia Gyarkye, The Hollywood Reporter, “A New Wave of Films Experiments With How We See Climate Change”
  • 2nd: Sharareh Drury, Variety, “‘Dune 2’ Criticized for Lack of Middle Eastern and North African Inclusion and Influences: ‘A Missed Opportunity’”
  • 3rd: Carolyn Giardina, The Hollywood Reporter, “VFX Pros Expose The Hidden Costs of Selling a Movie as ‘Real’”

Commentary Analysis/Trend, TV, Online

  • Clayton Davis, Variety, “‘Love on the Spectrum’ Is Showing Me Examples of How My Autistic Son Could Be as an Adult — and It’s Amazing”
  • 2nd: Brian Steinberg, Variety, “TV Talkers From Pat McAfee to Rachel Maddow Gain New License to Blast Bosses On-Air”

Commentary Analysis/Trend, Other Arts, Online

  • James Hibberd, The Hollywood Reporter, “When a Ketamine Therapy Visit Goes Horribly Wrong”

Entertainment Website, Online

  • The Hollywood Reporter Staff, The Hollywood Reporter, “THR.com”
  • 3rd: Variety, Variety, “variety.com”

ENTERTAINMENT BLOG BY AN INDIVIDUAL NOT TIED TO AN ORGANIZATION

Entertainment Blog

  • 2nd: Aaron Couch and Borys Kit, The Hollywood Reporter, “Heat Vision”

SOCIAL MEDIA

Best Journalistic use of Social Media to Tell or Enhance a Story

  • 2nd: Rachel Seo and Julia MacCary, Variety, “Variety Actors on Actors Season 20”
  • 3rd: Mesfin Fekadu, The Hollywood Reporter, “The Hollywood Reporter music articles told through Instagram Stories”

About Penske Media Corporation 

Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate monthly audience of more than 350 million. Since 2004, PMC has been a pioneer in digital media and live events, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, Dick Clark Productions, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Artforum, Gold Derby and Luminate, the premier data and analytics company. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several of the most iconic and vital cultural events such as The Golden Globes, Country Music Awards (ACMs), Billboard Music Awards (BBMAs), New Year’s Rockin’ Eve, SXSW, American Music Awards (AMAs), LA3C, Life is Beautiful, Latin Music Week, and ATX Television Festival. Penske Media is headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, for more information, please visit www.PMC.com. 

Penske Media Corporation (PMC), the leading global media, live events and data analytics company, recently released findings from their pop culture study, Power of Shared Cultural Connections. The study explores the powerful impact of shared cultural moments and immersive events on consumer engagement, revealing that these experiences resonate profoundly with audiences, foster lifelong memories and community bonds, and offer brands a unique opportunity to cultivate loyalty and engagement through these immersive events.

“At PMC, our research shows that brands have a unique opportunity to be a part of cultural moments by engaging in shared experiences which forge deep emotional connections and loyalty that traditional media channels cannot match,” said Dan Owen, EVP, GM, Strategic Solutions Group at PMC. “As a conduit for creating these collective experiences, PMC helps our partners tap into the power of pop culture and immersive events, embedding themselves in the memories that shape fandoms.”

Key takeaways from the “Power of Shared Cultural Connections” study include:

Major pop culture experiences are a pathway to lifelong memories and provide the thrill of unexpected connection. At a moment in time when much of the world is more isolated than ever, audiences want moments that fuel gratitude and bring us closer to ourselves and each other. 77% say major pop culture experiences are a source of lifelong memories, and 72% seek out pop culture events that offer immersion into the worlds of their favorite shows, movies and artists (86% among Gen Z respondents).

Shared cultural experiences are powerful community builders, particularly when they resonate deeply with the audience’s passions and interests. The more personal and human the stories surrounding the moment are, the more impactful it becomes. 63% seek out pop culture experiences that offer deeper connections to personal interests, and 56% of Gen Z respondents say that they seek out pop culture events that offer deeper community connections with like-minded fans. 

Events are always in the plans. 92% plan to attend or wish to attend pop cultural events, including music, film, and art festivals, concerts, immersive experiences and exhibits, in the next year.

Award shows are a vital part of pop culture, connecting us with our favorite artists and acting as a unifying force that creates memorable historical moments. 87% of audiences identify as being“obsessed” or “casual” fans of major award shows. Award shows foster community, with 58% saying they talk to their friends and family about them.

Brands have an incredible power as the facilitators of shared cultural connection. Creating exclusive access that brings fans closer to those moments, and the artists they love most, yields extreme loyalty. 63% consider themselves a super fan of a musician (80% of Gen Z) with 43% saying that if their favorite music artist wears/endorses something, it influences their purchase decision. Additionally, 52% would feel more loyal to a brand if it provided access to live-streamed cultural events.

The findings of PMC’s Power of Shared Cultural Connections study demonstrate that shared cultural moments profoundly influence consumer engagement. This research highlights the critical role that brands play in facilitating these vital connections and creating experiences that not only build emotional ties but also foster enduring loyalty.

To explore the full details of PMC’s research, download the study at: www.pmc.com/2025popculturereport

Report Methodology

In August 2024, Penske Media Corporation (PMC) surveyed a highly targeted segment of 1200 engaged, pop-culturally aware individuals to explore their interest and interaction with live experiences, events, and key cultural moments; as well as the significance these hold for fans, artists, and the brands that make them happen. This study incorporates a blend of qualitative, quantitative, and first-party data, with a spotlight on distinct generational groups: Gen Z, Millennials, Gen X, and Boomers.

Press Releases
December 11, 2024
People
December 2, 2024

Sportico, the global media and publishing leader in the business of sports, today announces the appointment of Tony Haskel as its new Chief Revenue Officer. In his role, Haskel will oversee all aspects of Sportico’s business operations across all platforms, including sales, marketing, international ventures, licensing, social media, membership growth, branded content, and live events. He will report to Paul Rainey, Executive Vice President, Operations & Finance, Penske Media Corporation, and be based in New York.

“We are very excited to welcome Tony Haskel to the Sportico team,” said Rainey. “Tony joins Sportico at a pivotal moment in its growth as the brand continues to define what it means to be the global leader in sports business media. His leadership will be key as Sportico expands its reach and deepens its influence, all while continuing to deliver cutting-edge insights and industry-leading content.”

“I’m honored to join Sportico at this crucial stage of its growth,” said Haskel. “In just four years, Sportico has become the go-to destination for professionals looking for trusted insights, data, analytics, breaking stories, industry profiles and community within the ever-growing sports industry. I’m excited to contribute to the brand’s ongoing success and to work alongside such a talented team of journalists and business operators.”

Haskel brings his extensive experience to Sportico, having previously served as New York and New England Sales Director at Mansueto Ventures, where he spearheaded partnership opportunities across a diverse portfolio of platforms, channels and content. His extensive career includes leadership roles such as Head of Partnerships at Bloomberg Live (Bloomberg Media), Vice President and Publisher of Money (Time Inc.), Executive Sales Director of FORTUNE (Time Inc.), National Advertising Director of Bonnier Mountain Group and Advertising Director of Condé Nast Portfolio.

Haskel graduated from the University of Vermont with a Bachelor of Arts degree, with post graduate certifications from New York University and Columbia Business School. He also serves on the advisory board of the University of Vermont’s Grossman School of Business and the Kelly Brush Foundation.

About Sportico

Sportico is a digital content platform providing sports industry news, data, insights, strategies, leadership and live media experiences for professionals in the $600 billion sports industry. Launched by Penske Media in 2020 as the global media and publishing leader in the business of sports, Sportico has offices in New York and Los Angeles with reporters throughout the world committed to providing breaking news in the sports business industry covered by the world’s top journalists.

Sportico, the global media and publishing leader in the business of sports, today announces the appointment of Tony Haskel as its new Chief Revenue Officer. In his role, Haskel will oversee all aspects of Sportico’s business operations across all platforms, including sales, marketing, international ventures, licensing, social media, membership growth, branded content, and live events. He will report to Paul Rainey, Executive Vice President, Operations & Finance, Penske Media Corporation, and be based in New York.

“We are very excited to welcome Tony Haskel to the Sportico team,” said Rainey. “Tony joins Sportico at a pivotal moment in its growth as the brand continues to define what it means to be the global leader in sports business media. His leadership will be key as Sportico expands its reach and deepens its influence, all while continuing to deliver cutting-edge insights and industry-leading content.”

“I’m honored to join Sportico at this crucial stage of its growth,” said Haskel. “In just four years, Sportico has become the go-to destination for professionals looking for trusted insights, data, analytics, breaking stories, industry profiles and community within the ever-growing sports industry. I’m excited to contribute to the brand’s ongoing success and to work alongside such a talented team of journalists and business operators.”

Haskel brings his extensive experience to Sportico, having previously served as New York and New England Sales Director at Mansueto Ventures, where he spearheaded partnership opportunities across a diverse portfolio of platforms, channels and content. His extensive career includes leadership roles such as Head of Partnerships at Bloomberg Live (Bloomberg Media), Vice President and Publisher of Money (Time Inc.), Executive Sales Director of FORTUNE (Time Inc.), National Advertising Director of Bonnier Mountain Group and Advertising Director of Condé Nast Portfolio.

Haskel graduated from the University of Vermont with a Bachelor of Arts degree, with post graduate certifications from New York University and Columbia Business School. He also serves on the advisory board of the University of Vermont’s Grossman School of Business and the Kelly Brush Foundation.

About Sportico

Sportico is a digital content platform providing sports industry news, data, insights, strategies, leadership and live media experiences for professionals in the $600 billion sports industry. Launched by Penske Media in 2020 as the global media and publishing leader in the business of sports, Sportico has offices in New York and Los Angeles with reporters throughout the world committed to providing breaking news in the sports business industry covered by the world’s top journalists.

People
November 4, 2024

Today, Fairchild Media Group (FMG) announced the appointment of Melissa Rocco to Senior Vice President of Sales. In her role, Rocco will oversee the sales team and be responsible for driving global brand partnerships, working with clients and agency partners. She will also be responsible for optimizing budgets while driving revenue for Fairchild Media’s portfolio of brands which include Women’s Wear Daily (WWD), WWD Weekend, Beauty Inc., Footwear News (FN), Sourcing Journal, Rivet and Fairchild Live Events, which commands a combined global audience of 18 million. She will report to Amanda Smith, CEO, Fairchild Media Group and be based in New York.  

“I’m thrilled to welcome Melissa to the Fairchild team,” said Smith. “She’s an incredibly accomplished sales leader with a deep understanding of the marketplace and will bring a new level of digital innovation to the team. Her spirit, drive and leadership is absolutely key to our path forward and I’m excited for everything that’s in store.”

"It's truly an exciting time for the fashion, beauty, and retail industries," said Rocco. "Digital innovation and technology have never been more integral to the customer experience, and the iconic Fairchild brands are right at the center of that conversation. I'm thrilled to be working with this team and all of the FMG partners to build on what has been accomplished and create new opportunities to tell their stories.”

Prior to joining Fairchild, Rocco was the Senior Vice President of Sales of Fast Company, leading all global sales efforts, initiatives, and brand partnerships. After three years as one of FastCo’s most successful sales directors, Rocco took over Fast Company‘s traditional role of Publisher in October 2020. She guided the sales team through the most challenging stretches in media and business to contribute to parent company Mansueto Ventures’ best-ever financial performance.  Rocco and her team oversaw the success of all-new platforms and programs built to respond dynamically to editorial, custom, partner, and audience needs. Prior to Fast Company, Rocco was a successful digital-first seller at iconic media properties, including Time Inc., IDG, Meredith, and more. Rocco holds a bachelor's degree in journalism and print publishing from Ithaca College.

About Fairchild Media Group  

Fairchild Media Group (FMG), a division of Penske Media Corporation (PMC), is the leading source of fashion news and analysis for industry leaders and the global fashion community. Established in 1892 by Edmund Fairchild, Fairchild Media Group brands today include Women’s Wear Daily (WWD), Footwear News (FN), Beauty Inc, Sourcing Journal (SJ), Rivet, Fairchild Live, and Fairchild Studio. Fairchild Media Group’s Fairchild Studio produces over 100 pieces of programming in partnership with blue chip brands including industry reports, video series, and podcasts. The WWD Voices podcast provides news, commentary, and industry insights, as well as behind-the-scenes stories from the world of fashion apparel, luxury, retail, and beauty, hosted by WWD editors with special guests. FMG content reaches an 18 million+ international audience of business executives and fashion enthusiasts across print, digital, social, and over 25 annual thought-leader events, including its renowned CEO Summits.  

 

Today, Dick Clark Productions (DCP) announced the appointment of Diana Miller as Executive Vice President, Talent.  In her new role, Miller will lead the talent team, overseeing all aspects of talent booking and management across the company’s wide-ranging portfolio of live events and shows, including the Golden Globes, American Music Awards, Billboard Music Awards, Academy of Country Music Awards, and Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest.  She will report to Jay Penske, CEO, Dick Clark Productions.  Miller will officially join the team on January 15, 2025 and be based in Los Angeles.  

“Diana’s exceptional background, deep relationships and passion for entertainment make her an ideal fit for our team,” said Penske. “Her innovative and outside of the box approach will be key as we continue to expand and enhance our programming and global reach.”

"I'm thrilled to join DCP, a company I've long admired for its rich history and slate of incredible shows”, said Miller. “I'm also excited to be part of DCP's bright future and vision with Jay at the helm and look forward to shaping compelling, unique and memorable opportunities for talent for years to come."

A six-time Emmy Award-winning producer and two-time Billboard Women in Music Award winner, Miller brings over 20 years of experience in booking celebrity interviews and musical performances to the role, along with a proven track record building strong relationships across the entertainment industry.   Her work  spans major networks including CBS, NBC, Apple TV, and TBS, and she has collaborated with A-list talent and notable figures including Michelle Obama, Paul McCartney, Ariana Grande and Jay-Z.

Miller’s extensive career includes eight years as the Supervising Producer of “The Late Late Show with James Corden,” where she was instrumental in launching acclaimed series, Carpool Karaoke and spent seven years as Producer of “Carpool Karaoke: The Series” on Apple TV.  Earlier in her career, she spent seven years as Senior Talent Executive of “Last Call with Carson Daly” and NBC’s New Year’s Eve special.  She currently serves as Senior Supervising Producer for “The Talk.”    


About Dick Clark Productions

Dick Clark Productions (DCP) is the world's largest producer and proprietor of televised live event entertainment programming including the "Academy of Country Music Awards," "American Music Awards," "Billboard Music Awards," "Dick Clark's New Year's Rockin' Eve with Ryan Seacrest," “Golden Globes,” “So You Think You Can Dance,” from 19 Entertainment and DCP, and “Streamy Awards.” Dick Clark Productions owns one of the world's most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic specials, performances, and legendary programming. Dick Clark Productions is owned by Penske Media Corporation, in a subsidiary joint venture between Penske Media and Eldridge. For more information, please visit DickClark.com.

People
October 29, 2024
People
October 8, 2024

Today, Fairchild Media Group (FMG) announced the elevation of Jim Fallon to the role of Chief Content Officer, WWD and Fairchild Media Group, effective immediately. Fallon will continue to use his industry knowledge and market expertise across editorial and content creation— from material creation to the final consumer— as FMG continues to strengthen and grow WWD, Beauty Inc, Sourcing Journal and Footwear News. Fallon will report to Amanda Smith, CEO, Fairchild Media Group.

"I am thrilled to recognize Jim with this well-deserved promotion to Chief Content Officer,” said Smith. “Over the last 45 years, Jim has demonstrated a fierce commitment to the journalistic excellence that our brands are known for and has been a critical part of their evolution. His unparalleled experience coupled with his passion for our work are evident in all he does. We look forward to seeing how his vision and leadership continue to propel our prestigious brands forward."

As Chief Content Officer, Fallon will oversee all aspects of editorial content across all brands and platforms, working closely with Smith to drive FMG's legendary titles to the next level of growth. He will maintain the journalistic excellence for which Fairchild is known, help strengthen brand positioning, foster editorial collaboration across FMG, expand audiences while serving the core industry readership, and help develop new editorial products in various forms to further broaden FMG's reach.

Prior to this role, Fallon has served as the editorial director of Fairchild Fashion Media, overseeing editorial for WWD, Footwear News, Beauty Inc and Fairchild Live Media. He has held leadership positions for over 45 years with Fairchild Media. Before that, he was editor of WWD.

Previously, Fallon was London bureau chief for Fairchild Publications for 20 years until 2001, when he relocated to New York. In the U.K., he covered London and areas of continental Europe for all the Fairchild titles, including WWD, the consumer magazine W, the men’s wear publication DNR and Footwear News. During his tenure, he reported on everything from apparel and textiles to telecommunications and supermarkets; the arts to the British royal family, and the enlargement of the European Union to counterfeiting and data security. He served as news editor in the Washington, D.C., bureau of Fairchild Publications for two years before being transferred to London. He is a graduate of the University of Pittsburgh with a degree in journalism and has a master’s degree in journalism from Stanford University.

About Fairchild Media Group

Fairchild Media Group (FMG), a division of Penske Media Corporation (PMC), is the leading source of fashion news and analysis for industry leaders and the global fashion community. Established in 1892 by Edmund Fairchild, Fairchild Media Group brands today include Women’s Wear Daily (WWD), Footwear News (FN), Beauty Inc, Sourcing Journal (SJ), Rivet, Fairchild Live, and Fairchild Studio. Fairchild Media Group’s Fairchild Studio produces over 100 pieces of programming in partnership with blue chip brands including industry reports, video series, and podcasts. The WWD Voices podcast provides news, commentary, and industry insights, as well as behind-the-scenes stories from the world of fashion apparel, luxury, retail, and beauty, hosted by WWD editors with special guests. FMG content reaches an 18 million+ international audience of business executives and fashion enthusiasts across print, digital, social, and over 25 annual thought-leader events, including its renowned CEO Summits.

Press Releases
August 28, 2024

Today, CBS and the Golden Globes® announced that acclaimed Emmy®-nominated comedian and actress Nikki Glaser is set to host the 82ND ANNUAL GOLDEN GLOBES®, the first major award show of the season, airing Sunday, January 5, 2025 (8:00-11:00 PM, live ET/5:00-8:00 PM, live PT) on the CBS Television Network, and streaming on Paramount+ in the U.S. (live and on-demand for Paramount+ with SHOWTIME subscribers, or on-demand for Paramount+ Essential subscribers the day after the special airs).*

“I am absolutely thrilled to be hosting the Golden Globes. It’s one of my favorite nights of television and now I get a front row seat (actually, I think I have to host from the stage),” said Glaser. “The Golden Globes is not only a huge night for TV and film, but also for comedy. It’s one of the few times that show business not only allows, but encourages itself to be lovingly mocked (at least I hope so). (God I hope so). It’s an exciting, yet challenging gig because it’s live, unpredictable, and in front of Hollywood’s biggest stars (who also might be getting wasted while seated next to their recent exes).”

Glaser continued, “Some of my favorite jokes of all time have come from past Golden Globes opening monologues when Tina, Amy, or Ricky have said exactly what we all didn’t know we desperately needed to hear. I just hope to continue in that time honored tradition (that might also get me canceled). This is truly a dream job. Plus, I no longer have to feel guilty for every TV show and movie I’ve binged over the past year. It was all worth it. (Below Deck: Sailing Yacht Season Four will be nominated, right?).”

"Nikki Glaser brings a fresh and unmatched candor to her comedy and to the Golden Globes," said Jay Penske, Chairman and CEO, of Dick Clark Productions and Penske Media. "Her unapologetic style made her an obvious and compelling choice as host for this year’s event. We're hopeful this could be the first of many Golden Globes that Nikki will surprise and delight our CBS audience, as well as our audiences around the globe."

“The Golden Globes has a rich history as a night for entertaining, provocative humor,” said George Cheeks, Office of the CEO, Paramount Global, President and Chief Executive Officer, CBS. “Nikki Glaser is a comedic force whose funny, bold and irreverent comedy will continue that legacy and further establish this special as a can’t miss event on CBS.”

"Nikki Glaser is a comedic powerhouse whose daring and unfiltered humor is the perfect match for the Golden Globes,” said Helen Hoehne, President, Golden Globes. “She is sure to bring a unique energy and spontaneity to the show that will keep the audience entertained all night."

Known for her razor-sharp wit and fearless humor, Nikki Glaser has established herself as one of the funniest voices in comedy today.  In August of this year, the Los Angeles Times boldly described the knock-out comic, “Nikki Glaser is suddenly the hottest name in comedy."  Previously Glaser headlined her first critically-acclaimed HBO comedy special “Good Clean Filth” in 2022, and earned an EMMY nomination for this year’s “Nikki Glaser: Someday You'll Die,” which set the record for both the best premiere night for an HBO comedy special in more than two years and for the #1 largest streaming audience for a Comedy Special in HBO Max/Max history. In 2021, Glaser launched “The Nikki Glaser Podcast” for iHeartMedia and Will Ferrell’s Big Money Players Podcast Network (BMP). She currently hosts and executive produces “Lovers and Liars,” the spinoff of the hit HBO Max and CW reality dating series “FBoy Island,” which Glaser hosted and executive produced for three seasons. Glaser recently wrapped her global THE GOOD GIRL stand-up tour and is currently on her ALIVE AND UNWELL tour across the country through May 2025.

The Golden Globe Awards, often referred to as “Hollywood’s Party of the Year®,” is the largest awards show in the world to celebrate the best of both film and television. Multi-Emmy Award®-winning producing duo Glenn Weiss and Ricky Kirshner of White Cherry Entertainment (WCE) will return as executive producing showrunners for the 82nd Golden Globes.  Dick Clark Productions will plan, host and produce the annual Golden Globes, which has been viewed in more than 185 countries and territories worldwide.  

CBS’ broadcast of the 81ST ANNUAL GOLDEN GLOBES® on Sunday, January 7, 2024, averaged 10 million viewers (Nielsen Live+7-Day national ratings), up nearly +50% from last year, its largest audience since 2020, making it the 3rd largest televised award show in the world approaching the Grammys and Oscars. The telecast was also the third-largest live-streamed CBS special event on Paramount+ ever in terms of AMA and reach.

Entries for Motion Picture and Television submissions must be completed online HERE, and the deadline is Monday, November 4, 2024.  The awards timetable, rules and categories can be found HERE.  Nominations are set to be announced on Monday, December 9, 2024.

About The Golden Globes®

As a premier entertainment awards show since 1944, the annual Golden Globes has honored achievements in both television and film. Over the last three decades, the Golden Globes has enabled donations of more than $55 million to entertainment-related charities including scholarship programs, film restoration projects and humanitarian efforts. This funding has also supported diverse programs in partnership with advocacy groups aimed at promoting greater access in Hollywood for underserved communities. Dick Clark Productions is the owner and producer of the Golden Globe Awards. For more information on the Golden Globes, please visit www.GoldenGlobes.com and follow us on X, Instagram, Facebook and in Spanish on X and Facebook.

About Dick Clark Productions

Dick Clark Productions (DCP) is the world's largest producer and proprietor of televised live event entertainment programming including the "Academy of Country Music Awards," "American Music Awards," "Billboard Music Awards," "Dick Clark's New Year's Rockin' Eve with Ryan Seacrest," “Golden Globes,” “So You Think You Can Dance,” from 19 Entertainment and DCP, and “Streamy Awards.” Dick Clark Productions owns one of the world's most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic specials, performances, and legendary programming. Dick Clark Productions is owned by Penske Media Corporation, in a subsidiary joint venture between Penske Media and Eldridge. For more information, please visit DickClark.com

About CBS

CBS, a subsidiary of Paramount Global, creates and distributes industry-leading content across a variety of platforms to audiences around the world. The Company has businesses with origins that date back to the dawn of the broadcasting age as well as new ventures that operate on the leading edge of media. It includes some of the industry’s most successful and popular brands and businesses: CBS Television Network, CBS News and Stations, CBS Sports, CBS Studios, CBS Media Ventures and CBS digital properties

About Penske Media Corporation      

Penske Media Corporation (PMC) is a leading global media and information services company whose award-winning content attracts a passionate monthly audience of more than 350 million. Since 2004, PMC has been a pioneer in digital media and live events, reaching viewers on all screens across its ever-growing constellation of iconic brands, which includes Variety, Rolling Stone, The Hollywood Reporter, Billboard, Dick Clark Productions, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Artforum, Gold Derby and Luminate, the premier data and analytics company. PMC’s journalists and content creators deliver daily the most comprehensive news and information in their industries and areas of coverage, unequaled in ambition, depth, and courage. In addition, PMC owns several of the most iconic and vital cultural events such as the Golden Globes, Country Music Awards (ACMs), Billboard Music Awards (BBMAs), New Year’s Rockin Eve, SXSW, American Music Awards (AMAs), LA3C, Life is Beautiful, Latin Music Week, and ATX Television Festival. Penske Media is headquartered in New York and Los Angeles with additional offices in 14 countries worldwide, for more information, please visit www.PMC.com

*Paramount+ with SHOWTIME subscribers will have access to stream live via the live feed of their local CBS affiliate on the service, as well as on demand. Paramount+ Essential subscribers will not have the option to stream live but will have access to on-demand the day after the special airs.

Today, Rolling Stone, the award-winning global authority on music, politics, and more, is proud to announce the launch of Rolling Stone Africa in partnership with MWANKOM, dedicated to championing quality Afro content. This collaboration marks a significant milestone as Rolling Stone expands its footprint in Africa with a goal of capturing its vibrant cultures and diverse voices.

“Expanding Rolling Stone's presence in Africa has been our long-term goal. We’re thrilled to give a platform to the rich music scene, culture, and stories that define the continent,” says Gus Wenner, CEO of Rolling Stone. “We look forward to working with MWANKOM and fostering global connections through the universal language of music."

Rolling Stone is renowned for its deep insights and fearless editorial stance in coverage of music, politics, entertainment, and popular culture. MWANKOM is poised to align with and support Rolling Stone’s mission by offering inclusive coverage of the same integrity across Africa’s culture, business, and technology landscape.

“Rooted in a rich multicultural heritage, our journey has been defined by a strong commitment to collaborating with trailblazing entrepreneurs from Africa and its global diaspora across various sectors,” says D. Romuald Bellegarde-Smeralda, CEO & Founder of MWANKOM. “This passion propels us to forge meaningful partnerships and transform remarkable visions into reality. The power of Afro-culture has now become mainstream. With a population in Africa well over 1 billion and a global diaspora of over 500 million people, including a large percentage below 30 years old, we understand the task.  As a team of young and accomplished professionals all originating from the continent, we look forward to helping connect success stories from Africa with the rest of the world via the Rolling Stone Africabrand.”

MWANKOM’s diverse content portfolio reflects the multifaceted Afro experience and endeavors to elevate and celebrate Afro stories in a way that resonates with audiences worldwide. MWANKOM’s ultimate objective is positively impacting Africa by supporting educational projects and young entrepreneurs leveraging the global Afro diaspora.

The appointment process for the Editor-in-Chief and other senior positions is currently underway. The official launch date is forthcoming.  

 

About ROLLING STONE:

Five decades since its founding, Rolling Stone today has evolved into a multi-platform content brand with unrivalled access and authority. Published in 10 languages, Rolling Stone has a global audience of over 75 million across 14 international editions. Staying true to its mission to tell exceptional stories that illuminate the culture of our times, Rolling Stone is an authority for music reviews, in-depth interviews, hard-hitting political commentary, and award-winning journalism across print, digital, mobile, video, social and events. Operated and published by Penske Media Corporation, Rolling Stone provides “all the news that fits.”  

About MWANKOM:

MWANKOM is dedicated to becoming a leading provider of quality content championing Afro content and culture across the diaspora. MWANKOM aims to emerge as a premium provider of high-quality content celebrating Afro culture and experiences worldwide. By 2030, MWANKOM envisions reaching over 100 million devices globally, with wide distribution planned across Sub-Saharan Africa, Brazil, the Caribbean, the United States, Canada, Europe, and the UK. With a commitment to excellence, MWANKOM aims to redefine storytelling by amplifying the voices and experiences of the Afro community.

Brands
July 16, 2024
Press Releases
June 25, 2024
With Additional Performances by Jamie xx, Jungle, James Blake, Thundercat, Toro y Moi, Badbadnotgood, Neil Frances, LP Giobbi, Empress Of, John Talabot, and Fifi Taking Place September 27-28 in Downtown Las Vegas

Today, Life is Beautiful, the renowned festival celebrating music, art, and culture, introduces A Big Beautiful Block Party, a thrilling new format and celebration of the culture, ideals and evolution of Downtown Las Vegas. The two-day party, taking place September 27-28, is a unique return to the festival’s roots, offering a more close-knit experience set against the vibrant backdrop of the city’s downtown heart. This year’s newly created event includes performances by Justice, Peggy Gou, LCD Soundsystem, Jamie xx, Jungle, James Blake, Thundercat, Toro y Moi, Badbadnotgood, Neil Frances, LP Giobbi, Empress Of, John Talabot, and Fifi.

Life is Beautiful will transform Downtown Las Vegas into a massive dance party, featuring non-stop music from 5 p.m. to 2 a.m. each day, and will deliver a truly unforgettable experience. Embracing a unique approach, the festival eliminates overlapping sets, allowing attendees to immerse themselves fully in the music without missing a beat. From electrifying headliners to emerging talent, Life is Beautiful promises to deliver performances that captivate and inspire.

Located just a five-minute walk from The Arts District, The East Fremont Entertainment District, and the iconic Fremont Street Experience, Life is Beautiful invites its community to explore and enjoy the rich tapestry of Las Vegas while experiencing world-class music and artistry. Additionally, Life is Beautiful is proud to partner with Headcount, working together to register voters in anticipation of this critical election year.

Tickets for the festival go on sale on Thursday, June 27, at 10 a.m. PST at LifeisBeautiful.com. General Admission passes start at $199, and VIP passes start at $399.

About Life is Beautiful

Celebrating 11 years, Life is Beautiful Festival is Las Vegas' premier music and arts event. Life is Beautiful was born as part of the major revitalization of Downtown Las Vegas in 2013 and has helped transform the surrounding DTLV community into a bustling destination while contributing over $450M of economic impact and cultural capital to the area. Acquired by Penske Media Corporation and Rolling Stone in December 2023, Life is Beautiful is expanding its offering introducing new event concepts and formats while evolving and expanding the reach and impact of its marquee festival. Life is Beautiful  continues to be driven by its core mission to create a holistic experience which aids in positive community development and individual empowerment through shared experiences driven by art and culture. What started as an event has become something more: a symbol of connection, joy and creativity.

Follow Life is Beautiful

Instagram: @Lifeisbeautiful
Twitter: @lifeisbeautiful
Facebook: @lifeisbeautifulfest
TikTok: @lifeisbeautifulfestival

Press Releases
May 8, 2024
London, June 2025

Today, South by Southwest® (SXSW®), the world’s leading festival celebrating the convergence of creativity, culture and technology, is launching in London in June 2025.

Through its multidisciplinary conferences and cultural festivals, SXSW has become a global platform to celebrate new ideas, propelling the careers of innovators and creatives across sectors, from start-up founders to independent artists and filmmakers.

SXSW London expands the footprint of the world’s leading and most sought-after cultural platform created over almost four decades in Austin, Texas. Every year, hundreds of thousands of creatives converge at SXSW to discuss and debate some of the most challenging issues of our time, with innovation in technology and science presented alongside the world’s biggest music and entertainment stories. From AI to climate change, politics to society, and the first outings for game changing start-ups such as Twitter and Airbnb, SXSW has been at the forefront of ideas and providing platforms for the world’s most critical and impactful voices.

Since 1987, SXSW has welcomed the world’s leading speakers and participants across a multitude of disciplines, including Christiane Amanpour, Deepak Chopra, Mark Cuban, Melinda Gates, Dave Grohl, Sadiq Khan, Barack Obama, Michelle Obama, Steven Spielberg, Dr. Lisa Su, Meghan, the Duchess of Sussex, Tilda Swinton, Taika Waititi, Elizabeth Warren, Amy Webb, Michelle Yeoh, and Mark Zuckerberg.

SXSW also creates unrivalled showcasing opportunities for new musicians and filmmakers, with a roll call of firsts that has helped propel global cultural icons like Amy Winehouse, Billie Eilish, Dua Lipa and Ed Sheeran, and other influential artists such as Skepta, Stormzy and Wet Leg.

SXSW London will bring its own distinctive personality, driven by London's internationally renowned cultural life and creativity, its status as a global meeting place, and its proximity to other major creative and tech centres in Europe. Over the course of a week in June, SXSW London will take over dozens of venues, galleries, clubs and other spaces in Shoreditch, east London, renowned as a vibrant centre for creativity and technological innovation, as well as for its diversity, energetic youth culture, global cuisine and nightlife.

SXSW London will build upon London’s place within the community of over 20 million people working in the creative and technology sectors across Europe. In the UK alone, the cultural and creative industries contribute £125 billion, with London contributing more than half of the UK’s entire creative industries economic output.

In addition to inspiring and challenging keynotes, music showcases, and innovations in tech, gaming and screen, SXSW London will introduce boundary pushing visual arts, design and fashion programming, with exhibitions and interactive and immersive experiences in public spaces across its east London campus.

As SXSW’s European edition, SXSW London will have a particular emphasis on creative talent from across Europe. SXSW London will continue to encourage the convergence of creativity and culture, unexpected discoveries, and connections between visitors, creating opportunities for attendees, performers, and the broader London community to collaborate and innovate. SXSW London will also continue to develop Austin's focus on climate action and sustainability, with the ambition to drive positive change for future generations.

More details about the SXSW London 2025 programme will be announced in the coming months, with badges due to go on sale in October 2024. Register your interest for the most unmissable event in the 2025 European creative calendar at sxswlondon.com.

Randel Bryan, Managing Director of SXSW London, said:

"As a life-long fan of SXSW I truly believe that it’s more than an event - it’s a movement, a platform where the world’s greatest minds, musicians and motivators come to share their passion and their vision of the future.

"SXSW London will build on Austin's incredible legacy, presenting an event that underpins why SXSW is the go-to destination for professionals and creatives seeking meaningful connections, unexpected experiences and ideas that can help shape the world.

"SXSW London will also provide a platform for the next generation of creative talent and we will be working hard to ensure that opportunities for learning, employment and community uplift are at the heart of everything we do."

Jann Baskett, Co-President and Chief Brand Officer of SXSW, said:

"We couldn’t be more excited to bring the SXSW experience to London. Following the success of SXSW Sydney, this is an incredible new opportunity to highlight the elements that make SXSW unique in one of the most vibrant cities in Europe. We look forward to forming deeper connections with our overseas community and bringing the conversations that start in Austin all the way to London."

The Mayor of London Sadiq Khan said:

"I am delighted to welcome SXSW to London for the first time ever - confirming our place at the heart of Europe’s tech and creative sectors and as a global capital of culture.

"When I was part of SXSW in Austin in 2018, I saw first-hand the electric atmosphere of innovation SXSW creates and I can’t wait to be part of it again.  This is a historic opportunity for London to once again bring the world’s most exciting talent together as part of our mission to build a better and more prosperous London for everyone."

Culture Secretary, Lucy Frazer said:

“Festivals have been a vital part of British culture for decades and a key part of the reason why the UK is known the world over for creative excellence.

“From film and TV to fashion and music, London is a global hub for cultural and creative talent, so it’s fantastic that SXSW is coming here to bring together innovators from across these sectors and demonstrate why the UK’s creative industries are the envy of the world.”

Read quotes from Sir Peter Bazalgette, Co-Chair, UK Creative Industries Council, Dr Jo Twist OBE, Chief Executive, BPI, Darren Henley, Chief Executive, Arts Council England, Naomi Pohl, General Secretary Musicians’ Union, Priya Lakhani OBE, Founder and CEO, CENTURY TECH, Skinder Hundal MBE, Director, Arts, British Council, Karen Palmer, the award winning XR creator and futurist, Tom Kiehl, Interim Chief Executive, UK Music, Sally Davies, Managing Director of Abbey Road Studios, Lawrence Montgomery, Managing Director, Rough Trade Retail (UK), Jessica Driscoll, Director of Immersive Technology, Digital Catapult, Adam Cole, who presented his work Kiss/Crash at SXSW 2024 in Austin, Caroline Rush CBE, CEO British Fashion Council and Chair Creative Industries Trade and Investment Board, Professor James Bennett, Director CoSTAR National R&D Lab for Creative Technologies, Crispin Parry, CEO, British Underground, Ed Jenkins, CEO Volumetric Video Ltd and Dr Hayaatun Sillem CBE, CEO, Royal Academy of Engineering and Queen Elizabeth Prize for Engineering Foundation here.  

About SXSW

SXSW dedicates itself to helping creative people achieve their goals. Founded in 1987 in Austin, Texas, SXSW is best known for its conference and festivals that celebrate the convergence of tech, film and television, music, education, and culture. An essential destination for global professionals, the annual March event features sessions, music, and comedy showcases, film and television screenings, exhibitions, professional development, and a variety of opportunities to meet and connect with people. SXSW proves that the most unexpected discoveries happen when diverse topics and individuals come together. SXSW 2025 will take place March 7-15 in Austin.

SXSW’s expansion into the Asia Pacific region, with SXSW Sydney starting in 2023 and Europe with SXSW London in 2025, provides new possibilities at this iconic experience. These events, each with their own distinct flavour, make South By an indispensable three-stop tour for the global creative community.

www.sxsw.com

Panarae

Panarae is a private investment company with a focus on the financing and development of global enterprises. The company has a diverse investment and partnership portfolio – ranging from financial and professional services to media and entertainment. SXSW London is produced under license from SXSW LLC by Panarise, a live entertainment company established and owned by Panarae.

www.panarae.com

TAIT

TAIT partners with artists, brands, and institutions to bring culture-defining, never-before-seen experiences to life. With a legacy of innovation spanning over 45 years, TAIT has grown from pioneering in rock ‘n’ roll concert staging to setting the global standard for extraordinary live events and experiences through cutting-edge technology, precision engineering, and creative design, as well as producing high-stakes, high-touchpoint moments around the globe. TAIT’s 20 global offices have developed iconic productions and experiences in over 30 countries, all seven continents, and even outer space for renowned performers, theme parks, exhibits, and venues across the globe, including partnerships with Snap Inc., Taylor Swift, Cirque Du Soleil, Warner Bros. Discovery, Royal Opera House, Nike, NASA, Google, Disney, Beyoncé, Bloomberg, and The Olympics.

www.taittowers.com

April, 26, 2024 – LOS ANGELES – Today, CBS and Dick Clark Productions (DCP) announced the world’s largest fan-voted award show, the AMERICAN MUSIC AWARDS (AMAs), will air on the CBS Television Network for the first time, Sunday, October 6, 2024 (8:00 PM, ET/5:00 PM, PT) and stream on Paramount+.

The AMAs celebrate the year’s top achievements in music determined by the fans, for the fans. Over the past 50 years, the AMAs has showcased the very best in music and delivered memorable pop-culture moments and powerful lineups, including first-time collaborations and exclusive world premiere performances from music’s biggest names across pop, rap, R&B, country, Latin, K-Pop and more.

The 2024 AMERICAN MUSIC AWARDS are produced by Dick Clark Productions. Nominees are based on key fan interactions – as reflected on the Billboard charts – including streaming, album sales, song sales and radio airplay.

*Paramount+ with SHOWTIME subscribers will have access to stream the show live via the live feed of their local CBS affiliate on the service, as well as on demand. Paramount+ Essential subscribers will not have the option to stream live but will have access to on-demand the day after the special airs.

Media Contacts:

Dick Clark Productions

Gina Sorial, gsorial@dickclark.com

Lydia Baskharoon, lbaskharoon@dickclark.com

CBS

Kate Fisher, KHFisher@cbs.com

Press Releases
April 26, 2024
Brands
April 25, 2024
ATX TV Festival has announced additional programming for Season 13, taking place May 30-June 2, 2024, in Austin, Texas

Today, ATX TV Festival announced the Closing Night event will feature Norman Lear’s TV for the People: Script Reading and Conversation, a night of comedy, conversation, and celebration honoring the life and legacy of legendary writer, producer, and activist Norman Lear.

The event will feature live script readings of the groundbreaking abortion episode from Maude (“Maude’s Dilemma”) and a classic episode from Good Times, with guest casts who will step into some of TV’s most iconic roles for the one-night event.

Following the script reading, Lear’s collaborators, friends, and fellow creatives will join for a conversation about his groundbreaking approach to TV that reflected and commented on the everyday American experience; his ability to use the sitcom format to invite audiences in to broader conversations about racism, abortion, LGBTQ+ rights, sexual assault, and more; and how Lear’s legacy continues to shape the medium through the next generation of storytellers.

Confirmed participants include Katey Sagal (in the role of “Maude”), Phil Rosenthal (in the role of “Walter Findlay”),Danny Pino (in the role of “Dr. Arthur Harmon”), Dulé Hill (in the role of “James Evans Sr.”), and producer Brent Miller (former producing partner to Lear, and Owner/CEO of newly released A House on Brame Productions), with additional panelists to be announced soon.

The event will be supported by USC Annenberg Norman Lear Center’s Hollywood, Health and Society, with additional partners to be announced soon. The event will be open to Festival badgeholders, as well as single ticket holders. Buy your Badge, Pass, or Ticket now at: atxfestival.com/attend

In addition to the previously announced Girls5eva Karaoke Night event, Universal Studio Group will also present a track of screenings and conversations, including:

  • “Funny AF” – A panel featuring USG’s top comedians and comedy showrunners for a moderated discussion about their individual shows, how they got started in comedy, comedy for a mass audience, and more. Confirmed panelists include Hacks actor Mark Indelicato, Girls5eva creator/showrunner/executive producer Meredith Scardino, Resident Alien creator/showrunner/executive producer Chris Sheridan, and Lopez vs. Lopez co-creator/showrunner/executive producer Debby Wolfe.
  • “Queer Storytelling” – A panel celebrating LGBTQIA+ series and moments that have opened new doors for queer storytelling, the kinds of stories we still want to see – and the creatives who are breaking the mold. Confirmed panelists include actors Mark Indelicato (Hacks) and Daniel Kyri (Chicago Fire).
  • Resident Alien with Chris Sheridan & Alan Tudyk – A deep dive into the SYFY comedy about “a crash-landed alien” who begins to wrestle the moral dilemma of his original mission (killing all humans). Creator/showrunner/executive producer Chris Sheridan and star Alan Tudyk will join fans to discuss the show’s recently concluded third season - including guest stars, baddies, and what that season finale means for Harry and the residents of Patience (and Earth) going forward.
  • Hacks Seasons 3 Finale Screening and Q&A – A screening of the finale episode from the upcoming third season of the award-winning comedy Hacks, from Max and Universal Television. Following the screening, cast member Mark Indelicato will join for a Q&A conversation.

New additions to the lineup also include:

  • Anne Rice’s Interview with the Vampire Season 2 Screening and Q&A presented by AMC Networks – Creator/executive producer Rolin Jones, executive producer Mark Johnson, and cast members will join for an advance episode screening from Season 2, followed by a conversation.

The interview continues in season two of Anne Rice’s Interview with the Vampire. In the year 2022, the vampire Louis de Pointe du Lac (Jacob Anderson) recounts his life story to journalist Daniel Molloy (Eric Bogosian). Picking up from the bloody events in New Orleans in 1940 when Louis and teen fledgling Claudia (Delainey Hayles) conspired to kill the Vampire Lestat de Lioncourt (Sam Reid), Louis tells of his adventures in Europe, a quest to discover Old World Vampires and the Theatre Des Vampires in Paris, with Claudia. It is in Paris that Louis first meets the Vampire Armand (Assad Zaman). Their courtship and love affair will prove to have devastating consequences both in the past and in the future, and Molloy will probe to get to the truths buried within the memories. The series returns May 12 on AMC and AMC+.

  • Orphan Black: Echoes U.S. Premiere Screening and Q&A presented by AMC Networks – Set in the same universe as the critically acclaimed, cult phenomenon Orphan Black, Orphan Black: Echoes stars and is executive produced by Krysten Ritter (Marvel’s Jessica Jones, Love and Death), and “takes a deep dive into the exploration of the scientific manipulation of human existence, [following] a group of women as they weave their way into each other’s lives and embark on a thrilling journey, unraveling the mystery of their identity and uncovering a wrenching story of love and betrayal.”

The premiere screening will be followed by a conversation with executive producer/writer Anna Fishko (Pieces of Her, The Society, Fear the Walking Dead) and executive producer/director John Fawcett (co-creator of Orphan Black) moderated by Vanity Fair’s Maureen Ryan with additional panelists to be confirmed at a later date. Orphan Black: Echoes premieres Sunday, June 23 on AMC, AMC+ and BBC AMERICA.

In addition, Season 13 of the Festival will feature:

  • The Way Home: A Conversation with the Creators & Cast” – The stars of Hallmark Channel’s original series “The Way Home,” which follows three generations of women living together in a small farm town as they navigate a time-traveling journey across multiple eras to “find their way back to each other,” will join for an in-depth look at the breakout hit, including its recently-aired second season. Confirmed panelists include showrunners/co-creators/executive producers Heather Conkie and Alexandra Clarke,  co-creator/executive producer Marly Reed, and cast members Andie MacDowell, Chyler Leigh, Evan Williams, and Sadie Laflamme-Snow.
  • Billy the Kid Screening and Q&A with Tom Blyth and Donald De Line presented by MGM+ — MGM+ will host an advance screening of Billy the Kid Season 2, Part 2, which finds Billy (Tom Blyth) “caught in the middle of the Lincoln County War, a murderous conflict driven by money, greed and corruption.” Following the screening, star Tom Blyth (The Hunger Games: The Ballad of Songbirds & Snakes) and showrunner/executive producer Donald De Line (Wayward Pines) will join for a conversation about bringing the Wild West to life and Billy’s journey throughout Season 2.
  • “Breakfast with the Rosenthals” - Creator, writer, producer, host, and author Phil Rosenthal returns to Austin for another delicious discussion about the latest season of his hit Netflix series Somebody Feed Phil, his new book Just Try It!, and his podcast “Naked Lunch”… with a few special guests! Rosenthal will be joined by his daughter, Lily Rosenthal (co-author of Just Try It!), his brother Richard Rosenthal (executive producer and occasional-guest-star, Somebody Feed Phil), and his son Ben Rosenthal to discuss the family’s shared love of food, travel, and comedy, and why they just can’t help but work together.
  • “Fireside Chat with Jeff Wachtel” – A wide-ranging conversation with Future Shack Entertainment CEO and former President of USA Network, Universal Content Productions, and NBCUniversal International Studios, Jeff Wachtel, about lessons learned in development, business models built to adapt and innovate, the future of streaming, and more.  
  • "Beau Willimon Breaks a Season of TV" – Ready, set, break! Writer/Producer Beau Willimon (House of Cards, The First, Andor) will break an entire season of TV with the audience... in just one hour.
  • Pretty Little Liars: Summer School stars Bailee Madison, Chandler Kinney, Malia Pyles, Zaria, and Mallory Bechtel, and creators/executive producers Roberto Aguirre-Sacasa and Lindsay Calhoon Bring will join for a sneak peek screening of episode 6 followed by a Q&A presented by Max.
  • Animal Control Panel with the Cast — FOX Entertainment’s original workplace comedy Animal Control, starring Emmy Award nominee Joel McHale (Community), joins the line-up with a conversation featuring cast membersVella Lovell (Crazy Ex-Girlfriend) and Grace Palmer (Good Grief), who star as local Animal Control workers whose lives are complicated by the fact that animals are simple, but humans are not.
  • NEW PANELISTS – Presidential Forum: On TV, The Industry and What’s Next: Panelists Nicole Clemens, president, Paramount Television Studios; Lisa Katz, president, Scripted Content, NBCUniversal Entertainment; Erin Underhill, president, Universal Television; Katherine Pope, president, Sony Pictures Television Studios; and Karey Burke, president, 20th Television will sit down for a conversation about the current and future states of television following a year with two historic strikes.
  • NEW PANELISTS – Hotel Cocaine Screening and Q&A presented by MGM+: MGM+ will host a screening of the premiere episode of the new crime thriller Hotel Cocaine, from creator and executive producer Chris Brancato (Godfather of Harlem, Narcos). The screening will be followed by a conversation with Brancato, co-executive producer Maurice Compte, and cast members Danny Pino (Mayans M.C.), Mark Feuerstein (Royal Pains), and Yul Vazquez (The Outsider).

Buy your Badge or Pass now at: atxfestival.com/attend

All of this joins the previously announced programming:

  • Suits Retrospective
  • Halt and Catch Fire 10-Year Anniversary with Creatives and Cast
  • “Presidential Forum: On TV, the Industry, and What’s Next”
  • “Industry” Season 3 Premiere and Q&A with Creators
  • OPENING NIGHT: “Fantasmas” World Premiere with Julio Torres
  • “Pretty Little Liars: Summer School” Screening and Q&A with Cast & Creatives
  • “Fargo” Screening and Conversation with Noah Hawley
  • “Adventures in Indie TV” with Duplass Brothers Productions
  • “The Art of World-Building” presented by Sony Pictures Television
  • “The History of TV” presented by RCA
  • “Girls5eva” Karaoke Night presented by Universal Studio Group
  • “Hotel Cocaine” Screening and Q&A with Creator and Cast
  • The Pitch Competition Live Finale
  • Breakthrough Awardee: Devery Jacobs
  • “The Monologue Case Study with Mike Flanagan”
  • Trial By Content (Live!)”
  • Panelists David Hudgins (FBI: Most Wanted), Graham Yost (Silo), and Jessica Rhoades (Black Mirror)

For more information on ATX TV’s year round events and programming, please visit atxtv.com.

ABOUT ATX TV FESTIVAL

ATX TV Festival is an annual event produced by ATX TV, taking place each summer in Austin, TX. As the leading television festival, it brings together fans and industry to celebrate the television medium by looking at its history, where it is now, and where it is headed. The festival consists of screenings followed by Q&As, panel conversations, and events (parties, live music, happy hours, hosted receptions, etc) and is known for reunions of classic series and cult hits. Screenings include never-aired pilots, canceled-too-soon series, current favorites, and world premieres. Panels conversations range from industry deep-dives to fan-focused conversations, along with discussions on representation (in front of and behind the camera) and responsibility in storytelling. The ATX TV audience is comprised equally of consumers and industry professionals, and ATX TV Festival is the only place they come together as one community to discuss and celebrate all aspects of #TVTogether.

Brands
April 22, 2024
New Series Reveals All-Star Talent Lineup

Today, The Hollywood Reporter (THR) announced the return of the Emmy®-nominated series, “Off Script With The Hollywood Reporter” with five new episodes of Emmy contenders, featuring themed episodes including Comedy Actress, Drama Actor, Comedy Actor, Drama Actress and Stand-Up. The new season is set to premiere on Friday, May 24th, at a new time of 10 pm PT/1 am ET exclusively on IFC and streaming on AMC+. New episodes will continue on Fridays.

Talent names for select episodes, hosted by Emmy®-nominated actor and comedian Yvonne Orji (“Insecure”), include:

Comedy Actress - Friday, May 24 at 10 pm PT on IFC and available to stream on AMC+

  • Quinta Brunson, “Abbott Elementary"
  • Maya Rudolph, “Loot"
  • Kristen Wiig, “Palm Royale"
  • Ego Nwodim, “Saturday Night Live”
  • Michelle Buteau, “Survival of the Thickest"
  • Renee Elise Goldsberry, “Girls5Eva"

Drama Actor - Friday, June 7 at 10 pm PT on IFC and available to stream on AMC+

  • Jon Hamm, “Fargo”
  • Nicholas Galitzine, “Mary & George"
  • Clive Owen, “Monsieur Spade”
  • David Oyelowo, “Lawmen: Bass Reeves"
  • Matt Bomer, “Fellow Travelers"
  • Callum Turner, “Masters of the Air"

Comedy Actor - Friday, June 14 at 10 pm PT on IFC and available to stream on AMC+

  • Theo James, “The Gentleman”
  • Ricky Martin, “Palm Royale”
  • Bowen Yang, “Saturday Night Live”
  • Kelsey Grammer, “Frasier”
  • Anthony Mackie, “Twisted Metal"
  • John Goodman, “The Righteous Gemstones" and “The Conners”

Talent names for Drama Actress and Stand-Up are forthcoming and broadcast times may be subject to change.

Each episode will highlight a dynamic ensemble of actors and delve deep into the urgent issues, creative methodologies, and behind-the-scenes narratives that define entertainment. Conversations are moderated by THR’s Mikey O'Connell and Lacey Rose. The show was filmed on location in The Georgian Room at The Georgian Hotel, the iconic Hollywood hangout in Santa Monica.

The Emmy®-nominated series, “Off Script With The Hollywood Reporter,” is executive produced by Elisabeth D. Rabishaw, EVP and publisher of THR, Jason Rovou, VP of video production and development of THR, and THR co-editor-in-chiefs Maer Roshan and Nekesa Mumbi Moody.

About The Hollywood Reporter:

The Hollywood Reporter (THR) is a flagship entertainment media brand that offers in-depth reporting, analysis, and thought-provoking reviews; unparalleled access; world-class photography and video; and exclusive features in its award-winning weekly magazine and dynamic website. THR also boasts prestigious live events; industry-leading philanthropic, empowerment, and diversity initiatives; and hugely successful video series, including the Emmy®-nominated “Close Up With The Hollywood Reporter.” THR was named best entertainment publication at the December 15th annual National Arts & Entertainment Journalism Awards.  

About IFC:

IFC is the home of offbeat, unexpected comedies, fan-favorite movies, and cult TV shows. IFC is owned and operated by AMC Networks Inc. and available across multiple platforms. IFC is Always On, Slightly Off.

About AMC+:

AMC+ is the company’s premium streaming bundle featuring an extensive lineup of popular and critically acclaimed original programming from AMC, BBC America, IFC, and SundanceTV and full access to targeted streaming services Shudder, Sundance Now and IFC Films Unlimited, which feature content such as A Discovery of Witches, Creepshow, and Boyhood. The service features a continually refreshed library of commercial-free content, with iconic series from the AMC Networks portfolio including Mad Men, Halt & Catch Fire, Hell on Wheels, Turn: Washington’s Spies, Rectify, Portlandia, Orphan Black and series from The Walking Dead Universe, among many others. The service also offers a growing slate of original and exclusive series including Gangs of London, Dark Winds, and the first two series in a new Anne Rice universe, Anne Rice’s Interview with the Vampire and Anne Rice’s Mayfair Witches. With new movies released every Friday, AMC+ is the newest destination for exclusive film premieres direct from theaters all year long. AMC+ is available in Canada, Australia, New Zealand, and Spain and is available in the U.S. through AMCPlus.com, the AMC+ app, and a number of digital and cable partners.

Brands
April 15, 2024

Today, TVLine, the industry’s authority in television content, has announced the promotion and the expanded scope of three editorial leaders: Matt Webb Mitovich, Kimberly Roots, and Rebecca Iannucci, effective immediately. These promotions punctuate TVLine’s evolution and continued growth across the brand.  

“We are thrilled to announce these deserving promotions, reflecting both the dedication and talent of our team as we build and evolve for the future,” said Michael Ausiello, Founder, TVLine.

New positions and expanded responsibilities include:

  • Matt Webb Mitovich is promoted to Chief Content Officer, from Editor-in-Chief. Mitovich was part of TVLine's January 2011 launch team and is on the Television Critics Association Board of Directors. He is a graduate of Syracuse University’s S.I. Newhouse School of Public Communications, and previously worked at TVGuide.com, TV Guide Magazine and Fancast.
  • Kimberly Roots is promoted to Editor-in-Chief, from Managing Editor. Roots joined TVLine in 2012. A graduate of Northeastern University and Columbia University’s Graduate School of Journalism, Roots’ work has appeared in the New Haven Register, The Star-Ledger, The Patriot Ledger, Science & Spirit and Science & Theology News. She lives in New York City.
  • Rebecca Iannucci is promoted to Managing Editor, from Senior Editor. Iannucci has been a member of Team TVLine since 2013, when she was hired as an intern while pursuing her journalism degree at Elon University. After a short stint in Los Angeles as part of TVLine's West Coast team, Rebecca now works remotely from Raleigh, N.C.

About TVLine:

Since its launch in January 2011, TVLine has become a household name in trusted television content. Michael Ausiello and his team created the site to help TV enthusiasts cut through the clutter and find the news and updates they crave – from exclusive casting scoop to spoilers and deep-dives into your favorite shows. TVLine boasts an impressive digital reach of 12M unique video users, 364M social views and 1.6M followers.

People
March 26, 2024

Today, Fairchild Media Group announced that Jenny B. Fine has been promoted to the role of Editor-in-Chief, Beauty Inc, effective immediately. Fine began working at Beauty Inc in November 2001, and has been Executive Editor, Beauty, for WWD since November 2017. Fine will continue to oversee beauty content across Fairchild Media Group, and report directly to James Fallon, Editorial Director of WWD and Fairchild Media Group.

"Jenny's passion, inspiring leadership, knowledge and creativity make her immensely deserving of being named Editor-in-Chief of Beauty Inc,” said Fallon. “Under her direction over the last few years, WWD's beauty coverage has expanded to cover more categories, such as wellness, and has become even more of a must-read, not only for its up-to-the-minute breaking news but also its in depth analysis of the sector's trends—both current and soon to come. Beyond that, she has taken Beauty Inc's live global events to another level with her curation of speakers and compelling content, further enriching WWD's coverage of the beauty sector. Jenny’s talent as a journalist is recognized not only at Fairchild Media Group and Penske Media but throughout the industry.”

“From her expert industry reporting to her exceptional leadership and mentorship across the beauty community, Jenny has been the driving force of beauty at WWD for many years, making her elevation to Editor-in-Chief even more meaningful to us all,” noted Amanda Smith, President of Fairchild Media Group. “Under her guidance, Beauty Inc is synonymous with unparalleled journalism, analysis, and breaking news. She has transformed the title into a 360 brand of must-read content, must-see news, and must-attend global events for the very discerning beauty category. I am thrilled to congratulate Jenny on this well-deserved promotion, and I look forward to a future filled with innovation and exciting possibilities for Beauty Inc and the entire FMG brand.”

Prior to joining Beauty Inc, Jenny was Editor of Luckymag.com, where she was responsible for overseeing its launch and editorial content. She was previously Director of iVillage.com’s Beauty Channel and Beauty Director at SELF. She began her career in magazine publishing at Fairchild, where she served as Senior Associate Editor of Salon News and Beauty News Editor of WWD. A native of Louisville, Kentucky, Fine received a B.A. in Art History and an M.A. in Journalism from New York University.

About Beauty Inc

Beauty Inc is the insider’s guide to the global Beauty community. Offering six franchise printed issues per year, a weekly news-based digital publication, and extended coverage on WWD.com, Beauty Inc is renowned for comprehensive reporting on industry trends and marketplace developments and is considered the premier source for in-depth coverage on all aspects of the Beauty, Wellness, and Retail communities.

About Fairchild Media Group

Fairchild Media Group (FMG) is a global media company of fashion trade magazines, websites, and conferences for the fashion, retail footwear, beauty and sourcing industries. Established in 1910 by John B. Fairchild, Fairchild Media Group brands today include Women’s Wear Daily (WWD), Footwear News (FN), Beauty Inc., Sourcing Journal, Rivet, Fairchild Live, and Fairchild Studio. FMG content reaches an 18 million+ international audience of business executives and fashion enthusiasts across print, digital, social and over 20 annual thought leader events including its renowned CEO Summits. Fairchild Media Group’s Fairchild Studio produces over 100 pieces of programming in partnership with blue chip brands including industry reports, video series, and podcasts. Visit https://pmc.com/our-brands/fairchild-live/.

Press Releases
March 25, 2024

Today, CBS and The Golden Globe® Awards announced today a new five-year deal to broadcast the award show on the Network and stream live on Paramount+. The new agreement kicks off with the January 2025 broadcast.  

CBS’ recent broadcast of The 81ST ANNUAL GOLDEN GLOBE® AWARDS on Sunday, January 7th averaged 10 million viewers (Nielsen Live+7 Day national ratings), up nearly +50% from last year, its largest audience since 2020. The telecast was also the third-largest live-streamed CBS special event on Paramount+ ever in terms of AMA and reach.

“CBS’ collaboration with the Globes for this year’s broadcast was a big win for both of us and established strong momentum for awards shows in 2024,” said George Cheeks, President and CEO of CBS. “The Globes is a one-of a-kind live event that adds another marquee special and valuable promotional platform to CBS’ annual calendar. I’m excited to expand the partnership with Jay and the entire team to continue to drive the Globes forward.”

“We’re so proud to continue to call CBS our home for the Golden Globes,” said Jay Penske, Chairman and CEO of Penske Media and Dick Clark Productions. “CBS stepped up for the Globes during a very challenging time, and inherently understood its value, while having the foresight, imagination and conviction to bring this iconic show to its many platforms. We've long admired CBS’ commitment to some of the greatest cultural live events and partnering for the long-term further cements this show's legacy and incredible place in history.”

“Today marks a significant milestone for the Globes as we solidify our partnership with CBS and Paramount+ for the next five years,” said Helen Hoehne, President, Golden Globes. “We are incredibly proud of the audience we garnered in 2024 and look forward to building upon the immense success to make the 82nd annual Golden Globe Awards the best and most memorable show yet.” 

The Golden Globe Awards, often referred to as Hollywood’s “Biggest Party of the Year®,” is one of the biggest nights on the calendar for live viewing. It is also the largest awards show in the world to celebrate the best of both film and television.  

Produced and owned by Dick Clark Productions, the Golden Globe Awards are viewed in more than 185 countries worldwide.

About The Golden Globe® Awards

As a premier entertainment awards show since 1944, the annual Golden Globe Awards has honored achievements in both television and film. Over the last three decades, the licensing fees from the Golden Globe Awards have enabled donations of more than $55 million to entertainment-related charities including scholarship programs, film restoration projects and humanitarian efforts. This funding has also supported diverse programs in partnership with advocacy groups aimed at promoting greater access in Hollywood for underserved communities. Dick Clark Productions is the owner and producer of the Golden Globe Awards. For more information on the Golden Globe Awards, please visit www.GoldenGlobes.com and follow us on Twitter, Instagram, Facebook and in Spanish on Twitter and Facebook.  

About Dick Clark Productions

Dick Clark Productions is the world’s largest producer and proprietor of televised live event entertainment programming including the “Academy of Country Music Awards,” “American Music Awards,” “Billboard Music Awards,” “Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest,” “Golden Globe Awards,” “So You Think You Can Dance,” from 19 Entertainment and DCP, and “Streamy Awards.” Dick Clark Productions owns one of the world’s most extensive and unique entertainment archive libraries with more than 60 years of award-winning shows, historic specials, performances, and legendary programming. Dick Clark Productions is a Penske Media company. For more information, please visit www.DickClark.com.

*Paramount+ with SHOWTIME subscribers will have access to stream live via the live feed of their local CBS affiliate on the service, as well as on demand. Paramount+ Essential subscribers will not have the option to stream live but will have access to on-demand the day after the special airs.

Brands
March 21, 2024

Today, Indiewire, the definitive outlet for creative independence in film and TV, announced the promotion and the expanded scope of five leaders across its editorial and publishing teams, including Kate Erbland, Jason Gonzalez, Christian Blauvelt, Chris O’Falt and Tony Maglio, effective immediately. These promotions punctuate IndieWire's evolution and continued growth across the board.  

“These promotions reflect both the hard work of our team and the evolving needs of IndieWire,” said Dana Harris-Bridson, Senior Vice President and Editor-in-Chief. “Kate and Christian have proved to be invaluable leaders, and Tony’s perspective brings new focus to our news team. I welcome Chris’s new focus on AI in addition to his work on the Toolkit podcast.”

“Jason has been instrumental in IndieWire’s record revenue growth,” said James Israel, Senior Vice President and Publisher. “His deep understanding of our entertainment partners’ needs, along with a smart passion for film and TV, has allowed us to continue to expand our awards business."

New positions and expanded responsibilities include:

  • Kate Erbland is promoted to Editorial Director. Erbland will oversee the brand’s film, TV, crafts, and awards teams and lead the rollout of all original stories, including features, interviews, and reviews. Erbland joined IndieWire in 2015 and is a member of the New York Film Critics Circle and the Critics' Choice Awards.  
  • Jason Gonazlez is promoted to Associate Publisher, Vice President. Formerly VP, Special Projects & Partnerships, Gonzalez led the successful launch and growth of IndieWire’s branded/sponsored content business. He will continue to oversee both sponsored and branded content initiatives and spearhead growth across all revenue verticals.
  • Christian Blauvelt is promoted to Digital Director. He will oversee the curation and social media teams and serve as IndieWire’s primary editorial liaison for product, licensing, and sales. Blauvelt joined IndieWire in 2018 and is the author of “Hollywood Victory,” about the film industry’s role in WWII.  
  • Chris O’Falt is promoted to Vice President of Features Strategy. O’Falt will lead creator-focused coverage, with an eye toward AI and labor developments, and oversee expansion of editorial franchises. Formerly Executive Editor of Craft & Special Projects, he oversaw the expansion of craft coverage and launched award-winning video franchises Craft Considerations and Deep Dive.
  • Tony Maglio is promoted to Executive Editor of News. Formerly IndieWire's Executive Editor of Business, Maglio, will expand his oversight to include all News content. Maglio is a former finance and accounting professional, comedy writer, and TV Editor at The Wrap.

About IndieWire:  

For over 25 years, IndieWire has been covering the business and art of entertainment. With the respect of film and TV creators, executives, and passionate fans alike, IndieWire is known for being ahead of the curve with a unique editorial voice that combines in-depth industry reporting and analysis, breaking news, and its best-in-class Oscars, Emmys, and crafts coverage. IndieWire began in July 1996 as an online chat room and evolved to become one of the earliest online entertainment news outlets. As IndieWire grew, its coverage expanded beyond film festivals and the independent film industry to include all aspects of Hollywood and the expanding universes of TV and streaming and has continued to do so since being acquired by Penske Media Corporation in 2016.  

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